Sidney Stratton, a humble inventor, develops a fabric which never gets dirty or wears out. This would seem to be a boon for mankind, but the established garment manufacturers don't see it that way; they try to suppress it. Written by
John Oswalt <email@example.com>
The sounds of Stratton's experiment (described on the record label as "guggle glub guggle") were set to music by Jack Parnell and released on Parlophone R 3435 as "The White Suit Samba" with words by T.E.B. Clarke. See more »
When Mr. Harrison is called by a woman because he is wanted by Mr. Corland, he is blowing into a glass vial on a side counter which was not there in the previous shot. See more »
I can't say whether the post-WWII British comedies produced at the Ealing Studios are an acquired taste or not, but I am completely addicted, and The Man in the White Suit is one of the best. No need to go into the well-known plot about the threat posed to both the textile industry and the textile unions by an indestructible, dirt-resistant fiber. Suffice it to say that the slings and arrows suffered by the naively idealistic Sidney Stratton in pursuing his polymer vision make for a comedic delight. Many of the well-known faces from the world of British character actors - the nervous Cecil Parker, the suavely devious Michael Gough, and the bluntly ruthless Ernest Thesinger - put in wonderful performances. Guinness - as always and forever - is superb, and Joan Greenwood is delectable as Daphne (just the way she enunciates the word "Daddy", makes the entire movie worth seeing).
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