Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls ... See full summary »
In 1876 Dawson wants to prevent a train from getting to Tomahawk CO on time, to keep it from competing with his stage coach line. Kit, who must get the train to its goal, forces Johnny ... See full summary »
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Jeff Carter has put an end to the town's delinquency with a boys' club. Young hoodlum Danny shows up and influences teenagers Doris, Willy and Leo. They hang out at a juke joint where Eve ... See full summary »
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
1920's bandleader Chuck Arnold meets hometown girl Peggy at one of the band's dances and next day weds her. Though she loves him, life on the road becomes increasingly difficult for her, ... See full summary »
Five O' Henry stories, each separate. The primary one from the critic's acclaim was "The Cop and the Anthem". Soapy tells fellow bum Horace that he is going to get arrested so he can spend the winter in a nice jail cell. He fails. He can't even accost a woman; she turns out to be a streetwalker. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief", and "The Gift of the Magi". Written by
Ed Stephan <firstname.lastname@example.org>
Saw this with a childhood friend of mine in the 50's on TV when we were 'sneaking' staying up very late. When it was done, we looked at each other, both having been touched deeply, though we couldn't have described how. Ever after, it has been one of our 'special' memories -- one of us says "remember that movie?" and the other understands perfectly! That's what movies should do! Did anyone else have that experience on first watching it? I remember being very affected by Hitchcock's Saboteur, also, after watching it late one night as a kid. It stirred the same response that later made me a 'movie fan' -- that magical sense of someone (the director) saying something to you in a way that seemed to make life 'bigger' than it had been before.
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