The Man in the White Suit (1951) - News Poster

News

Deadline – U.S.A.

Richard Brooks' exciting Humphrey Bogart picture is one of the best newspaper sagas ever. An editor deals with a gangster threat and a domestic crisis even as greedy heirs are selling his paper out from under him. Commentator Eddie Muller drives home the film's essential civics lesson about what we've lost -- a functioning free press. Deadline - U.S.A. Blu-ray Kl Studio Classics 1952 / B&W / 1:37 flat Academy / 87 min. / Street Date July 26, 2016 / available through Kino Lorber / 29.95 Starring Humphrey Bogart, Ethel Barrymore, Kim Hunter, Ed Begley, Warren Stevens, Paul Stewart, Martin Gabel, Joe De Santis, Audrey Christie, Jim Backus, Willis Bouchey, Joseph Crehan, Lawrence Dobkin, John Doucette, Paul Dubov, William Forrest, Dabbs Greer, Thomas Browne Henry, Paul Maxey, Ann McCrea, Kasia Orzazewski, Tom Powers, Joe Sawyer, William Self, Phillip Terry, Carleton Young. Cinematography Milton Krasner Film Editor William B.Murphy Original Music Cyril J. Mockridge Produced by Sol C. Siegel
See full article at Trailers from Hell »

When You’re Older, Dear Adam & Berlin Around the Corner

Film directors trying to express themselves in East Germany had a tough row to hoe, yet quite a few of them dared to stray beyond the confines of social realism. The Defa Film Library has two new releases from 1966 that were banned and shelved before they could be finished -- and weren't seen until they were patched together in 1990. When You're Older, Dear Adam DVD Defa Film Library 1966-1990 / Color / 2:35 / 74 min. / Wenn du groß bist, lieber Adam / Street Date April, 2016 / Available from the Defa Umass Film Library / 29.95 (separate release) Starring: Stephan Jahnke, Gerry Wolff, Manfred Krug, Daisy Granados, Rolf Römer, Hanns Anselm Perten, Wolfgang Greese, Günther Simon. Cinematography Helmut Grewald Film Editor Monika Schindler Original Music Kurt Zander Written by Egon Günther, Helga Schütz Produced by Defa Directed by Egon Günther Berlin Around the Corner DVD Defa Film Library 1966-90 / B&W / 1:37 flat Academy / 83 min. / Berlin um die ecke / Street Date April,
See full article at Trailers from Hell »

Weekly Rushes. 24 February 2016

  • MUBI
Rushes collects news, articles, images, videos and more for a weekly roundup of essential items from the world of film.NEWSThai director Apichatpong Weerasethakul, whose brilliant Cemetery of Splendor will be released in the Us this spring, has revealed a new installation work, Home Movie, made for Sydney's 2016 Biennale. According to his website, "an exhibition space hosts a cave-like ritual where people gather to simply take in the light": "In this home-cave, the heat is both comfortable and threatening. A fireball is an organic-like machine with phantom fans to blow away the heat and, at the same time, rouse the fire, which is impossible to put out even in dreams."This season seems to be one of cinema masters passing. In addition to the directors who've died over the last month, we've lost two great cinematographers this week. First, Douglas Slocombe, who shot the first three Indian Jones films,
See full article at MUBI »

Douglas Slocombe, ‘Raiders of the Lost Ark’ Cinematographer, Dies at 103

  • The Wrap
Douglas Slocombe, ‘Raiders of the Lost Ark’ Cinematographer, Dies at 103
Douglas Slocombe, the cinematographer for “Raiders of the Lost Ark,” has died. He was 103. According to Afp, his daughter Georgina confirmed his death. Slocombe received Oscar nominations for “Travels With My Aunt” in 1973, “Julia” in 1978 and “Raiders of the Lost Ark” in 1982. He also shot “Jesus Christ Superstar,” “The Great Gatsby,” “The Maids” and “Rollerball,” as well as Ealing comedies including “Kind Hearts and Coronets,” “The Lavender Hill Mob” and “The Man in The White Suit.” Also Read: Harper Lee, 'To Kill a Mockingbird' Author, Dies at 89 “Indiana Jones and the Last Crusade” (1989) as the last film he worked on.
See full article at The Wrap »

