Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
Sean Thornton has returned from America to reclaim his homestead and escape his past. Sean's eye is caught by Mary Kate Danaher, a beautiful but poor maiden, and younger sister of ill-tempered "Red" Will Danaher. The riotous relationship that forms between Sean and Mary Kate, punctuated by Will's pugnacious attempts to keep them apart, form the main plot, with Sean's past as the dark undercurrent. Written by
Steve Fenwick <firstname.lastname@example.org>
Cinematographer Winton C. Hoch encountered difficulties on location. During the six weeks of shooting in Ireland, there were only six days of intermittent sunshine, the rest were rainy and overcast. "Most of the time the clouds were moving across the sky, and the light was constantly changing," Hoch said. "I had to light each scene three different ways: for sunshine, for clouds, for rain. I worked out a set of signals with the gaffer, and we were ready no matter what the light was." It was difficult, but Hoch's method produced gorgeous results. Nevertheless, Yates did not like the look of the rushes. "It's all green," he commented, adding to John Ford's frequent frustration and depression during the shoot. See more »
During the station scenes, the locomotive and carriages have the 'Flying Snail' logo of the Coras Iompair Eireann railway company. This logo wasn't introduced until 1944. See more »
Father Peter Lonergan, Narrator:
Well, then. Now. I'll begin at the beginnin'. A fine soft day in the spring, it was, when the train pulled into Castletown, three hours late as usual, and himself got off. He didn't have the look of an American tourist at all about him. Not a camera on him; what was worse, not even a fishin' rod.
See more »
What's not to like about this picture? A classic directed by the legendary John Ford. John Wayne and Maureen O'Hara light up the screen. Wayne's performance is brilliant, but what really stands out is that he is playing a regular guy with real feelings and emotions--no army uniforms, no indians to fight, no cavalry coming to the rescue--just a great performance. The supporting cast is unmatched--including great performances by Victor McLaglen, Barry Fitzgerald and Ward Bond. Look closely for Ken Curtis (Festus, from Gunsmoke) in an uncredited role. The scenery is absolutly breathtaking--it makes me want to go home to Ireland--and I'm not even Irish. To top it off The Quiet Man has the greatest fist fight ever captured on film. This is one of my two favorite John Wayne movies. The Duke should have gotten an Oscar for this one. Movie viewers won't be disapointed by this one.
85 of 108 people found this review helpful.
Was this review helpful to you?