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The Marrying Kind (1952)

 -  Comedy | Drama  -  February 1952 (USA)
7.0
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Ratings: 7.0/10 from 705 users  
Reviews: 23 user | 10 critic

Florence and Chet Keefer have had a troublesome marriage. Whilst in the middle of a divorce hearing the judge encourages them to remember the good times they have had hoping that the ... See full summary »

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Title: The Marrying Kind (1952)

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Nominated for 1 BAFTA Film Award. Another 1 nomination. See more awards »
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Cast

Complete credited cast:
...
Florrie Keefer
...
Chet Keefer
Madge Kennedy ...
Judge Anne B. Carroll
Sheila Bond ...
Joan Shipley
John Alexander ...
Howard Shipley
Rex Williams ...
George Bastian
Phyllis Povah ...
Mrs. Derringer
Mickey Shaughnessy ...
Pat Bundy
Griff Barnett ...
Charley
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Storyline

Florence and Chet Keefer have had a troublesome marriage. Whilst in the middle of a divorce hearing the judge encourages them to remember the good times they have had hoping that the marriage can be saved. Written by Col Needham <col@imdb.com>

Plot Summary | Add Synopsis

Taglines:

"Shaddup!"

Genres:

Comedy | Drama

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

February 1952 (USA)  »

Also Known As:

A Mulher Que Deus Me Deu  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Debut of Peggy Cass. See more »

Goofs

At one point, Mickey Shaughnessy's character refers to his address as being "20-11 35th Avenue, Jackson Heights." Actually, that address would be in Long Island City. See more »

Quotes

Judge Anne B. Carroll: You know, counselor, there's an old saying, there are three sides to every story: yours, his, and the truth.
See more »

Crazy Credits

At the film comes to the classical "The End" over the final shot of the two main characters in background, instead of the usual fade-out, Columbia Pictures added the advertisement: "You have just seen our New Personality - ALDO RAY - Please watch for his next picture." In the background, a short sequence of Aldo Ray speaking (no dialogue heard - simply the remaining ending score) in a bedroom setting seen in the movie. See more »

Connections

Featured in 100 Years of Comedy (1997) See more »

Soundtracks

That Old Black Magic
(uncredited)
Lyrics by Johnny Mercer
Music by Harold Arlen
See more »

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User Reviews

Strange film, worth seeing
16 September 2004 | by (UK) – See all my reviews

The dizzy title of this film might suggest a screwball comedy, but it's deceptive. Despite claims to the contrary, this is definitely not a screwball comedy. It starts with plenty of jokes and humorous moments, but among other things, the pacing is all wrong. Also, screwballs often involve moneyed folk with big houses and good accents, and these are working-class characters in a small and under-furnished apartment. Knocking a few drinks back is an amusing foible in screwballs: here it usually complicates the lives of the characters. Instead of driving places, they take the bus or feel guilty about spending money on cabs. Screwball couples may have a pet dog or a leopard in tow; how many of them have small children (as here) whose sleep is interrupted by the bitter arguments of their parents? This might even be called anti-screwball.

The unevenness of tone certainly disconcerted me the first time I saw it, and it has clearly worried several of the other people who've commented on the film. Though Judy Holliday is great (as usual), it helps an appreciation of the film if one does not expect a replay of Born Yesterday's raucous laughter or even the gentler-paced humour of Bells Are Ringing.

Scenes of the discordance and trials of married life are played for laughs, but with an increasingly harder edge until the comedy has very nearly been wrung out of the whole thing. Slowly, the humour departs from the story and we're left with a very watchable study of a marriage spiralling into crisis, even if the treatment does become rather soapy at times.

After several viewings of this strange film, I'm still not sure if I've enjoyed the experience, though I constantly feel that I've been watching something significant. I can't give it a score, as I really don't know how to estimate an accurate score. It's worth seeing, even if you don't expect to like it: that's the only way I can summarise it.


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