Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mothers trade in the late days of Geisha. But Otsuta ... See full summary »
What is the life of a Geisha like once her beauty has faded and she has retired? Kin has saved her money, and has become a wealthy money-lender, spending her days cold-heartedly collecting ... See full summary »
The businessman Ogata Shingo works with his son Shuichi, who is his secretary, and they live together in the suburb with their wives Yasuko and Kikuko respectively. Shuichi has a love ... See full summary »
Tokyo. Mihoko and Toichi Nakagawa's ten year marriage is crumbling out of inertia. Each knows the other isn't happy, they themselves aren't happy, but they don't talk about their problems ... See full summary »
It is easy to make a good movie - just remember what genre it belongs to and follow the rules. If you make a comedy, make it funny, if you make a drama, make it moving, honest, look at your characters closely, find what motivates them, what makes them happy, sad, look at their faces, their eyes because the eyes are the soul's mirror. Don't make them talk a lot but make every word, every gesture, every look meaningful. Remember that even the most moving drama can and should have humor because without smiles and laughs the humans simply can't survive. Watching Naruse's "Okaasan" (1952) aka "Mother" makes all these rules seem so easy to follow and that's what a great movie should be like. I cried and smiled and thought about my mother, and wished her to be happy and live forever and then I took the movie to her - I wanted her to see it, too. One thing I'd like to add - what a fascinating use of music score, the original and the famous Italian song, "O Sole Mio". I've never heard such a charming version of it.
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