IMDb > The Member of the Wedding (1952)
The Member of the Wedding
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The Member of the Wedding (1952) More at IMDbPro »


Overview

User Rating:
7.1/10   838 votes »
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Up 6% in popularity this week. See why on IMDbPro.
Director:
Writers:
Edna Anhalt (screenplay) and
Edward Anhalt (screenplay) ...
(more)
Contact:
View company contact information for The Member of the Wedding on IMDbPro.
Release Date:
1954 (West Germany) See more »
Genre:
Tagline:
She became a woman in the middle of a kiss!
Plot:
A young tomboy named Frankie is forced to face her own immaturity as a result her older brother's wedding. Full summary » | Add synopsis »
Plot Keywords:
Awards:
Nominated for Oscar. Another 1 win See more »
NewsDesk:
(31 articles)
Ann Carter, Former 1940s Child Actress, Dies at 77
 (From Variety - Film News. 6 February 2014, 5:01 PM, PST)

Julie Harris obituary
 (From The Guardian - TV News. 25 August 2013, 4:00 PM, PDT)

Julie Harris obituary
 (From The Guardian - Film News. 25 August 2013, 4:00 PM, PDT)

User Reviews:
Nearly Perfect Depiction Of The McCullers' Classic See more (26 total) »

Cast

  (in credits order) (complete, awaiting verification)

Ethel Waters ... Berenice Sadie Brown

Julie Harris ... Frankie Addams

Brandon De Wilde ... John Henry (as Brandon de Wilde)
Arthur Franz ... Jarvis Addams
Nancy Gates ... Janice
William Hansen ... Mr. Addams
James Edwards ... Honey Camden Brown
Harry Bolden ... T.T. Williams

Dickie Moore ... Soldier (as Dick Moore)
rest of cast listed alphabetically:

Hugh Beaumont ... Minister (uncredited)
Margaret Bert ... Townswoman (uncredited)
Jeanne Blackford ... Townswoman (uncredited)
Gail Bonney ... Townswoman (uncredited)
Ivan Browning ... Porter (uncredited)
Ann Carter ... Doris - Club Girl (uncredited)
Wheaton Chambers ... Man Who Gives Bride Away (uncredited)
Mary Emery ... Townswoman (uncredited)
Ella Ethridge ... Townswoman (uncredited)
Al Ferguson ... Townsman (uncredited)
Jack Gargan ... Townsman (uncredited)
Charlcie Garrett ... Aunt Pet (uncredited)
June Hedin ... Helen - Club Girl (uncredited)
Alma Mansfield ... Townswoman (uncredited)
Rhea Mitchell ... Townswoman (uncredited)
Ralph Montgomery ... Tractor Man (uncredited)
Danny Mummert ... Barney McKean (uncredited)
Gil Perkins ... Moving Man (uncredited)
Charles Perry ... Townsman (uncredited)
Harry Richards ... Organ Grinder (uncredited)
Helen St. Rayner ... Organist (uncredited)
Henry Sylvester ... Townsman (uncredited)

Directed by
Fred Zinnemann 
 
Writing credits
Edna Anhalt (screenplay) and
Edward Anhalt (screenplay)

Carson McCullers (novel)

Carson McCullers (play)

Produced by
Edna Anhalt .... associate producer
Edward Anhalt .... associate producer
Stanley Kramer .... producer
 
Original Music by
Alex North 
 
Cinematography by
Hal Mohr 
 
Film Editing by
William A. Lyon 
 
Production Design by
Rudolph Sternad 
 
Art Direction by
Cary Odell 
 
Set Decoration by
Frank Tuttle 
 
Makeup Department
Clay Campbell .... makeup artist
Helen Hunt .... hair stylist
 
Production Management
Clem Beauchamp .... production manager
 
Second Unit Director or Assistant Director
Sam Nelson .... assistant director
Willard M. Reineck .... assistant director (uncredited)
 
Art Department
Jack Wrenn .... props (uncredited)
 
Sound Department
Lambert E. Day .... sound engineer (as Lambert Day)
 
Editorial Department
Harry W. Gerstad .... editorial supervisor (as Harry Gerstad)
 
Music Department
Morris Stoloff .... musical director
Maurice De Packh .... orchestrator (uncredited)
 
Other crew
Stanley Martineau .... produced on the stage by
Oliver Rea .... produced on the stage by
Robert Whitehead .... produced on the stage by
Jus Addiss .... dialogue director (uncredited)
Eugene Busch .... dialogue director (uncredited)
Hal Fisher .... location manager (uncredited)
George Lait .... director of publicity (uncredited)
Donna M. Norridge .... script supervisor (uncredited)
Charlcie Pet .... technical advisor (uncredited)
 
Crew believed to be complete


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Additional Details

Also Known As:
Runtime:
93 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:
Filming Locations:

Did You Know?

