2 items from 2013
“The Great Folk Scare” is how the late singer-songwriter Dave Van Ronk jokingly referred to the 1960s American folk music revival. But there was nothing to fear Sept. 29 at Manhattan’s Town Hall, where a who’s-who of folkies past and present gathered to celebrate the sounds of the Coen Brothers’ “Inside Llewyn Davis.” Entitled “Another Day, Another Time” (after a lyric from Bob Dylan’s “Farewell”), the all-acoustic three-hour concert was organized by the Coens and their longtime music supervisor, Grammy-winner T Bone Burnett, as a benefit for the nonprofit National Recording Preservation Foundation, which preserves and archives historically significant audio recordings from America’s past.
The star-studded lineup, which ran the gamut from folk legends Joan Baez and Bob Neuwirth to rockers Patti Smith and Elvis Costello and latter-day folk/country acts like Gillian Welch and David Rawlings, drew a suitably star-studded crowd including Glenn Close, Jesse Eisenberg, »
- Scott Foundas
Feature Ivan Radford 25 Feb 2013 - 07:00
In the wake of the Oscars, Ivan looks at the year's nominees, and argues that it's time the Academy changed its music categories...
It’s February. People are talking about John Williams. It must be Oscar season again. And this year, it’s a fairly traditional bunch: Alexandre Desplat, John Williams, Thomas Newman and Dario Marianelli are all familiar faces on the ballot sheet, with only Mychael Danna offering a relative shot of fresh blood.
So, is it time the Academy Awards introduced a few more changes to its music categories?
Back in the 1930s, Best Music (Scoring) was the award composers coveted, a gong given out to pre-existing musicals and brand new work alike. In 1938, the music prize was split into two: Original Score and Scoring, allowing new work (Korngold's The Adventures Of Robin Hood) to be rewarded while still celebrating the wealth »
2 items from 2013