14 items from 2016
Some actors and directors go together like spaghetti and meatballs. They just gel together in a rare way that makes their collaborations special. Here is a list of the seven best parings of director and actor in film history.
Of all the parings on this list, these two make the oddest films. (In a good way.) Tim Burton is one of the most visually imaginative filmmakers of his generation and Johnny Depp was once the polymorphous master of playing a wide variety of eccentric characters. They were a natural combo. Depp made most of his best films with Burton, before his current ‘Jack Sparrow’ period began. The duo had the knack for telling stories about misfits and freaks, yet making them seem sympathetic and likable. »
- firstname.lastname@example.org (Rob Young)
Richard Brooks' exciting Humphrey Bogart picture is one of the best newspaper sagas ever. An editor deals with a gangster threat and a domestic crisis even as greedy heirs are selling his paper out from under him. Commentator Eddie Muller drives home the film's essential civics lesson about what we've lost -- a functioning free press. Deadline - U.S.A. Blu-ray Kl Studio Classics 1952 / B&W / 1:37 flat Academy / 87 min. / Street Date July 26, 2016 / available through Kino Lorber / 29.95 Starring Humphrey Bogart, Ethel Barrymore, Kim Hunter, Ed Begley, Warren Stevens, Paul Stewart, Martin Gabel, Joe De Santis, Audrey Christie, Jim Backus, Willis Bouchey, Joseph Crehan, Lawrence Dobkin, John Doucette, Paul Dubov, William Forrest, Dabbs Greer, Thomas Browne Henry, Paul Maxey, Ann McCrea, Kasia Orzazewski, Tom Powers, Joe Sawyer, William Self, Phillip Terry, Carleton Young. Cinematography Milton Krasner Film Editor William B.Murphy Original Music Cyril J. Mockridge Produced by Sol C. Siegel »
- Glenn Erickson
With “Stranger Things” as the buzziest new show, and “Pete’s Dragon” gliding into theaters on the strongest reviews for a major studio release in months, 2016 could go down in the history books as the Summer of Spielberg — as long as you overlook the movie Steven Spielberg actually directed.
Both the Duffer Brothers’ Netflix series and David Lowery’s Disney remake are fueled by ’80s nostalgia, specifically the world captured as captured in 1982’s “E.T.: The Extra-Terrestrial” and 1985’s Spielberg-produced “The Goonies.” It’s a place of fractured families and corded phones, wood-paneled station wagons and well-meaning villains.
The vogue for Spielberg-esque entertainment is in some ways a simple matter of chickens coming home to roost: Lowery was born in 1980; the Duffer twins, Matt and Ross, in 1984. “E.T.” and its infinite lesser derivatives would have entered their consciousness before they gained the ability to distinguish one from the other. »
- Sam Adams
It’s getting to be the Fourth of July and so it’s apropos to think about this country, what it is, what defines it, what makes it America. Those are somewhat large topics for an essay of 500-700 words (which is where I usually clock in) so we’ll just confine ourselves to one small area.
We deal with pop culture here at ComicMix so let’s think of pop culture icons, those things that we use as symbols of this country. We’re going to focus on one – American movie star/icon John Wayne. Marion Robert Morrison (Wayne’s borth name) made gobs of movies, usually westerns, war movies and detective films. He was a star in the old fashioned Golden Age of Hollywood sense of the word. No one was bigger.
