Bewildered, Don Camillo learns that Peppone intends to stand for parliament. Determined to thwart his ambitions, the good priest, ignoring the recommendations of the Lord, decides to campaign against him.
In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired ... See full summary »
Don Camillo is now a bishop, Peppone is now a senator, but their rivalry is as fierce as when they were just a village priest, and a village administrator. Don Camillo learns that Peppone ... See full summary »
The village of mayor Peppone and Don Camillo, after much dispute, gets a assigned a sister village in Russia. When Peppone and his comrades decide to attend the ceremony on the other side ... See full summary »
Rich oriental lord Cassim's cheeky servant Ali Baba was sent to buy a meaty girl-slave, but brings dancer Morgiane, whom he is enamored with. When he's part of a caravan robbed by Abdel's ... See full summary »
Assola is an imaginary village on the border between Italy and France and the borderline crosses the village itself. The French customs agent Ferdinand is always trying to catch the Italian... See full summary »
Revak is an Iberian prince from Penda, a small island where the Carthagian fleet ransacked and enslaved the surviving native men, including him. After an eventful passage aboard a galley, ... See full summary »
A group of travelers, including a monk, stay in a lonely inn in the mountains. The host confesses the monk his habit of serving poisoned soup to the guests, to rob their possessions and to ... See full summary »
Honorin (Fernandel) is the simple and naive stage manager of a traveling theatre troupe, whose one ambition is to once play the role of the cavalier in the opera "Francis I, or the Loves of... See full summary »
This is a story of human struggle for eternal happiness. Teta Linek, a cook at a noble Austrian family Argan, thinks primarily of ways to achieve heavens in the afterlife. In the hope of ... See full summary »
After his battles with the communist mayor Peppone, Don Camillo is sent in exile by his bishop in a remote village. Peppone thought he got the village in his hands. But when the municipality decide to build a dike against the periodic floods, the proprietor of the land refuses. War between the village clans is about to begin. Maybe only the strong hand of the priest could persuade the landlord to change his mind. Will Peppone passed over his pride and send for his enemy? Written by
Jean-Marie Berthiaume <email@example.com>
Italian censorship visa #14698 dating from 12 July 1953. See more »
Pay close attention to Don Camillo's hand with the glass of castor oil in the "Castor Oil" scene. He pours what is clearly a viscous, oily liquid into the glass. Before drinking however, his hand drops out of view and when he puts the glass to his mouth the liquid is all of a sudden clear water. Apparently drinking the castor oil for real was one step too far. See more »
Very good episode, like all the others to be honest, but this one stands out for a deep and strong message, religious and not.
In the first part, the forced retreat of don Camillo is a very intense piece of cinema. His personal "via crucis" up to the mountain, his dialogue with God (the conscience's speech ?) teach to us the real value of a redemption. Camillo's exile, thank God will last little time (Peppone knows anything ?), full of energies to fight again. For the glorious bell Gertrude fallen by the belfry, the tragic Po's flood, a singular battle of the clocks, the barbaric life in the boarding-schools and the last fascists' ardors.
Everybody having at least 60 years in Italy remembers the big Po river's flood (my parents told me plenty about it) in early 50s. These kind of movies are able to maintain living the records of both happy and tragic events that marked our history through the following generations. An epoch desperately needful of a common identity (and then the politics!) but basically already related with the simple, daily things.
Fernandel and Gino Cervi couldn't be more terrific in their roles. Like Fernandel was a perfect don Camillo, Gino Cervi was either a perfect Peppone, or Maigret in the french TV-series taken by Simenon's novels. Two underrated actors that inaugurated a prolific age of Italy/France co-productions.
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