Over-the-hill boxer Bill 'Stoker' Thompson insists he can still win, though his sexy wife Julie pleads with him to quit. But his manager Tiny is so confident he will lose, he takes money ... See full summary »
Hard, withdrawn city cop Jim Wilson roughs up one too many suspects and is sent upstate to help investigate the murder of a young girl in the winter countryside. There he meets Mary Malden,... See full summary »
Joe Sullivan is itching to get out of prison. He's taken the rap for Rick, who owes him $50 Grand. Rick sets up an escape for Joe, knowing that Joe will be caught escaping and be shot or ... See full summary »
Homicide detective Mike Carter is tossed off the police force for insubordination and violating regulations. He reluctantly takes a job as bodyguard to Mrs. Gene Dysen, the owner of a local... See full summary »
When a mobsters wife decides to testify against his evil deeds she goes undercover to avoid being killed. Now that he's coming to trial she has to be escourted across country via train in order to testify. Cop Walter Brown and his partner are assigned the task, but the mob are on their trail. Written by
Col Needham <email@example.com>
Filmed in 1950, not released until 1952. According to director Richard Fleischer, when the film was finished RKO Pictures owner Howard Hughes heard good things about it and ordered that a copy of it be delivered to him so he could screen it in his private projection room. The film stayed in the projection room for more than a year, apparently because the eccentric Hughes forgot about it. See more »
When the character of nine year old Tommy Sinclair (Gordon Gebert) first appears, his traveling nurse clearly calls him "Tony". For the rest of the film he's called "Tommy", the character's official name. See more »
Why don't ya get wise to yourself and give her a break? What's the use of makin' that kid an orphan? Or maybe you like trouble.
Give us the list and nobody gets hurt - no grief, no mess.
Except for Mrs. Neil, who gets double-crossed ten minutes later. What do ya take me for, a jumbo-sized sucker?
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This was the "original" and, like its re-make "Narrow Margin" (the "The" is missing), it is excellent. This is one of those rare cases in which the old and the new versions both are top-notch.
In fact, it's interesting to compare the two versions. In this film, there is a very unique twist as the end concerning the woman being brought to Los Angeles. It was clever.
That woman in this 1952 version also is played by perhaps the First Lady Of Noir, Marie Windsor. She had the best lines in the film and is outstanding at playing the tough-talking moll of this genre. (See Stanley Kubrick's "The Killing" to fully appreciate more of Windsor's work.)
The film noir tough-guy male equivalent of her also stars in this film: Charles McGraw. Few guys ever looked and sounded better in noirs than McGraw. He and Windor were born to play in 'B' crime movies!
The short length of this film makes it a good one to watch anytime although, to be frank, if I could only own one of the two "Narrow Margin" films, I'd have to take the latter-day version with Gene Hackman and Anne Archer, but it would a tough decision. Both have a lot to offer.
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