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The Merry Widow (1952)

Operating under royal orders, a count must woo a young and wealthy widow in order to save a kingdom from bankruptcy.

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(screenplay), (screenplay) | 2 more credits »
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Nominated for 2 Oscars. See more awards »

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Cast

Complete credited cast:
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...
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Kitty Riley
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Baron Popoff
...
King of Marshovia
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Marshovian Ambassador
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Police Sergeant
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Nitki
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Marquis De Crillon
Sujata Rubener ...
Gypsy Girl (as Sujata)
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Marcella
Shepard Menken ...
Kunjany
...
Major Domo (as Ludwig Stossel)
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Storyline

Marshovia, a small European kingdom, is on the brink of bankruptcy but the country may be saved if the wealthy American Crystal Radek, widow of a Marshovian, can be convinced to part with her money and marry the king's nephew count Danilo. Arriving to Marshovia on a visit, Crystal Radek change places with her secretary Kitty. Following them to Paris, Danilo has a hard time wooing the woman he believes is the widow after falling in love with an attractive young woman at a nightclub, the same Crystal Radek who presents herself as Fifi the chorus girl. Written by Mattias Thuresson

Plot Summary | Plot Synopsis

Genres:

Musical

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Parents Guide:

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Details

Country:

Language:

Release Date:

5 September 1952 (USA)  »

Also Known As:

A Viúva Alegre  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Una Merkel previously appeared as Queen Dolores in the 1934 film version of The Merry Widow (1934), starring Maurice Chevalier and Jeanette MacDonald. See more »

Connections

Version of The Merry Widow (1958) See more »

Soundtracks

Can-Can
(uncredited)
Music by Franz Lehár
Lyrics by Paul Francis Webster
Danced by Gwen Verdon and chorus
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User Reviews

 
It almost resembles "The Merry Widow" in places
28 December 2009 | by (Chatham, New Jersey) – See all my reviews

My wife and I met doing a professional production of "The Merry Widow" in 1982 -- in English, but a straight translation.

Only the very basic skeleton of the original plot is visible in this "adaptation". Most of the characters have been deleted, along with the entire B plot, and all but one of the characters remaining have been renamed. Most of the characters in the movie aren't in the operetta, either. The action has been moved from Paris to, at first, Washington, DC, and then to the fictional country of Pontevedro, which the movie has renamed "Marshovia", and only later to Paris. The net result is that we don't reach the beginning of the original play until about 45 minutes in.

And the main source of tension in the plot is deleted, too. In the original, years before, Count Danilo and the heroine were very much in love, but his family refused to allow them to marry because she was poor; it's his broken heart that has rendered him a careless playboy. Now that, as a widow, she's the richest woman in the world, she still loves him, and he still loves her, but his pride won't let him admit it to anyone, even himself, and she must spend three acts playing mind games to break him down. The trope of the aristocrat with money problems who won't admit that he's in love with a rich woman for fear of what people will think supplied the main plots of a substantial fraction of Viennese operettas for decades after the 1906 "Widow". In this movie, they've never met before, which rips out not only the heart of the whole thing, but nearly all the comedy.

Lamas does a pretty decent job, though.

An interesting musical point is that several times we hear a snippet or so of "Trés Parisien", an extra song written (in English, despite the title) for the London première, which was not, as far as I know, usually found in American productions until the 1980s or so.


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