Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
This western begins with St. Louis resident Lutie Cameron (Katharine Hepburn) marrying New Mexico cattleman Col. James B. 'Jim' Brewton (Spencer Tracy) after a short courtship. When she ... See full summary »
A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are ... See full summary »
Pat's a brilliant athlete, except when her domineering fiance is around. The lady's golf championship is in her reach until she gets flustered by his presence at the final holes. He wants them to get married and forget the whole thing, but she can't give up on herself that easily. She enlists the help of Mike, a slightly shady sports promoter. Together they face mobsters, a jealous boxer, and a growing mutual attraction. Written by
BA Jacobson <firstname.lastname@example.org>
Hepburn's character throws 3 pieces of luggage off a slowly moving train over a period of about 30 seconds. But when she steps off of the train they are all together in a pile. See more »
Maybe we ought to wait until I don't feel so... so carved up, so nobody.
Why don't you just let me take charge?
I have to be in charge of myself.
Oh, what's the good of this? I mean, after all...
Have to have time to think it over is all.
Well, just see that you don't think it under. It's a nice long ride, just take your time.
[gets up and starts throwing her baggage out the window of the train]
That's right! And I'm not going to take it!
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According to film lore, writers Ruth Gordon and Garson Kanin were inspired to write PAT AND MIKE when they realized that Katherine Hepburn was a near-professional-level golfer and tennis player. The result is a sprightly tale of a college physical education teacher named Pat (Hepburn) who turns pro with the help of a slightly shady promoter manager named Mike (Tracy.)
As always, Tracy and Hepburn make for an engaging pair, and the supporting cast is crammed with memorable faces, including Jim Backus, Chuck Conners, a very young Charles Bronson, and even Carl "Alfalfa" Switzer--and every one plays with the same charming touch. The sports scenes also gives sports fans a glimpse at such legendary athletes as Babe Didrikson Zaharias. But the real interest here is the script itself: in an era noted for sexism, PAT AND MIKE is flatly feminist, and the story finds Hepburn first rebelling against fiancé William Ching's "little woman" mentality and then straightening out Spenser Tracy on the same point--and in one of the film's most memorable scenes, Hepburn effectively shoves Tracy aside to beat up two men who threaten him!
Given the nature of its story, PAT AND MIKE spends quite a lot of time on the golf course and the tennis courts, and those who have little interest in sports may not find it to their taste; that said, in spite of its many charms, the film isn't really in the same league with Tracy and Hepburn's ADAM'S RIB. Still, fans of the screen team will enjoy it quite a bit, and even purely casual viewers will have a good time.
Gary F. Taylor, aka GFT, Amazon Reviewer
16 of 19 people found this review helpful.
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