Former dance hall girl Lorna, masquerading as a lady, meets and marries Confederate ex-officer Colt Saunders, returning to his rich Texas ranch. Everyone there is enchanted with Lorna. But ... See full summary »
Chief Sitting Bull of the Sioux tribe is forced by the Indian-hating General Custer to react with violence, resulting in the famous Last Stand at Little Bighorn. Parrish, a friend to the ... See full summary »
J. Carrol Naish
Cruze arrives in town and when he stands up to the three Moran brothers, he gets appointed Marshal. First the brothers kill a rancher while framing another man. But when the jailer is ... See full summary »
In Nassaum, a border town in an intrigue-infested Central European republic, the body of Dr. Charles Berens, Chief of the United Nations Medical Relief Organization, is seen hurtling from ... See full summary »
During the Civil War, Confederate POWs join the Union Army to fight Indians but old animosities between Unionists and Confederates resurface during their fragile alliance against their common enemy the Indians.
Race Crim, a stagecoach guard, persuades the line's superintendent to allow young Jess Harker to drive the Silvr City stagecoach, which contains a gold shipment. Six outlaws attack the ... See full summary »
Returning to New Orleans, following four years of army service in Texas in the 1840s, Captain Vance Colby finds his father, a professional gambler, has been killed. The police tell him his ... See full summary »
Bret Harte's "The Outcasts of Poker Flats" is one of his two best known stories (the other is "Luck of Roaring Camp") and while his reputation has receded over the past century, his humanism and warmth towards the unlikely inhabitants of Gold-Rush California is worth remembering and enjoying. But while the story and performances in this version are good, director Joseph Newman -- who got his start doing "Crime Does Not Pay" shorts for MGM -- never quite got over the need to drive every point through with a stake. So Joseph Lashelle's beautiful photography is over the top, the music by Lionel Newman -- no relation -- is overwrought and so forth. The result is a decent film, but the melodrama tends to overwhelm the characters.
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