A white family has had the same black maid for many years. When she tells them she wants to go back to school and will be leaving soon, the 20ish year old son decides what she needs is a ... See full summary »
Clyde Williams and Billy Foster are a couple of blue-collar workers in Atlanta who have promised to raise funds for their fraternal order, the Brothers and Sisters of Shaka. However, their ... See full summary »
The 2nd in a series of films, produced by Jack Goldberg and Arthur Leonard, made primarily for the 684 theatres (in 1947) that catered exclusively to Black audiences that were kept out, or ... See full summary »
August 1944: proceeding with the invasion of France, Patton's Third Army has advanced so far toward Paris that it cannot be supplied. To keep up the momentum, Allied HQ establishes an elite military truck route. One (racially integrated) platoon of this Red Ball Express encounters private enmities, bypassed enemy pockets, minefields, and increasingly perilous missions, leavened by a touch of comedy. Written by
Rod Crawford <email@example.com>
Black and white films depicting the war, gave the true dismal effect that comes with war.
Partially filmed in Fort Eustis, VA in 1951-52. I was in the army, at Ft. Eustis, waiting for my shipping orders when the cast and crew arrived. Many of us were used as background. Before they left, they gave us a special screening with most of the actors attending. Jeff Chandler was there. I met one of the actresses, who was with the cast, but not in the picture. We had some nice chats; I saw her off when they departed. I was 12 when world war II started and all of the war films were in black and white. Even the news was in black and white. I feel that black and white and war go together. There is nothing pretty about war. All wars are, more or less, the same; why should the films be any different?
2 of 3 people found this review helpful.
Was this review helpful to you?