Homicide detective Mike Carter is tossed off the police force for insubordination and violating regulations. He reluctantly takes a job as bodyguard to Mrs. Gene Dysen, the owner of a local... See full summary »
Hard, withdrawn city cop Jim Wilson roughs up one too many suspects and is sent upstate to help investigate the murder of a young girl in the winter countryside. There he meets Mary Malden,... See full summary »
Three performers for six roles: this is the game of the film. A melodrama about two love triangles. In the first, Hagalin is killed by his mistress and her lover. In the second, attorney ... See full summary »
Joe Sullivan is itching to get out of prison. He's taken the rap for Rick, who owes him $50 Grand. Rick sets up an escape for Joe, knowing that Joe will be caught escaping and be shot or ... See full summary »
When a mobsters wife decides to testify against his evil deeds she goes undercover to avoid being killed. Now that he's coming to trial she has to be escourted across country via train in order to testify. Cop Walter Brown and his partner are assigned the task, but the mob are on their trail. Written by
Col Needham <firstname.lastname@example.org>
"She's the one for that bullet--not me!" - Night train West---carrying two mystery women. The secret of one can blast the crime syndicate wide open---and the key killers dare not let it happen! See more »
In preference to removing various walls from the sets, director Richard Fleischer decided to make extensive use of a handheld camera that could be brought into rooms; this was one of the first films to do so. To save money the train sets were rigidly fixed to the floor, and the camera was moved to simulate the train rocking. See more »
When the character of nine year old Tommy Sinclair (Gordon Gebert) first appears, his traveling nurse clearly calls him "Tony". For the rest of the film he's called "Tommy", the character's official name. See more »
All right copper, I'm not in this alone, but you are. You're just one guy buckin' a big company, it don't matter if you beat my brains out or not - we're in business for keeps.
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While director Richard Fleischer gets plenty of credit for his role in making the film noir classic "The Narrow Margin" on a shoestring budget, it is hard to imagine this picture without actor Charles McGraw in the lead role. As a tough cop escorting a witness to testify in Los Angeles, McGraw's performance is what holds the picture together. Try to think now of one actor around today who could portray a cop who is at times calculating, other times sarcastic and almost always menacing. In the Hollywood of the 1940s and 50s,Charles McGraw usually played secondary roles in A pictures. In "The Narrow Margin," McGraw shows that with a competent director, he could put on some performance as the star of a movie.
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