IMDb > The Marrying Kind (1952)
The Marrying Kind
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The Marrying Kind (1952) More at IMDbPro »

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Overview

User Rating:
7.0/10   714 votes »
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Director:
Writers:
Ruth Gordon (written by) and
Garson Kanin (written by)
Contact:
View company contact information for The Marrying Kind on IMDbPro.
Release Date:
February 1952 (USA) See more »
Genre:
Tagline:
"Shaddup!"
Plot:
Florence and Chet Keefer have had a troublesome marriage. Whilst in the middle of a divorce hearing... See more » | Add synopsis »
Awards:
Nominated for BAFTA Film Award. Another 1 nomination See more »
NewsDesk:
(4 articles)
The Second-Hand Illusion: Notes on Cukor
 (From MUBI. 10 December 2013, 10:13 AM, PST)

Photos: Judy Holliday's Style Was Picture Perfect
 (From Huffington Post. 20 June 2013, 12:51 PM, PDT)

DVD Review: Growing Pains The Complete Third Season
 (From Cinelinx. 15 June 2013, 7:00 AM, PDT)

User Reviews:
Judy, Judy, Judy See more (23 total) »

Cast

  (in credits order) (verified as complete)

Judy Holliday ... Florrie Keefer

Aldo Ray ... Chet Keefer
Madge Kennedy ... Judge Anne B. Carroll
Sheila Bond ... Joan Shipley
John Alexander ... Howard Shipley
Rex Williams ... George Bastian
Phyllis Povah ... Mrs. Derringer
Mickey Shaughnessy ... Pat Bundy
Griff Barnett ... Charley
rest of cast listed alphabetically:
Wallace Acton ... Newhouse (uncredited)
Shirlee Allard ... (uncredited)
George Auld ... Spec (uncredited)
Larry J. Blake ... Benny (uncredited)
Charles Brewer ... Musician (uncredited)

Charles Bronson ... Eddie (uncredited)
Vera Burnett ... (uncredited)
Patrick Butler ... Boy (uncredited)
Peggy Cass ... Emily Bundy (uncredited)
Mary Chamberlin ... Leona (uncredited)
Barry Curtis ... Joey Keefer (age 6) (uncredited)
Alexis Davidoff ... (uncredited)
Helen Dickson ... Party Guest (uncredited)
Clint Dorrington ... (uncredited)
John Elliott ... Minister (uncredited)
Bob Evans ... (uncredited)
Tommy Farrell ... Cliff (uncredited)
Frank Ferguson ... Mr. Quinn (uncredited)
Kathleen Field ... (uncredited)
Dick Gordon ... Lawyer (uncredited)
Susan Hallaran ... Ellen Keefer (uncredited)
Sam Harris ... Passerby in Nightmare (uncredited)
Robert Hartley ... Musician (uncredited)
Thomas Browne Henry ... Mr. Jenner (uncredited)
Elsie Holmes ... Marian (uncredited)
Gordon Jones ... Steve (uncredited)
Johnnie Kiado ... Musician (uncredited)
Terry Kingston ... (uncredited)
Tom Kingston ... (uncredited)

Nancy Kulp ... Edie (uncredited)
Ethan Laidlaw ... Picnicker (uncredited)
Raymond Largay ... Postmaster General (uncredited)
Carl M. Leviness ... (uncredited)
James MacColl ... Man in Subway (uncredited)
Don Mahin ... Roy (uncredited)
Alan Marston ... (uncredited)
Joe McGuinn ... Bus Driver (uncredited)
Beverly Michaels ... Blonde on Life Cover (uncredited)
Malan Mills ... Charlotte (uncredited)
Charles Morton ... (uncredited)
William H. O'Brien ... Party Waiter (uncredited)
Frank O'Connor ... Plant Worker (uncredited)
Christopher Olsen ... Joey Keefer (age 4) (uncredited)
Allen Pinson ... (uncredited)
Margaret Roberts ... (uncredited)
Jeffrey Sayre ... Party Guest / Man at Airport (uncredited)
Joan Shawlee ... Tall Party Dancer / Woman at Airport (uncredited)
John Sheffield ... (uncredited)
Ray Stricklyn ... Extra (uncredited)
Ethel Sway ... (uncredited)

Guy Teague ... (uncredited)
Lucio Villegas ... Butler / Party Waiter (uncredited)
Harry von Zell ... Radio Quiz Show Host (voice) (uncredited)
Peggy Walker ... Gloria (uncredited)
Jean Wardley ... Peggy (uncredited)

Directed by
George Cukor 
 
Writing credits
Ruth Gordon (written by) and
Garson Kanin (written by)

Produced by
Bert Granet .... producer
 
Original Music by
Hugo Friedhofer 
 
Cinematography by
Joseph Walker 
 
Film Editing by
Charles Nelson 
 
Art Direction by
John Meehan 
 
Set Decoration by
William Kiernan 
 
Costume Design by
Jean Louis (gowns)
 
Makeup Department
Clay Campbell .... makeup artist
Helen Hunt .... hair stylist
 
Second Unit Director or Assistant Director
Earl Bellamy .... assistant director
Harry Horner .... second unit director
 
Sound Department
Jack A. Goodrich .... sound (as Jack Goodrich)
 
Stunts
Allen Pinson .... stunts (uncredited)
 
Camera and Electrical Department
Emil Oster .... camera operator (uncredited)
 
Music Department
Morris Stoloff .... musical director
George Duning .... composer: stock music (uncredited)
Arthur Morton .... orchestrator (uncredited)
 
Crew believed to be complete


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Additional Details

Also Known As:
Runtime:
92 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:

Did You Know?

Trivia:
Debut of Peggy Cass.See more »
Goofs:
Errors in geography: At one point, Mickey Shaughnessy's character refers to his address as being "20-11 35th Avenue, Jackson Heights." Actually, that address would be in Long Island City.See more »
Quotes:
Mrs. Derringer:Oh, I didn't remember he had an 'F' in 'im.See more »
Movie Connections:
Soundtrack:
That Old Black MagicSee more »

FAQ

This FAQ is empty. Add the first question.
36 out of 39 people found the following review useful.
Judy, Judy, Judy, 26 June 2000
Author: marcslope

It's widely known that Judy Holliday was the greatest comic actress of all time, but did you know she was also a subtle and moving tragedienne? This movie begins as a screwball comedy about a sparring couple, and all I'll tell you is, it turns into something quite different -- and it pulls it off. Judy's beautiful playing has much to do with this, as does Cukor's deft direction. Aldo Ray is a revelation: You may not think of him as a leading actor of his generation, but with Cukor's touch, he hits all the notes of tenderness, childishness, and bewilderment written into his character. Husband-and-wife screenwriters Kanin and Gordon supply funny lines, ingenious dream sequences, a "Rashomon"-type narrative, and much hard-earned insight into marital discord. Also, unusual for a Hollywood film from the '50s, the kids come off as real kids, not synthetic little dears or bratty little monsters.

Despite all the high-priced talent, it's a cheap-looking movie, with almost verite glimpses of 1952 New York. And the abrupt shift of tone may be off-putting to some. Me, I appreciated the film for treating adults like adults, and for suggesting that life and marriage are not wrapped up in neat little packages. An offbeat movie, and very rewarding for those willing to accept it on its own terms.

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