Nick Cochran, an American in exile in Macao, has a chance to restore his name by helping capture an international crime lord. Undercover, can he mislead the bad guys and still woo the handsome singer/petty crook, Julie Benson?
Josef von Sternberg,
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Sam Hurley, "Nation's No. 1 killer" with a cold contempt for "heroes," escapes prison with two companions and takes a mixed bag of hostages to Nevada ghost town Lost Hope City. He knows ... See full summary »
When a mobsters wife decides to testify against his evil deeds she goes undercover to avoid being killed. Now that he's coming to trial she has to be escourted across country via train in order to testify. Cop Walter Brown and his partner are assigned the task, but the mob are on their trail. Written by
Col Needham <firstname.lastname@example.org>
Other than a few brief moments when source music from a radio and phonograph is playing, there is no music in the soundtrack. See more »
The gangster Joseph Kemp is shown looking for mob witness Mrs. Neale in the upper berths of the sleeping car but these could only be dropped using a Pullman berth key. The car porter is unlikely to have lent his work tool to a passenger. See more »
Sister, I've known some pretty hard cases in my time; you make 'em all look like putty. You're not talking about a sack of gumdrops that's gonna be smashed - you're talking about a dame's life! You may think it's a funny idea for a woman with a kid to stop a bullet for you, only I'm not laughing!
Where do you get off, being so superior? Why shouldn't I take advantage of her - I want to live! If you had to step on someone to get something you wanted real bad, would you think twice about it?
[...] See more »
I'm a huge Charles McGraw fan. Every film he had a large part in, he excels and makes the film better.
Having seen this film 4 or 5 times, my respect for it has grown over the years.
The cinematography isn't perfect - the film probably could have benefited by staying dark and grainy as it seems to be in the early, night scenes.
The taut train scenes seem too bright, but there's nothing wrong with it, simply my preference. A darker train would have made for a more sinister film. Even so, there's plenty of excitement.
The crackling dialogue between Charles McGraw and Marie Windsor is consistently sharp. Seriously, you will have a hard time finding anything more bitter than those two. I'm not sure any other male-female could have made the dialogue (which in a 1950's way is almost corny) come off so terse, as they continuously bark at each other. Someone needs to count the number of times McGraw tells Windsor to "Shut up!".
The film has some exciting twists and turns; you'll enjoy each one.
Great story, solid performances all the way around. This is a FUN movie.
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