Everybody and his/her brother does an impression of Wayne. My brother does one and I have different versions. »
- John Ostrander
We're living a tidal wave of content. It's hard to know what to watch, when, and where. We're here to help! By telling you that you can and should watch a movie about a tsunami entitled The Wave from the director of the upcoming Tomb Raider movie, Roar Uthaug, on Netflix next month. The streaming service has released the titles for their July 2016 movies and TV shows, though they are subject to change. Also available are those titles leaving Netflix in July. Highlights of what you can look forward to include: Back to the Future 1- 3, Beverly Hills Cop 1 and 2 (if you want to get ready for the upcoming sequel), All of the Lethal Weapon movies (get a look at The Predator director Shane Black's first script brought to life), BoJack Horseman Season 3, The Sting, and more. Make sure to check out these titles before they leave: A Clockwork Orange, »
- Roth Cornet
You have mere days left to watch all these movies and TV shows, because come July, they'll be gone. With the truckload of new movies hitting Netflix in July, all these are expiring. It's a sad event, but at least we have a heads-up so that we can get all our watching in now. Take a look, and make sure you've caught all the new movies that popped up in June! Expiring July 1 2001: A Space Odyssey A Clockwork Orange A League of Their Own Allegiance Along Came Polly Best in Show The Beverly Hillbillies Bulworth Butch Cassidy and the Sundance Kid Caillou The Central Park Five Cheech & Chong's Up in Smoke The Conspiracy Daniel Tiger's Neighborhood, seasons one-two Dinosaur Train, season two Drive Me Crazy Flashpoint, seasons one-five The Flintstones The Flintstones in Viva Rock Vegas The Game, seasons one-three How to Marry a Millionaire Ice Age: The Meltdown Medium, »
- Maggie Pehanick
John Ford puts a Technicolor sheen on Monument Valley in this second cavalry picture with John Wayne, who does some of his most professional acting work. Joanne Dru plays coy, while the real star is rodeo wizard Ben Johnson and the dazzling cinematography of Winton C. Hoch. She Wore a Yellow Ribbon Blu-ray Warner Archive Collection 1949 / Color / 1:37 flat Academy / 103 min. / Street Date June 7, 2016 / available through the WBshop / 21.99 Starring John Wayne, Joanne Dru, John Agar, Ben Johnson, Harry Carey Jr., Victor McLaglen, Mildred Natwick, George O'Brien, Chief John Big Tree. Cinematography Winton Hoch Art Direction James Basevi Film Editor Jack Murray Original Music Richard Hageman Written by Frank Nugent, Laurence Stallings from the stories War Party and The Big Hunt by James Warner Bellah Produced by Merian C. Cooper, John Ford Directed by John Ford
Reviewed by Glenn Erickson
Have you never seen real 3-Strip Technicolor used for terrific outdoor photography? »
- Glenn Erickson
The following text is an excerpt from an essay commissioned by the specialist publishing house Hatori Press (Japan) for a tribute to the great critic, scholar and teacher Shigehiko Hasumi on the occasion of his 80th birthday (29 April 2016). Other contributors to this book (slated to appear in both Japanese and English editions) include Pedro Costa, Chris Fujiwara and Richard I. Suchenski. Beyond Prof. Hasumi’s many achievements in criticism and education (he was President of the University of Tokyo between 1997 and 2001), his ‘method,’ his unique way of seeing and speaking about films, has served as an immense inspiration for a generation of directors in Japan including Kiyoshi Kurosawa and Shinji Aoyama. The online magazines Rouge (www.rouge.com.au) and Lola (www.lolajournal.com), co-edited by Martin, provide the best access to Hasumi’s work in English (see references in the notes below).Leos Carax and Shigehiko Hasumi. Photo by Michiko Yoshitake. »
- Adrian Martin
“Two women in the house – and one of them a redhead!”
The Quiet Man (1952) is one of Hollywood’s most beloved movies and you’ll have a chance to see it on the big screen at St. Louis’ fabulous Hi-Pointe Theater next weekend as part of their Classic Film Series. It’s Saturday, March 12th at 10:30am at the Hi-Pointe located at 1005 McCausland Ave., St. Louis, Mo 63117. Admission is only $5.
