Over-the-hill boxer Bill 'Stoker' Thompson insists he can still win, though his sexy wife Julie pleads with him to quit. But his manager Tiny is so confident he will lose, he takes money ... See full summary »
Nick Cochran, an American in exile in Macao, has a chance to restore his name by helping capture an international crime lord. Undercover, can he mislead the bad guys and still woo the handsome singer/petty crook, Julie Benson?
Josef von Sternberg,
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Hard, withdrawn city cop Jim Wilson roughs up one too many suspects and is sent upstate to help investigate the murder of a young girl in the winter countryside. There he meets Mary Malden,... See full summary »
When a mobsters wife decides to testify against his evil deeds she goes undercover to avoid being killed. Now that he's coming to trial she has to be escourted across country via train in order to testify. Cop Walter Brown and his partner are assigned the task, but the mob are on their trail. Written by
Col Needham <email@example.com>
The film was RKO's biggest money-maker for 1952. See more »
Pennsylvania Railroad steam locomotive is blowing its whistle but PRR was east of Chicago, not west between Chicago and Los Angeles. See more »
We're ready to make a deal. You have her, we want her, how much? It's as simple as that.
You're under arrest.
Bribery? Heh - you'd never make it stick. I'm a sales executive for the Midwest Equipment Company, Chicago. I've never even gotten as much as a parking ticket.
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Great camera work. Sensational Marie Windsor. Implausible story, though.
"The narrow margin" is a remarkable film-noir with great merits, unfortunately marred by an implausible story.
There is a policeman (Charles McGraw) committed to protect a key witness (Marie Windsor), in severe danger of life, along a train journey. The only reasonable and likely behavior for the cop is to take some sandwiches, lock in the cabin with the witness, and sit down with a machine-gun on his lap. Of course, that would be the end of the film. So, to get a story, McGraw goes everywhere and does everything on the train, but staying with and protecting the witness. There is also a big surprise at the end. That is really unexpected. But if we think back to the previous events, this big twist makes the behavior of some characters wholly illogical.
Well, enough with the faults of the movie. The merits of this low-budgeted B-movie overcome its defects. The stylish cinematography is first-rate, and the camera-work is outstanding. The (few) action scenes are brilliant and filmed in a very original way. See, for instance the play of mirrors in the finale. Marie Windsor is sensational, and every scene with her is a treat. What a gangster moll, gutsy tough gal she is! In my opinion, she is even better here than in "The killing". Her lines are a perfect instance of cynical wisecracking. McGraw and the rest of the cast make a good job, as well. There is a good amount of suspense and no moments of bore.
Let me conclude with a somehow daring comparison. Independently by the composers, classic music of the 18th century is always beautiful. In a similar way, I think that American movies of the 1940s and early 1950s are all good: that is just a question of style, and how I love this style!
I recommend "The narrow margin", for its intrinsic merits, and to pay homage to a great season of cinema.
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