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The story of the voyage of the "Mayflower" in its historic voyage across the Atlantic to the New World. The passenger list includes John Alden and Priscilla Mullins among those who made the 96-day storm-filled crossing. Along the way the Captain has an ill-starred romance with the wife of a religious fanatic that ends in a sudden, dramatic way off the coast of Cape Cod. Written by
Les Adams <firstname.lastname@example.org>
The New World was visited in 1607. In One scene they show a map of the Massachusetts area. They call it New England but they are headed to Virginia. How could they have mapped out New England without having visited it yet? See more »
Offscreen chorus in opening titles:
Confess Jehovah thankfully for He is good, for his Mercie continueth forever. To God of gods confesse do ye because His bountiful mercie continueth forever. Unto the Lord of lords confesse because His merciful kindness continueth forever. To Him that doth, Himself only, things wondrous great, for His Mercie continueth forever; continueth forever.
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The end credits are the most comprehensive cast list. After each actor is shown in character, in reverse order from the opening credits, the ship The Mayflower (a replica of the 1620 vessel) is shown floating in the water and identified by a graphic. See more »
Other reviewers talk like Plymouth Adventure is fiction. They think Clarence Brown is like James Cameron, who cares more about the story conforming to a movie than the other way around. In other words, they have no idea what integrity is.
Though much was documented - and is adhered to by the plot points - much is conjecture, and this can be subject to dramatic license. Of course, the dialog is up to the screenwriter and director. We can discuss this, but for me, the language and dialog weren't at all problematic, nor was the lush cinematography, in itself (see below).
I have only two quibbles:
I should have preferred to see Plymouth Adventure in black and white. The Pilgirms were a black and white lot who established a black and white society.
I don't mind myth-making, because I think myths can be metaphors for the truths behind them. Of course, myths can be used in malign ways, as we know from the Nazis. Though not malign, the myth of the Pilgrims is of questionable value, since we know that the Pilgrims were seeking, in the New World, freedom, but freedom to establish their own tyranny. This is different from the myth, say, of George Washington and the cherry tree, since Washington was a true archetype of integrity. Nevertheless, rather than making a debunking movie showing the Pilgrims as a kind of proto-Taliban, perhaps it would be better to let their qualities of courage and resourcefulness stand, and leave the myth to benign neglect.
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