When the Lemon Drop Kid accidentally steers Moose Moran's girl away from a winning bet, he is forced to come up with $10,000 to repay the angry gangster. Fortunately it's Christmas, a time ... See full summary »
Having to leave Melbourne in a hurry to avoid various marriage proposals, two song-and-dance men sign on for work as divers. This takes them to an idyllic island on the way to Bali where they vie with each other for the favours of Princess Lala. The hazardous dive produces a chest of priceless jewels which arouses the less romantic interest of some shady locals. Written by
Jeremy Perkins <firstname.lastname@example.org>
In her 1980 autobiography, "My Side of the Road," (co-written with Dick McInnes), Dorothy Lamour relates how disappointed she was at not being asked to sing on the Decca album, which re-created the film score. Instead, the label recruited an artist under contract, Peggy Lee, to croon the sultry "Moonflowers" and then go upbeat with Bing Crosby and Bob Hope on "The Merry-Go-Runaround" (both songs having music by Jimmy Van Heusen, lyrics by Johnny Burke). See more »
When George and Harold meet Lala, Harold's coat is held on his right shoulder. But, between shots, Harold appears holding the coat in front of himself. See more »
[Caught in an animal trap and suspended in the air]
Get me down! My brain's rushing to my head.
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On a scale of one to a million this rates about a 999,999 on the silly scale. In colour and with beautiful production values ROAD TO BALI made in 1952 contains as many up to date movie and social references as an encyclopedia written by Ludwig Von Drake. In a huge theatre these ROAD films must have lifted the roof with laughter, and as a DVD diversion in 2006 any of them can be a generous and loony mood lifter. There is actually many laugh out loud moments still to be had even if you weren't born or aware of life in the early 50s. THE ROAD TO BALI (pronounced "Bally" by Americans; "Barley" by the rest of us) is basically flat-out hilarious with quips and ad libs galore. Even if you cringe at Bing Crosby as I do, there is enough genuinely funny lines and situations and terrible gags to overwhelm you...much like THE PRODUCERS released this year insists we find it relentlessly dementedly funny. To me Bob Hope has always been Daffy Duck (Groucho Marx was Bugs Bunny) and it is his vaudeville lunacy that carries Crosby inbetween squabbling over Lamour and pushing through all parts of the set. This film has some excellent special effects, very admirable for '52. A hilarious cameo from Jane Russell is the cherry on the icing. Some big dance scenes are an added bonus. Fun fun and demented fun. What a year 1952 was for hilarious films (look 'em up).
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