Tall actor José Ferrer was transformed into the short artist Toulouse-Lautrec by the use of camera angles, makeup, costume, concealed pits and platforms and short body doubles. Ferrer also used a set of special knee pads of his own design which allowed him to walk on his knees with his lower legs strapped to his upper body. He suffered extreme pain and could only use them for short periods of time. The cane he used in most of his scenes was of absolute necessity. This fact was covered in a LIFE magazine story in 1952.