Douglas Slocombe, Cinematographer for ‘Raiders of the Lost Ark,’ Dies at 103

Douglas Slocombe, Cinematographer for ‘Raiders of the Lost Ark,’ Dies at 103
Oscar-nominated British cinematographer Douglas Slocombe, whose many films include several classic Ealing comedies in the 1940s and ’50s and the first three Indiana Jones pics in the 1980s, has died, his family told the Agence France-Presse. He was 103.

Slocombe drew Oscar noms for “Travels With My Aunt” in 1973, “Julia” in 1978 and “Raiders of the Lost Ark” in 1982. He is famous within the industry for never having used a light meter on the set of “Raiders.”

He shot Ealing comedies including “Kind Hearts and Coronets,” “The Lavender Hill Mob” and “The Man in the White Suit.”

During the 1960s he was d.p. on films including “The Servant,” “The Blue Max,” “The Fearless Vampire Killers,” “The Lion in Winter” and “The Italian Job.”

In addition to the pics for which he was Oscar nominated, he shot “Jesus Christ Superstar,” “The Great Gatsby,” “The Maids” and “Rollerball” in the 1970s.

Indiana Jones and the Last Crusade
See full article at Variety - Film News »

Cummings Pt.4: Career Peak with Tony Award Win, Acclaimed Mary Tyrone

Constance Cummings: Stage and film actress ca. early 1940s. Constance Cummings on stage: From Sacha Guitry to Clifford Odets (See previous post: “Constance Cummings: Flawless 'Blithe Spirit,' Supporter of Political Refugees.”) In the post-World War II years, Constance Cummings' stage reputation continued to grow on the English stage, in plays as diverse as: Stephen Powys (pseudonym for P.G. Wodehouse) and Guy Bolton's English-language adaptation of Sacha Guitry's Don't Listen, Ladies! (1948), with Cummings as one of shop clerk Denholm Elliott's mistresses (the other one was Betty Marsden). “Miss Cummings and Miss Marsden act as fetchingly as they look,” commented The Spectator. Rodney Ackland's Before the Party (1949), delivering “a superb performance of controlled hysteria” according to theater director and Michael Redgrave biographer Alan Strachan, writing for The Independent at the time of Cummings' death. Clifford Odets' Winter Journey / The Country Girl (1952), as
See full article at Alt Film Guide »

Which is the greatest British film in history? No one seems to be in agreement

Best British movies of all time? (Image: a young Michael Caine in 'Get Carter') Ten years ago, Get Carter, starring Michael Caine as a dangerous-looking London gangster (see photo above), was selected as the United Kingdom's very best movie of all time according to 25 British film critics polled by Total Film magazine. To say that Mike Hodges' 1971 thriller was a surprising choice would be an understatement. I mean, not a David Lean epic or an early Alfred Hitchcock thriller? What a difference ten years make. On Total Film's 2014 list, published last May, Get Carter was no. 44 among the magazine's Top 50 best British movies of all time. How could that be? Well, first of all, people would be very naive if they took such lists seriously, whether we're talking Total Film, the British Film Institute, or, to keep things British, Sight & Sound magazine. Second, whereas Total Film's 2004 list was the result of a 25-critic consensus,
See full article at Alt Film Guide »

Cinema Centenarians: Among Oldest Film People Still Around Are Best Actress Oscar Winner; Actress with, gasp, Twilight Connection

