Sailor Ted meets at the Lonely Hearts Club of his friend Gunny's wife, Jenny, a girl, Nora Paige, and falls in love. Nora wants to become a dancer on Broadway. Ted rescues the Pekinese of ... See full summary »
Roy Del Ruth
The routine of a group of fledgling boxers all living in Ma Galestrum's boarding house is interrupted when Ma allows her roving niece, beautiful Judy Galestrum, to move in. Especially ... See full summary »
The story of the voyage of the "Mayflower" in its historic voyage across the Atlantic to the New World. The passenger list includes John Alden and Priscilla Mullins among those who made the 96-day storm-filled crossing. Along the way the Captain has an ill-starred romance with the wife of a religious fanatic that ends in a sudden, dramatic way off the coast of Cape Cod. Written by
Les Adams <firstname.lastname@example.org>
For once, the colonists are correctly shown building framed houses, and not log cabins as is commonly supposed - the latter were introduced by Swedish settlers along the Delaware in 1638, and did not become popular until the eighteenth century. See more »
With so many dying in the first few months, the settlers would not make nice solid wooden pews for the meeting hall, before the first houses were finished. See more »
The end credits are the most comprehensive cast list. After each actor is shown in character, in reverse order from the opening credits, the ship The Mayflower (a replica of the 1620 vessel) is shown floating in the water and identified by a graphic. See more »
Where is the masterpiece American film on this dramatic voyage and settlement of the founders of our democracy? Plymouth Adventure, the best of its kind, has many of the virtues of great American studio work (convincing mise en scene, great ship, vivid action [the storm], fine acting [try to ignore the hobbled accents], and smooth story continuity) and can be enjoyed because of all that, but it never conveys a sense of the agonized desperation and profound spiritual quest of the dissenters. Perhaps Gene Tierney is just too beautfiul, perhaps the costumes are just too sparkling, and certainly the tragic affair with the Captain is better suited to a Douglas Sirk melodrama. For a different account, one can view Mayflower (Anthony Hopkins version), but that errs on the side of political correctness, and drab plotting, and tub-sails a low-budget toy Mayflower. We await the great film about the adventure of these heroic common folks to whom we owe so much.
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