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Directed by | |||
| John Huston | |||
Writing credits | ||
| Pierre La Mure | (novel "Moulin Rouge") | |
| Anthony Veiller | (screenplay) & | |
| John Huston | (screenplay) | |
Produced by | |||
| Jack Clayton | .... | associate producer | |
| John Huston | .... | producer (uncredited) | |
| John Woolf | .... | producer (uncredited) | |
Original Music by | |||
| Georges Auric | |||
Cinematography by | |||
| Oswald Morris | |||
Film Editing by | |||
| Ralph Kemplen | |||
Production Design by | |||
| Marcel Vertès | (uncredited) | ||
Art Direction by | |||
| Paul Sheriff | |||
Set Decoration by | |||
| Marcel Vertès | (decor) (as Vertes) | ||
Costume Design by | |||
| Julia Squire | (uncredited) | ||
Makeup Department | |||
| Eileen Bates | .... | hair stylist | |
| Connie Reeve | .... | makeup artist (as Constance Reeve) | |
Production Management | |||
| Leigh Aman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Adrian Pryce-Jones | .... | assistant director | |
| Alec Gibb | .... | second assistant director (uncredited) | |
| Jack N. Green | .... | third assistant director (uncredited) | |
Art Department | |||
| Maurice Fowler | .... | draughtsman (uncredited) | |
| Jack Stevens | .... | set dresser (uncredited) | |
| Elven Webb | .... | assistant art director (uncredited) | |
Sound Department | |||
| George Fisher | .... | additional dubbing editor | |
| E. Law | .... | sound recordist | |
| A.E. Rudolph | .... | sound recordist | |
| Eric Wood | .... | dubbing editor | |
| Bob Jones | .... | dubbing crew (uncredited) | |
| Red Law | .... | dubbing crew (uncredited) | |
| Kevin McClory | .... | boom operator (uncredited) | |
| George Stephenson | .... | sound maintenance (uncredited) | |
Visual Effects by | |||
| Judy Jordan | .... | matte painter (uncredited) | |
| Wally Veevers | .... | matte effects (uncredited) | |
Camera and Electrical Department | |||
| Freddie Francis | .... | camera operator | |
| Cyril J. Knowles | .... | camera operator: second unit (as Cyril Knowles) | |
| Eric Gray | .... | still photographer (uncredited) | |
| Arthur Lemming | .... | assistant camera (uncredited) | |
| Dudley Lovell | .... | camera operator: second unit (uncredited) | |
| Alex Thomson | .... | assistant camera (uncredited) | |
| Norman Warwick | .... | camera operator: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Schiaparelli | .... | costume designer: Miss Gabor | |
| Julia Squire | .... | costume supervisor | |
| Marcel Vertès | .... | costumes (as Vertes) | |
Editorial Department | |||
| Eliot Elisofon | .... | special color consultant | |
| Stan Hawkes | .... | assistant editor (uncredited) | |
| Roy Hyde | .... | assistant editor (uncredited) | |
| Terry Poulton | .... | second assistant editor (uncredited) | |
Music Department | |||
| Lambert Williamson | .... | musical director | |
| Muriel Smith | .... | singing voice: Zsa Zsa Gabor, "It's April Again" (uncredited) | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Joan Bridge | .... | technicolor color consultant | |
| William Chappell | .... | dance director | |
| Ian Craig | .... | Technicolor technician | |
| Elsie Foulstone | .... | dialogue coach | |
| Robert Hessens | .... | special montage sequence | |
| Splinters Deason | .... | continuity: second unit (uncredited) | |
| Anne Douglas | .... | publicist (uncredited) | |
| Julie Gibson | .... | unit publicist (uncredited) | |
| Kevin McClory | .... | assistant: Mr. Huston (uncredited) | |
| Marcel Ophüls | .... | assistant: Mr. Huston (uncredited) | |
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| An American in Paris | Isadora | Cousin Bette | Bride of the Wind | The Children of the Century |
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| Full cast and crew | Company credits | External reviews |
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Anyone who does not think that John Huston has a broad range as a film-maker needs to watch this and "The Dead." While he spent much of his career making gritty adventure-dramas like "The Maltese Falcon," "The Treasure of the Sierra Madre," and "The Man who Would be King," he also took the time to create well-crafted pieces like "Moulin Rouge."
Jose Ferrer has an astounding, almost unbelievable, performance as Henri de Toulouse-Lautrec, a painter from late-1800's Paris who was crippled in his childhood by a horse that ran over his legs. He now spends his days in the raunchy restaurant/dance hall populated by artists, dancers, drunks, and vagrants, sketching away at posters and portraits. Ferrer brings out Henri completely, depicting him as a man who tried to run from his problems using his art and his alcohol.
The film itself has a tenancy to be a little too flashy and gaudy at moments, but Huston manages to keep most of it grounded in the dramatics of the characters. Collete Marchand is also very noteworthy for her performance as a prostitute that befriends Henri. Marcel Vertes' production and costume design won well-deserved Oscars.
A genuinely moving film, a work of art in its own right.