Oldest person in movies? (Photo: Manoel de Oliveira) Following the recent passing of 1931 Dracula actress Carla Laemmle at age 104, there is one less movie centenarian still around. So, in mid-June 2014, who is the oldest person in movies? Manoel de Oliveira Portuguese filmmaker Manoel de Oliveira will turn 106 next December 11; he’s surely the oldest person — at least the oldest well-known person — in movies today. De Oliveira’s film credits include the autobiographical docudrama Memories and Confessions / Visita ou Memórias e Confissões (1982), with de Oliveira as himself, and reportedly to be screened publicly only after his death; The Cannibals / Os Canibais (1988); The Convent / O Convento (1995); Porto of My Childhood / Porto da Minha Infância (2001); The Fifth Empire / O Quinto Império - Ontem Como Hoje (2004); and, currently in production, O Velho do Restelo ("The Old Man of Restelo"). Among the international stars who have been directed by de Oliveira are Catherine Deneuve, Pilar López de Ayala,
See full article at Alt Film Guide »

Trailers from Hell Chases 'The Mouse That Roared,' Starring Peter Sellers Times-Three

This week on Trailers from Hell, the articulate Brian Trenchard-Smith revisits Jack Arnold's 1959 comedy "The Mouse That Roared," starring Peter Sellers, in three roles, and Jean Seberg. The nearly bankrupt country of Grand Fenwick declares war on the United States in order to receive the financial aid that would be awarded the tiny country after their inevitable defeat. Unfortunately, they win. Peter Sellers stars (in three different roles) alongside Jean Seberg in this 1959 British cold-war farce written by Roger MacDougall (The Man In The White Suit) and directed by sojourning American Jack Arnold (Arnold went on to shoot an unsold TV pilot based on Mouse with Sid Caesar inheriting the roles played by Sellers). Grand Fenwick and its hapless citizenry returned in 1963's The Mouse On The Moon, directed by Richard Lester.
See full article at Thompson on Hollywood »

The Mouse that Roared

The nearly bankrupt country of Grand Fenwick declares war on the United States in order to receive the financial aid that would be awarded the tiny country after their inevitable defeat. Unfortunately, they win. Peter Sellers stars (in three different roles) alongside Jean Seberg in this 1959 British cold-war farce written by Roger MacDougall (The Man In The White Suit) and directed by sojourning American Jack Arnold (Arnold went on to shoot an unsold TV pilot based on Mouse with Sid Caesar inheriting the roles played by Sellers). Grand Fenwick and its hapless citizenry returned in 1963′s The Mouse On The Moon, directed by Richard Lester.

The post The Mouse that Roared appeared first on Trailers From Hell.
See full article at Trailers from Hell »

Blu-ray Review: 'Ealing Studios Collection: Vol. 1'

  • CineVue
★★★★★Collated for the first time on Blu-ray are three films from Britain's Ealing Studios, each starring its most renowned star, Alec Guinness. In Kind Hearts and Coronets' (1949), lowly sales assistant Louis Mazzini (Dennis Price) reeks terrible revenge on his mother's aristocratic relations the D'Ascoyne family (all played by Guinness), whilst The Lavender Hill Mob (1951) tells the story of Henry Holland (Guinness) an unassuming clerk at the Bank of England who plots to relieve his bosses of a small fortune. Finally in The Man in the White Suit (1951) humble inventor Henry Stratton (Guinness) creates a fibre which never gets dirty or wears out.
See full article at CineVue »

The Ealing Studios Collection Vol. 1 Blu-ray Review

Directors: Robert Hamer, Charles Crichton, Alexander Mackendrick

Starring: Alec Guinness, Dennis Price, Stanley Holloway, Joan Greenwood, Valerie Hobson, Sid James, Alfie Bass, Cecil Parker, Michael Gough

Running Time: 272 Minutes

Certificate: U

Ealing comedies are so wonderful aren’t they? Transporting us back to post-war Britain at a time when it seemed much easier to mix darkness and comedy. This collection of three films, each starring Alec Guinness (one of which stars him 8 times), is a reminder of the incredible talent and unique tone that British films once possessed. Not only does each film deliver the laughs and the more sinister plotlines, but they also make interesting observations on society.

