Over-the-hill boxer Bill 'Stoker' Thompson insists he can still win, though his sexy wife Julie pleads with him to quit. But his manager Tiny is so confident he will lose, he takes money ... See full summary »
Hard, withdrawn city cop Jim Wilson roughs up one too many suspects and is sent upstate to help investigate the murder of a young girl in the winter countryside. There he meets Mary Malden,... See full summary »
The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret ... See full summary »
When a mobsters wife decides to testify against his evil deeds she goes undercover to avoid being killed. Now that he's coming to trial she has to be escourted across country via train in order to testify. Cop Walter Brown and his partner are assigned the task, but the mob are on their trail. Written by
Col Needham <email@example.com>
In preference to removing various walls from the sets, director Richard Fleischer decided to make extensive use of a handheld camera that could be brought into rooms; this was one of the first films to do so. To save money the train sets were rigidly fixed to the floor, and the camera was moved to simulate the train rocking. See more »
When the character of nine year old Tommy Sinclair (Gordon Gebert) first appears, his traveling nurse clearly calls him "Tony". For the rest of the film he's called "Tommy", the character's official name. See more »
So far they haven't spotted you, and they don't know what you look like. But they've seen me. If they start shooting in my direction, I don't want you hit.
You're sure it isn't the other way around?
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This was the "original" and, like its re-make "Narrow Margin" (the "The" is missing), it is excellent. This is one of those rare cases in which the old and the new versions both are top-notch.
In fact, it's interesting to compare the two versions. In this film, there is a very unique twist as the end concerning the woman being brought to Los Angeles. It was clever.
That woman in this 1952 version also is played by perhaps the First Lady Of Noir, Marie Windsor. She had the best lines in the film and is outstanding at playing the tough-talking moll of this genre. (See Stanley Kubrick's "The Killing" to fully appreciate more of Windsor's work.)
The film noir tough-guy male equivalent of her also stars in this film: Charles McGraw. Few guys ever looked and sounded better in noirs than McGraw. He and Windor were born to play in 'B' crime movies!
The short length of this film makes it a good one to watch anytime although, to be frank, if I could only own one of the two "Narrow Margin" films, I'd have to take the latter-day version with Gene Hackman and Anne Archer, but it would a tough decision. Both have a lot to offer.
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