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Rancho Notorious (1952)

Approved | | Western | 1 March 1952 (USA)
A western based on the story "Gunsight Whitman" by Silvia Richards. Vern Haskell, a nice rancher, seeks out to avenge his fiancé's death when she is killed during a robbery. His revenge ... See full summary »

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(screenplay), (original story)
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Cast

Complete credited cast:
...
...
Vern Haskell
...
...
Beth Forbes
...
Baldy Gunder
...
Maxine
John Raven ...
Chuck-a-Luck Dealer
...
Mort Geary
...
...
Preacher
Francis McDonald ...
Harbin
Dan Seymour ...
Comanche Paul
John Kellogg ...
Jeff Factor
Rodd Redwing ...
Rio (as Rodric Redwing)
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Storyline

A western based on the story "Gunsight Whitman" by Silvia Richards. Vern Haskell, a nice rancher, seeks out to avenge his fiancé's death when she is killed during a robbery. His revenge leads him to Chuck-a-luck, Altar Keane's ranch set up to hide criminals, and he finds more than he bargains for. Written by Andre'a M. Thompson <athompso@ziggy.st.hmc.edu>

Plot Summary | Add Synopsis

Taglines:

Where anything goes...for a price!

Genres:

Western

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

1 March 1952 (USA)  »

Also Known As:

Chuck-a-Luck  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Cinematographer Hal Mohr, who had previously photographed Marlene Dietrich in Destry Rides Again (1939) attempted to resign from the film due to Dietrich's insistence that he achieve for her greater youth-through-lighting than he felt possible. See more »

Quotes

Altar Keane: Go away and come back ten years ago.
See more »

Connections

Referenced in Marlene (1984) See more »

Soundtracks

Get Away Young Man
Music and Lyrics by Ken Darby
Sung by Marlene Dietrich (uncredited)
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User Reviews

 
An under-valued classic
28 February 2006 | by (Derry, Ireland) – See all my reviews

Fritz Lang's superlative western teeters dangerously on the edge of campness, (it's that infernal 'Legend of Chuck-a-Luck' ballad pounding away on the soundtrack, continually reminding us that this is a tale of 'hate ... murder and revenge'). Then, of course, there is that great gay icon Marlene Dietrich, looking extraordinary at fifty one as Altar Keane, boss of the outlaw hideout Chuck-a-Luck where Arthur Kennedy comes seeking the man who killed his girl in a robbery. In many respects the film is a perfect companion to Nicholas Ray's not dissimilar "Johnny Guitar", made around the same time and both featuring dominant women and weaker men and both dealing explicitly with 'hate, murder and revenge'.

This is a very tight piece of work, thematically dense and psychologically astute and directed by Lang in a truly classical style. It affords all the pleasures that a really good western should while still falling perfectly within a milieu recognizable from many of Lang's American works. "Johnny Guitar's" veiled lesbianism together with Nicholas Ray's growing reputation may have given it the edge but this, too, is a remarkable film, an essential work by one of the cinema's greatest directors.


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