A singer marries a famous composer, and after a while she gets the itch to go back on the stage. However, her husband won't let her. When she hears that a popular French singer named "... See full summary »
Townsend Harris is sent by President Pierce to Japan to serve as the first U.S. Consul-General to that country. Harris discovers enormous hostility to foreigners, as well as the love of a ... See full summary »
1932. The tyrannical and despotic government of President Machado has headed Cuba for seven years. The latest measure of that tyranny is the outlawing of public gatherings of more than four... See full summary »
In Fort Lamy, French Equitorial Africa, idealist Morel launches a one-man campaign to preserve the African elephant from extinction, which he sees as the last remaining "roots of Heaven." ... See full summary »
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Henri de Toulouse-Lautrec frequently visits the Moulin Rouge, where he drinks cognac and draws sketches of the dancers and singers. Though the son of a French count, Henri's legs were badly deformed by a childhood fall, and his personal life is often unhappy as a result. While he is going home one night, a spirited young woman of the streets, Marie, asks him for help. He falls in love with her, and the two become involved in a tumultuous relationship. It becomes increasingly difficult for Toulouse-Lautrec to balance his personal feelings, his artistic abilities, and his family name and position. Written by
Walking on his knees had the unfortunate side-effect of making José Ferrer six inches shorter than Henri Toulouse Lautrec's real height of 5'1". See more »
When Henri Lautrec arrives at the gallery for the showing of his pictures, as he 'walks' in, his shadow on the ground clearly shows Ferrar's legs tucked behind him as he walks, (in on his knees). See more »
Love is a state of confusion in which the victim can not distinguish between spiritual aspiration, carnal desire, and pride of ownership.
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Along with Gauguin, Rodin, Seurat, van Gogh, and several others, Henri de Toulouse-Lautrec is regarded as a major contributor to the French art movement of the late 19th century, known as post-impressionism. "Moulin Rouge" (1952) is the somewhat romanticized cinematic version of the life of Toulouse-Lautrec. As a biography, the film is "sketchy"; it focuses mostly on the artist late in his life. Though talented as an artist, an accident in his childhood left him with two stunted legs. At maturity, he was 4 1/2 feet tall. The result was a certain amount of social ostracism. Despite being from a family of wealth, he chose a bohemian life as an adult, and he spent much of his time in the seamy areas of Paris, where he would create sketches, drawings, and paintings in the cabarets and brothels.
As Toulouse-Lautrec, Jose Ferrer, together with the film's screenplay, portray a man who was extremely intelligent, lonely, emotionally isolated, and depressed. Much of the film centers on the Moulin Rouge cabaret, where he would make sketches of the patrons and dancers, and drink excessively.
Ferrer gives a highly credible performance. The film has excellent cinematography and production design, and interesting costumes. The overall tone of "Moulin Rouge" is one of sadness and melancholy, in which a talented but lonely artist eschews luxury, to devote his adult life to his passion for art.
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