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George Orr, a man whose dreams can change waking reality, tries to suppress this unpredictable gift with drugs. Dr. Haber, an assigned psychiatrist, discovers the gift to be real and ... See full summary »
Sidney Stratton, a humble inventor, develops a fabric which never gets dirty or wears out. This would seem to be a boon for mankind, but the established garment manufacturers don't see it that way; they try to suppress it. Written by
John Oswalt <firstname.lastname@example.org>
The sounds of Stratton's experiment (described on the record label as "guggle glub guggle") were set to music by Jack Parnell and released on Parlophone R 3435 as "The White Suit Samba" with words by T.E.B. Clarke. See more »
When Hill disturbs Michael Corland at the table, he holds a piece of paper. The paper swaps hands between shots. See more »
I can't say whether the post-WWII British comedies produced at the Ealing Studios are an acquired taste or not, but I am completely addicted, and The Man in the White Suit is one of the best. No need to go into the well-known plot about the threat posed to both the textile industry and the textile unions by an indestructible, dirt-resistant fiber. Suffice it to say that the slings and arrows suffered by the naively idealistic Sidney Stratton in pursuing his polymer vision make for a comedic delight. Many of the well-known faces from the world of British character actors - the nervous Cecil Parker, the suavely devious Michael Gough, and the bluntly ruthless Ernest Thesinger - put in wonderful performances. Guinness - as always and forever - is superb, and Joan Greenwood is delectable as Daphne (just the way she enunciates the word "Daddy", makes the entire movie worth seeing).
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