Danny Wilson and partner Mike make a meager living singing in dives and hustling pool. One night they meet entertainer Joy Carroll, who gets them a job at racketeer Nick Driscoll's posh ... See full summary »
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George C. Scott
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Danny Wilson and partner Mike make a meager living singing in dives and hustling pool. One night they meet entertainer Joy Carroll, who gets them a job at racketeer Nick Driscoll's posh nightclub. But Nick wants a high price: half of Danny's future income. Danny's career skyrockets, but his position at the top of the heap, and his one-sided romance with Joy, prove extremely unstable. Written by
Rod Crawford <firstname.lastname@example.org>
Any excuse like Meet Danny Wilson you can get to hear Frank Sinatra sing some great old standards is something to take advantage of. Problem with Meet Danny Wilson is that when Sinatra stops singing, he's really one obnoxious boor in this film.
Singer Frank Sinatra and his accompanist piano player Alex Nicol are making a meager living in a whole lot of dives until top singer Shelley Winters hears them and gets them hired by her gangster boss Raymond Burr. Burr's got eyes for her, Sinatra has eyes for her, but she only sees Nicol. That leads to a whole lot of complications.
What further leads to complications is Raymond Burr's verbal contract to get 50% of Sinatra's earnings. Burr doesn't like things in writing just fork over the money and he has 32 caliber lawyer if needed.
Some have said this is a thinly veiled Sinatra autobiographical film. If so it's a picture of Frank no one could take. I'm still trying to figure out why Nicol puts up with him. They're old army buddies, but that only takes you so far.
Danny Wilson is one of the least attractive characters Sinatra ever brought to the screen. But when he's singing, my oh my.
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