Rancho Notorious (1952)

A western based on the story "Gunsight Whitman" by Silvia Richards. Vern Haskell, a nice rancher, seeks out to avenge his fiancé's death when she is killed during a robbery. His revenge ... See full summary »

Director:

Fritz Lang

Writers:

Daniel Taradash (screenplay), Silvia Richards (original story)

Stars:

Marlene Dietrich, Arthur Kennedy, Mel Ferrer

Cast

Complete credited cast:
Marlene Dietrich	...	Altar Keane
Arthur Kennedy	...	Vern Haskell
Mel Ferrer	...	Frenchy Fairmont
Gloria Henry	...	Beth Forbes
William Frawley	...	Baldy Gunder
Lisa Ferraday	...	Maxine
John Raven	...	Chuck-a-Luck Dealer
Jack Elam	...	Mort Geary
George Reeves	...	Wilson
Frank Ferguson	...	Preacher
Francis McDonald	...	Harbin
Dan Seymour	...	Comanche Paul
John Kellogg	...	Jeff Factor
Rodd Redwing	...	Rio (as Rodric Redwing)

Storyline

A western based on the story "Gunsight Whitman" by Silvia Richards. Vern Haskell, a nice rancher, seeks out to avenge his fiancé's death when she is killed during a robbery. His revenge leads him to Chuck-a-luck, Altar Keane's ranch set up to hide criminals, and he finds more than he bargains for.

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Plot Keywords:

chuck a luck | revenge | ranch | robbery | gambling | 

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Taglines:

Where anything goes...for a price!

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Genres:

Drama | Western

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

1 March 1952 (USA)

Also Known As:

Chuck-a-Luck

Filming Locations:

General Service Studios - 6625 Romaine Street, Hollywood, Los Angeles, California, USA

Company Credits

Production Co:

Fidelity Pictures Corporation

Technical Specs

Runtime:

89 min

Sound Mix:

Mono (RCA Sound System)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Director Fritz Lang had originally planned to call this film "Chuck-a-Luck". However, the studio insisted that its name be changed to "Rancho Notorious" and when Lang asked why, he was told that it was because Americans wouldn't understand what "Chuck-a-Luck" (a gambling game commonly played in saloons in the Southwest) meant. Lang replied, "Well, it's a good thing that they all know what 'Rancho Notorious'[which has nothing to do with anything in the film] means!"

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Quotes

Altar Keane: Go away and come back ten years ago.

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Connections

Referenced in Contempt (1963)

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Soundtracks

"Get Away Young Man"
Music and Lyrics by Ken Darby
Sung by Marlene Dietrich (uncredited)

User Reviews

Tricky beginning blooms into something quite unique.

The third and last Western by Fritz Lang, Rancho Notorious is a weird, distinctive, film-noir infused Oater containing familiar Fritz Lang themes. Adapted by Daniel Taradash from an original story by Silvia Richards, the story follows Arthur Kennedy's frontiersman Vern Haskell as he trawls the West in search of the culprit responsible for the rape and murder of his fiancée. He winds up at a place known as Chuck-a-Luck, a ranch and front for a criminal hideout that is run by smouldering chanteuse Altar Keane {Marlene Dietrich}. Posing as a criminal himself, Haskell hooks up with gunslinger Frenchy Fairmont {Mel Ferrer} and infiltrates the unsavoury mob behind the scenes of the Chuck-a-Luck. But problems arise as both Haskell and Frenchy vie for the attentions of Altar and slowly but surely, as Haskell gets closer to his target, it's evident that he is so torn and twisted by revenge he's become as bad as the villains he now aims to bring down.

Reference Fritz Lang, love, betrayal and retribution, cloak them in a decidedly feminist sheen and what you get is Rancho Notorious. That the film is an oddity is something of an understatement, yet it works in a very unique sort of way. The film opens with one of the most god awful title songs used in Westerns, "Legend of Chuck-A-Luck" song by Bill Lee, from then the tune is used at points of reference in the narrative. It seems like a joke song, hell it sounds like a joke song, but within the first quarter of the film a pretty young lady is raped and murdered, Haskell is informed that she "wasn't spared anything," this is completely at odds with the tone that had been set at that time. The Technicolour photography provided by Hal Mohr has a garish sheen to it, this too gives the film a confused feel, most likely the intention there is to convey a sense of gloom as Haskell's bile starts to rise. And then the first sight of Dietrich, astride a man, riding him like a horse in some bizarre barroom contest. All of which points to Lang perhaps being over audacious with his intentions. But he wasn't, and to stay with the film brings many rewards as he revels in the tale of inner turmoil. This ultimately becomes a perfect companion piece to Lang's brilliant film noir the following year, The Big Heat. The similarities between the lead male protagonist and the femme fatale are impossible to cast aside as being mere coincidence. Rest assured Lang was at home with these themes, and cinema fans are the better for it.

It was a troubled production tho, one that belies the quality of the final product. Studio head Howard Hughes kept interfering {nothing new there of course}, even taking away control of the editing from the increasingly infuriated Lang. While the relationship between the fiery director and Dietrich broke down to such an extent they stopped talking to each other by the end of the film. Dietrich was troubled by her age at this time, often begging Mohr to work miracles with his photography to convey a more youthful look for the once "Babe of Berlin". Yet she need not of worried for her real life concerns dovetail with that of her character, which in turn gives the film a revelatory performance. With Dietrich backed up by the similarity excellent Kennedy, Rancho Notorious has much class to go with its odd and visionary touches. A different sort of Western to be sure, but most definitely a Fritz Lang baby, this deserves the classic status that is now afforded it. 8/10