Kind Hearts And Coronets sees a man kill his way through his estranged family in order to inherit the family title and see his mother buried in the family graveyard. Dennis Price takes the lead as the sociopathic and righteous Louis
See full article at The Hollywood News »

The James Clayton Column: Sci-fi films ready for a remake

Feature James Clayton 7 Feb 2014 - 06:15

With the new RoboCop out now, James considers some sci-fi films that might, just might, benefit from an imaginative remake...

They remade RoboCop. I'm still finding it hard to get my head around that fact, even as I arrive at the moment I get to see the new reboot in cinemas. RoboCop remade. Paul Verhoeven's dystopian masterpiece of 1987 - the ultimate techno-tinged sociopolitical action movie - remade. Really? I mean, really?

I'm pretty sure that in ancient aeons past a divinely-appointed prophet laser-scribed "Thou shalt not remake RoboCop, creep!" on a titanium slab of commandments to be observed by obedient future generations. Nothing is sacred though and, alas, RoboCop is remade, rebooted and upgraded in line with modern filmmaking standards for today's drastically altered multimedia marketplace.

To fill you in on the details you probably already know, the PG-13 rated reboot (really?) is
See full article at Den of Geek »

Movie Poster of the Week: “Shadows” and the Posters of Hans Hillmann

  • MUBI
Above: 1968 Hans Hillmann poster for Shadows (John Cassavetes, USA, 1959).

There is an exhibition of the great German graphic designer Hans Hillmann currently running at the Museum Folkwang in Essen, Germany. Devoted entirely to Hillmann’s film posters from 1952 to 1974, the show, called The Title is Continued in the Picture, runs through the 1st of September and I’m sorry that I didn’t know about it sooner. But for those of us who can’t make it to the Ruhr in the next three weeks, the website Kunst + Film has posted a wonderful, almost-as-good-as-being-there video of the show.

The revelation of the video for me is the size of that Seven Samurai poster. Where most of Hillmann’s film posters are 33" x 23" (slightly smaller than a Us one-sheet), and the Cassavetes above is only 16.5" x 23", that glorious Seven Samurai is 93" x 132", or 11 feet wide.

While many of Hillmann’s witty,
See full article at MUBI »

TCM Offers Ultimate Studio Tour With 2013 Edition Of 31 Days Of Oscar; The Academy Awards February 24th

As the Academy celebrates 85 years of great films at the Oscars on February 24th, Turner Classic Movies (TCM) is set to take movie fans on the ultimate studio tour with the 2013 edition of 31 Days Of Oscar®. Under the theme Oscar by Studio, the network will present a slate of more than 350 movies grouped according to the studios that produced or released them. And as always, every film presented during 31 Days Of Oscar is an Academy Award® nominee or winner, making this annual event one of the most anticipated on any movie lover’s calendar.

As part of the network’s month-long celebration, the Academy of Motion Picture Arts and Sciences has graciously provided the original Academy Awards® radio broadcasts from 1930-1952. Specially chosen clips from the radio archives will be featured throughout TCM’s 31 Days Of Oscar website.

Hollywood was built upon the studio system, which saw nearly ever aspect
See full article at WeAreMovieGeeks.com »

The Man in the White Suit

(Alexander Mackendrick, 1951, Studiocanal, U)

Last September marked the centenary of the birth of Alexander Mackendrick (1912-93). Born in the States, raised in Scotland, he was, with Richard Hamer, one of the two truly great products of Ealing Studios. Their output was small (each made made five movies under Michael Balcon's aegis), but distinguished and distinctive and always digging beneath Ealing's cosy Little England ethos. Oscar-nominated for its screenplay (by Mackendrick, his brother-in-law the playwright Roger MacDougall and John Dighton, Hamer's collaborator on Kind Hearts and Coronets), The Man in the White Suit is arguably Mackendrick's most trenchant comedy.

