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The Narrow Margin (1952)

Not Rated | | Film-Noir, Thriller | 16 August 1952 (Italy)
A woman planning to testify against the mob must be protected against their assassins on the train trip from Chicago to Los Angeles.

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(screen play), (story) | 1 more credit »
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Cast

Complete credited cast:
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Gordon Gebert ...
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Mrs. Troll
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Peter Virgo ...
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Paul Maxey ...
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Train Conductor
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Storyline

When a mobster's widow decides to testify and provide names of others involved in evil deeds, she goes undercover to avoid being killed. She is being escorted across country by train in order to testify. Cop Walter Brown and his partner are assigned the task, but the mob are on their trail. Written by Col Needham <col@imdb.com>

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Taglines:

NIGHT TRAIN WEST - LOADED WITH SUSPENSE! See more »


Certificate:

Not Rated | See all certifications »

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Details

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Release Date:

16 August 1952 (Italy)  »

Also Known As:

The Target  »

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Box Office

Budget:

$188,000 (estimated)
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The route the train takes is the route of the old Santa Fe Railroad. The Amtrak Southwest Chief takes that same route as of 2009. See more »

Goofs

There are palm trees at the Denver train station. See more »

Quotes

Joseph Kemp: Why don't ya get wise to yourself and give her a break? What's the use of makin' that kid an orphan? Or maybe you like trouble.
Joseph Kemp: Give us the list and nobody gets hurt - no grief, no mess.
Walter Brown: Except for Mrs. Neil, who gets double-crossed ten minutes later. What do ya take me for, a jumbo-sized sucker?
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User Reviews

 
Great camera work. Sensational Marie Windsor. Implausible story, though.
23 November 2004 | by See all my reviews

"The narrow margin" is a remarkable film-noir with great merits, unfortunately marred by an implausible story.

There is a policeman (Charles McGraw) committed to protect a key witness (Marie Windsor), in severe danger of life, along a train journey. The only reasonable and likely behavior for the cop is to take some sandwiches, lock in the cabin with the witness, and sit down with a machine-gun on his lap. Of course, that would be the end of the film. So, to get a story, McGraw goes everywhere and does everything on the train, but staying with and protecting the witness. There is also a big surprise at the end. That is really unexpected. But if we think back to the previous events, this big twist makes the behavior of some characters wholly illogical.

Well, enough with the faults of the movie. The merits of this low-budgeted B-movie overcome its defects. The stylish cinematography is first-rate, and the camera-work is outstanding. The (few) action scenes are brilliant and filmed in a very original way. See, for instance the play of mirrors in the finale. Marie Windsor is sensational, and every scene with her is a treat. What a gangster moll, gutsy tough gal she is! In my opinion, she is even better here than in "The killing". Her lines are a perfect instance of cynical wisecracking. McGraw and the rest of the cast make a good job, as well. There is a good amount of suspense and no moments of bore.

Let me conclude with a somehow daring comparison. Independently by the composers, classic music of the 18th century is always beautiful. In a similar way, I think that American movies of the 1940s and early 1950s are all good: that is just a question of style, and how I love this style!

I recommend "The narrow margin", for its intrinsic merits, and to pay homage to a great season of cinema.


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