John Ford’s flamboyant tribute to Irish-Americans, The Quiet Man may be full of all-too-familiar Irish stereotypes, ranging from a fondness for spirits to the love of a good fight, but it’s delivered with great skill and broad humor and at its heart is a good-natured, old-fashioned romance. The action takes place in Sea Verge (Ireland), around 1933 and tells the story of “Sean Thornton” (John Wayne), “a quiet peace loving man come home from America”, He’s a »
- Tom Stockman
What appeared to be the closest best picture Oscar race in the 21st century was won on Sunday night by Spotlight, which vanquished The Revenant and The Big Short, as well as five other nominees. This was the first time in 63 years, since The Greatest Show on Earth beat High Noon and The Quiet Man, that a film won top honors along with only one other award. And it makes Tom Ortenberg's Open Road Films the youngest distributor ever to claim top honors; unlike other young companies like Orion and DreamWorks that claimed Oscars, it hasn't even turned five
- Scott Feinberg
This week’s Jump Cut is all about determining the best year ever in cinema.
“But how can you figure that out?!” you shout at whatever device you’re reading this on. “Film is too subjective an art form for you to make overarching statements like that!”
That’s a very good point, but you’re overlooking two things: 1) the Oscar best picture nominations, and 2) film ratings on the Internet Movie Database. Both obviously have degrees of subjectivity, but that’s levelled off somewhat with each institution’s sheer number of voters or raters.
So, to work out what year was the best ever for cinema, we’ve taken all the films nominated for each year’s Best Picture Oscar, and then worked out their average IMDb rating. I’ll just point out that these were the ratings as of the week of the 88th Academy Awards on 22nd February »
- Oli Davis
Here’s a Hollywood riddle. Why are 2015’s director Oscar nominees like Olympic gymnasts? Because their judges seem to have considered degree of difficulty.
These days, the helmer category routinely honors formidable narratives demanding a battlefield general as much as an artiste. Ang Lee ringmastered the 3-D “Life of Pi” menagerie to an Oscar, followed by Alfonso Cuaron recreating the solar system for the interstellar rescue of “Gravity.” Last year, Alejandro Inarritu’s punishing one-take saunter through existential angst ended in his statuette for “Birdman.”
Small wonder partisans are practically going door-to-door to inform voters about the climate extremes Inarritu put his cast through on “The Revenant,” and vehicle stunts pulled off by George Miller’s “Mad Max: Fury Road” team with minimal digital help.
If these films were knockouts, the spin seems to say, look how their makers knocked themselves out.
Even the contempo nominees boasted head-shaking challenges. How, »
- Bob Verini
The only thing Alejandro G. Inarritu really had going against him heading into this year’s Directors Guild of America awards ceremony was that he just won a year ago for “Birdman.” Apparently, that wasn’t enough.
The “Revenant” director became the first filmmaker to ever win back-to-back DGA honors for feature filmmaking Saturday night, and really, beyond the simple unlikely nature of that prospect, it’s difficult to call it a shock. After all, it’s not a hard sell to the guild’s 13,000 members that production on “The Revenant” was no walk in the park. That’s certainly been the overbearing linchpin of the film’s campaign these last several weeks, a narrative that is helping to propel Leonardo DiCaprio to his first Oscar. But moreover, voters in this group, they know very well what it takes to pull off a project like this. So they voted accordingly. »
- Kristopher Tapley
By Todd Garbarini
The Royale Laemmle Theater in Los Angeles will be presenting a 65th anniversary screening of John Ford’s 1950 film Rio Grande. The film, which stars John Wayne, Maureen O’Hara, Ben Johnson, and Harry Carey, Jr., will be screened on Tuesday, January 12, 2016 at 7:00 pm.
Actor Claude Jarman, Jr., who appears in the film as Trooper Jefferson “Jeff” York, is scheduled to appear at a Q&A session after the film to discuss his role and career.
From the press release:
65Th Anniversary Screening Of Rio Grande, And Tribute To Maureen O’Hara
Tuesday, January 12, at 7:00 Pm at the Royal Theatre
As a tribute to Maureen O’Hara, we present the final chapter in director John Ford’s Cavalry trilogy (following Fort Apache and She Wore A Yellow Ribbon). Rio Grande works affecting variations on some of the director’s favorite themes. While there is an »
- email@example.com (Cinema Retro)
14 items from 2016
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