It stars Alec Guinness as Sidney Stratton, a dreamily eccentric inventor who develops an artificial fibre that's indestructible and resistant to dirt. Apparently a boon to humanity, this fabric spreads alarm in a Lancashire mill town whose prosperity the invention threatens. Management and workers unite against the starry-eyed idealist Stratton, who
See full article at The Guardian - Film News »

The week's film events

Jimmy's End | Alexander Mackendrick | Princefest | Barbican Cinemas 2 & 3

Jimmy's End, Nationwide

Alan Moore has been notoriously dismissive about movie adaptations of his comic-book masterpieces, often with good reason. V For Vendetta, Watchmen, From Hell, The League Of Extraordinary Gentlemen: none of them have approached the power of their source material. So now Moore's gone and had a go himself. The prelude, Act Of Faith, and the half-hour Jimmy's End, are the first in what's promised to be a series of films, directed by his regular collaborator Mitch Jenkins and set in the same dreamy, non-linear world. They've generously put it online so you can try and work it out for yourself.

Alexander Mackendrick, Edinburgh

Born in the Us and raised in Scotland, Mackendrick flitted between both during his stilted but eventful career, and the best of his work combines the two national sensibilities. He's best known for his three first-class Ealing comedies: Whisky Galore!
See full article at The Guardian - Film News »

Blu-ray Review - The Man in the White Suit (1951)

The Man in the White Suit, 1951.

Directed by Alexander Mackendrick.

Starring Alec Guinness, Joan Greenwood, Cecil Parker, Michael Gough, Ernest Thesiger and Howard Marion-Crawford.

Synopsis:

A brilliant young chemist invents a fabric resistant to wear and tear, only for him to fall foul of the trade unions and mill owners who attempt to suppress his invention.

Try to imagine an unbreakable, unsoilable fabric. It never wears out. It never gets dirty. Tailors have to set about it with a blowtorch to cut a suit. Revolutionary, yes? Probably too revolutionary for economies that depend on textile industry. You’d only ever need to make one batch. Everyone would be out of business; there’d be redundancies from factory worker all the way up to senior management.

Now try to imagine the sort of mind that could invent this fabric. Now try again, because it’s probably nothing like the bashful, secretive,
See full article at Flickeringmyth »

The Man In The White Suit – DVD Review

  • HeyUGuys
Sidney Stratton (Alec Guinness) bounces from job to job at a series of textile factories, where he tries to develop a new synthetic fabric that will never wear out or stain. He believes it will change the world for the better, but when he finally succeeds he finds the factory owners against him because they will no longer need to produce or sell clothes and the work force up in arms because they will become redundant, once everyone has bought the last set of clothes they will ever need.

*****

Ealing comedies are a very particular species of film. On the one hand they have a seemingly cosy, inoffensive familiarity about them – very British, very undemanding. Yet virtually to a film we find on closer inspection that they have real bite to them. The Lavender Hill Mob, Passport to Pimlico, The Ladykillers and Kind Hearts & Coronets – all feature dark, subversive elements and this film,
See full article at HeyUGuys »

Blu-ray Review: 'The Man in the White Suit' (rerelease)

  • CineVue
★★★★☆ In 1951, Ealing Studios headed north with The Man in the White Suit, the story of a scientist, Sidney Stratton (played by Ealing stalwart Alec Guinness), who invents a super-resistant fibre that could revolutionise the textile industry and clothe the world for eternity. We meet our young hero as he slopes around the lab of Corland's textile mill, an anonymous figure working on a seemingly madcap experiment at the vast expense of the mill owner, Michael Corland (Michael Gough). Corland is courting Daphne Birnley (a husky-voiced Joan Greenwood), daughter of neighbouring mill mogul Alan Birnley (Cecil Parker), whose money Corland is also after.

Read more »
See full article at CineVue »
loading
An error has occured. Please try again.

See also

Showtimes | External Sites