A charming and ambitious young man finds many ways to raise himself through the ranks in business and social standing- some honest, some not quite so. If he can just manage to avoid a ...
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Major Jock Sinclair has been in this Highland regiment since he joined as a boy piper. During the Second World War, as Second-in-Command, he was made acting Commanding Officer. Now the ... See full summary »
A cardinal is arrested for treason against the state. As a prince of his church, and a popular hero of this people, for his resistance against the Nazis during the war and afterward his ... See full summary »
In 1942 Britain was clinging to the island of Malta since it was critical to keeping Allied supply lines open. The Axis also wanted it for their own supply lines. Plenty of realistic ... See full summary »
A charming and ambitious young man finds many ways to raise himself through the ranks in business and social standing- some honest, some not quite so. If he can just manage to avoid a certain very predatory woman... Written by
Ken Yousten <email@example.com>
The tune played during the parade at the end of the movie is the "Colonel Bogey March", which was used prominently in another Alec Guinness film, The Bridge on the River Kwai (1957). See more »
Editing: In the parade at the end of the film, the star footballer signed by Machin (who doesn't yet appear in the cast credits) winks at the grandees during the march past in long shot followed second later by the close-up of the same action. See more »
This is another superb British comedy of the early '50s. The story (based quite closely upon the Arnold Bennett novel) is fun, the script by Eric Ambler spot on, and the production well done. The black and white photography is truly beautiful, and captures the sense of time, place and atmosphere better than any amount of glossy colour could have. I gather that some of the exteriors were shot in Burslem ("Bursley" in the film) and Llandudno, but even if they were not, they feel as though they could have been. The only time the illusion of reality was lost was during some clunky back-projection when Denry was driving his new car.
The performances were superb, as one expects of a British film of the period, from the principals, especially Alec Guinness and Glynis Johns -how beautiful she was, how grating her voice, and what a character she created - to extras with a few lines, e.g., Michael Hordern as a sympathetic bank manager.
In all, this film is a total delight.
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