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O. Henry's Full House (1952)

Approved | | Drama | 27 October 1952 (UK)
John Steinbeck introduces a quintet of five of O. Henry's most celebrated stories from his New York Period (1902-1910) in this anthology film.

Writers:

(screen play), (screen play) | 3 more credits »
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Cast

Cast overview, first billed only:
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...
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Jim (segment "The Gift of the Magi")
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Soapy (segment "The Cop and the Anthem")
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Streetwalker (segment "The Cop and the Anthem")
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Barney Woods (segment "The Clarion Call")
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Horace (segment "The Cop and the Anthem")
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Johnny Kernan (segment "The Clarion Call")
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Hazel Woods (segment "The Clarion Call") (scenes deleted) (as Joyce MacKenzie)
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Richard Rober ...
Chief of Detectives (segment "The Clarion Call")
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Storyline

"O. Henry's Full House" is a film divided in five segments telling five tales in the beginning of the Twentieth Century. 1) "The Cop and the Anthem": the winter is coming and the homeless drifter Soapy wants to go to jail for three months to get shelter and food. His partner Horace suggests they look for shelter with the Salvation Army, but Soapy refuses. He forces many situations to be arrested but he is always forgiven. When he goes to the church, there is a miracle and Soapy decides to seek a job position. Will he succeed? 2) "The Clarion Call": when a thief kills a man, the police investigators do not have any lead to follow. Police Sergeant Barney Woods sees a pen that was found in the crime scene and he seeks out a man called Johnny Kernan. He finds Johnny that invites Barney to drink with him and they go to his hotel room. Johnny recalls their youth, when they were friends but Barney tells that he must arrest him since he recognized the pen that belonged to Johnny. However the ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Plot Keywords:

ransom | leaf | winter | murder | christmas | See All (40) »

Taglines:

A dozen top stars - five famed directors bring you the best stories of O. Henry!

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

27 October 1952 (UK)  »

Also Known As:

Baghdad on the Subway  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

After the popular and critical success of two British anthology films based on W. Somerset Maugham short stories, Quartet (1948) and Trio (1950), with different casts and crews for each episode, 20th Century-Fox felt that the time was right for an American version of this format. See more »

Goofs

In the first segment, as the man who had the umbrella run off, a shadow of the camera can be seen on Horace's back. See more »

Quotes

Sam 'Slick' Brown: [Being chased by a bear] We're going up a tree, William!
Bill Peoria: Can bears climb trees?
Sam 'Slick' Brown: Here he comes! We'll soon find out!
Sam 'Slick' Brown: [after shimmying up the tree] William, I think it's a cinnamon bear.
Bill Peoria: I don't care what flavor he is. He's more apt to taste me.
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Connections

Referenced in The Last Leaf (1983) See more »

Soundtracks

Bringing in the Sheaves
(1880) (uncredited)
Music by George A. Minor
Lyrics by Knowles Shaw
Played and sung by The Bowery Mission Band
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User Reviews

 
The master story teller
3 April 2005 | by (New York) – See all my reviews

O'Henry's short stories are a joy to read. This master of the genre left behind a number of small gems that never seem to go out of style, as they are timeless. The author had an incredible eye to spot situations in which human beings are shown at a moment of crisis only to have fate intervene with ironic twists.

"O'Henry's Full House" offers five of his best works directed by five distinguished directors. Howard Hawks, Henry Hathaway, Henry Koster, Henry King and Jean Negulesco do an excellent job in bringing the five stories to the screen adapted by some of Hollywood's best writers of the time in which they were filmed. John Steinbeck does the introductions.

The first story, "The Cop and the Anthem" presents us with Soapy, brilliantly played by Charles Laughton, as a poor homeless person in the middle of a crude winter in New York who wants to be taken to jail in the worst way. He goes to extremes to have him sent to prison, without much luck. David Wayne plays his pal Horace and Marilyn Monroe is seen briefly at the end.

The second installment, "The Clarion Call" shows a police detective, Barney, and his adversary, Johnny, a man to whom he is tied by a loan that stands between them. Dale Robertson is Barney and an annoying Richard Widmark plays the bad guy. Unfortunaly, Mr. Widmark's performance full of silly laughter and tics ruined the story for this viewer.

The third tale is "The Last Leaf". We have two sisters in the middle of a blizzard in Manhattan. Joanna, played by the fine Anne Baxter, who we see after an apparent breakup with her boyfriend, gets pneumonia as a result of her exposure to the elements. Her good sister Susan goes crazy trying to nurse Joanna to health. Enter the painter Behrman, who is the upstairs neighbor to the rescue. Behrman sells his painting in order to buy medicine and when Joanna in her feverish state believes the tree across the street full of dry leaves is an omen, because as the leaves keep falling, so are the chances for her to get well. Thanks to the caring painter, Joanna survives. Jean Peters plays the kind sister and the wonderful Ratoff is the painter.

The fourth segment is the weakest. "The Ransosm of Red Chief" presents us two con men in Alabama kidnapping a young boy who is wiser and acts much older than what the two con men thought. Fred Allen and Oscar Levant play the kidnappers.

The last, and perhaps the best realized story of the O'Henry's stories is the unforgettable "The Gift of the Magi", which is the equivalent to Dickens' "A Christmas Carol". As directed by Henry King and played wonderfully by a beautiful Jeanne Crain and the handsome Farley Granger, this is a story about love and sacrifice under the worst possible circumstances. Della and Jim, with their youth, are penniless, yet, they sacrifice whatever little each one has in order to give the other partner a small token as proof of their love.

This is an immensely endearing film thanks to the legacy of O'Henry.


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