Self-absorbed Dr. Lee Johnson enlists with the Army medical corps during World War II, more out of a feeling that it's "the thing to do" rather than deep-seated patriotism. On his first day... See full summary »
In 1876 Dawson wants to prevent a train from getting to Tomahawk CO on time, to keep it from competing with his stage coach line. Kit, who must get the train to its goal, forces Johnny ... See full summary »
Former dance hall girl Lorna, masquerading as a lady, meets and marries Confederate ex-officer Colt Saunders, returning to his rich Texas ranch. Everyone there is enchanted with Lorna. But ... See full summary »
In 1924, stage-struck Boston blueblood Hannah Adams picks up musical star Tim O'Connor and takes him home for dinner. One thing leads to another, and when Tim's show rolls on to Chicago a ... See full summary »
During the Civil War, Confederate POWs join the Union Army to fight Indians but old animosities between Unionists and Confederates resurface during their fragile alliance against their common enemy the Indians.
Outlaw Brett Stanton and his gang, which includes his brother, Gar,ride into Carson City, Nevada, which is filled with people who have come there from all over to see the Heavyweight ... See full summary »
Race Crim, a stagecoach guard, persuades the line's superintendent to allow young Jess Harker to drive the Silvr City stagecoach, which contains a gold shipment. Six outlaws attack the ... See full summary »
Jim Redfern dreams of owning his own cattle ranch and along with his partners Mike Evans and Ling heads off on the Cariboo Trail into the interior of British Columbia. There's a gold rush ... See full summary »
Edwin L. Marin
George 'Gabby' Hayes,
Bret Harte's "The Outcasts of Poker Flats" is one of his two best known stories (the other is "Luck of Roaring Camp") and while his reputation has receded over the past century, his humanism and warmth towards the unlikely inhabitants of Gold-Rush California is worth remembering and enjoying. But while the story and performances in this version are good, director Joseph Newman -- who got his start doing "Crime Does Not Pay" shorts for MGM -- never quite got over the need to drive every point through with a stake. So Joseph Lashelle's beautiful photography is over the top, the music by Lionel Newman -- no relation -- is overwrought and so forth. The result is a decent film, but the melodrama tends to overwhelm the characters.
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