Trivia:
The original Broadway production of "The Member of the Wedding," by Carson McCullers opened on January 5, 1950, at the Empire Theater in New York and ran for 501 performances.See more »
Quotes:
John Henry:Mean old bossy Frankie!
Berenice Sadie Brown:Just what is she doing that's so mean? Just trying to get some rest.
See more »
Movie Connections:
Soundtrack:
His Eye Is on the SparrowSee more »

FAQ

This FAQ is empty. Add the first question.
3 out of 5 people found the following review useful.
Nearly Perfect Depiction Of The McCullers' Classic, 27 January 2010
Author: ResoluteGrunt from United States

It's usually helpful to place things in context. Carson McCullers was born in 1917 in Columbus, Georgia, and left home during the Great Depression in 1934 at age 17 to study piano in New York, but instead was drawn into writing by several New York women university writers. This career choice soon proved fortuitous. Already famous with her "The Heart Is A Lonely Hunter", McCullers wrote "The Member Of The Wedding" over five years while her nation was fully engaged with the colossally deadly Second World War in both Europe and Asia. The book was published shortly after the war in 1946 when the gifted writer was 29 and living well in post-war Paris, then being reconstructed with the help of the American Marshall Plan. ("Member" is thus a little reminiscent of "Little Women", oblivious as it was of the massively deadly Civil War in the back yard.)

"The Member Of The Wedding", like most of her best work, draws very heavily on McCullers' own childhood experiences in the poverty-ridden American Depression-era South. While the film moves the time period slightly forward, the story is about the mixed and tumultuous emotions of a self-involved young 12-year old girl ("tomboy") faced with the marriage of her older brother, a soldier. The daughter of a hard-working widowed father, she uses a black maid as her sounding board.

The book's universal appeal derives from the fact that the story is concerned with an adolescent experiencing the normal difficulty of growing up and struggling to become aware of one's self -- always a major problem for pubescent children of both genders. Since the central character here is a girl (Frankie), some critics have emphasized the importance of the sexual identity theme. In the book, Frankie, for example, wishes people could 'change back and forth from boys to girls', while her younger cousin, John Henry, wants them to be 'half boy and half girl'. The play and film reduces all this conflict to little more than mention of a cat that answers to either "Charlie" or "Charlene". This is a shame, since this psycho-social sexual identity theme has been aggressively pursued by American women over the past quarter of a century, including in public schools and education research, mainly by superimposing such a view on boys in a very wide-ranging campaign to re-engineer American males.

The racial theme is secondary in "Wedding" inasmuch as it simply reflects everyday reality in the South when McCullers (Frankie) was a young girl - almost a century ago. This movie is much more noteworthy because of the great American actresses Ethel Waters and Julie Harris (and supporting actor James Edwards), who could always be counted on for perfect performances -- including while performing on LIVE national TV broadcasts of great classics during the 1950s' "Golden Age Of Television". (It is indeed unfortunate that few of those great live TV performances, based on works by Williams, Faulkner, O. Henry, Chekov, Ibsen, etc., were preserved on permanent media. All I have now are wonderful memories of fascinating experiences that introduced me to the world of classic literature as a young teen - in my living room.)

For a much better examination of the racial theme in the American South, see "To Kill A Mockingbird", also written by a young American women writer (Harper Lee) who drew heavily on her own childhood ("tomboy") experiences during the Depression-era and pre-war South (Alabama). Many, myself included, regard her book's central character, Atticus Finch, as America's best fictional male hero. In stark contrast to today's popular view of fathers, Lee used her own widowed dad to help craft an outstanding and ageless role model, a man of true substance.

McCullers' widowed father, on the other hand, also struggling to earn a living while raising children with the help of a black maid, becomes mostly absent to her Frankie – an apparently insensitive man of no consequence. Carson McCullers married the same ex-soldier twice; he eventually committed suicide in Paris. McCullers herself suffered with alcoholism and strokes that left her left side paralyzed by age 31. She died in New York at age 50.

Interestingly, both McCullers and Lee became close friends of Truman Capote. These were two American women contemporaries - McCullers and Lee - from very similar background circumstances, who each produced great works of semi-autobiographical fiction -- of a completely different nature. Harper Lee, who never married, was awarded the Presidential Medal Of Freedom at the age of 81 in 2007, some say largely because of the solid character she created, not in herself, but in her dad, Atticus Finch – the Last True American Hero.

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