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When a mobsters wife decides to testify against his evil deeds she goes undercover to avoid being killed. Now that he's coming to trial she has to be escourted across country via train in order to testify. Cop Walter Brown and his partner are assigned the task, but the mob are on their trail. Written by
Col Needham <firstname.lastname@example.org>
The film was shot in 13 days and the only part actually filmed on board a train was a few seconds of the arrival in Los Angeles. See more »
When the character of nine year old Tommy Sinclair (Gordon Gebert) first appears, his traveling nurse clearly calls him "Tony". For the rest of the film he's called "Tommy", the character's official name. See more »
We're ready to make a deal. You have her, we want her, how much? It's as simple as that.
You're under arrest.
Bribery? Heh - you'd never make it stick. I'm a sales executive for the Midwest Equipment Company, Chicago. I've never even gotten as much as a parking ticket.
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I'm a huge Charles McGraw fan. Every film he had a large part in, he excels and makes the film better.
Having seen this film 4 or 5 times, my respect for it has grown over the years.
The cinematography isn't perfect - the film probably could have benefited by staying dark and grainy as it seems to be in the early, night scenes.
The taut train scenes seem too bright, but there's nothing wrong with it, simply my preference. A darker train would have made for a more sinister film. Even so, there's plenty of excitement.
The crackling dialogue between Charles McGraw and Marie Windsor is consistently sharp. Seriously, you will have a hard time finding anything more bitter than those two. I'm not sure any other male-female could have made the dialogue (which in a 1950's way is almost corny) come off so terse, as they continuously bark at each other. Someone needs to count the number of times McGraw tells Windsor to "Shut up!".
The film has some exciting twists and turns; you'll enjoy each one.
Great story, solid performances all the way around. This is a FUN movie.
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