The Man in the White Suit (1951)

An altruistic chemist invents a fabric which resists wear and stain as a boon to humanity, but both big business and labor realize it must be suppressed for economic reasons.

Director:

Alexander Mackendrick

Writers:

Roger MacDougall (play), Roger MacDougall (screenplay)

Stars:

Alec Guinness, Joan Greenwood, Cecil Parker

Nominated for 1 Oscar. Another 1 win & 2 nominations.

Cast

Cast overview, first billed only:
Alec Guinness	...	Sidney Stratton
Joan Greenwood	...	Daphne Birnley
Cecil Parker	...	Alan Birnley
Michael Gough	...	Michael Corland
Ernest Thesiger	...	Sir John Kierlaw
Howard Marion-Crawford	...	Cranford (as Howard Marion Crawford)
Henry Mollison	...	Hoskins
Vida Hope	...	Bertha
Patric Doonan	...	Frank
Duncan Lamont	...	Harry
Harold Goodwin	...	Wilkins
Colin Gordon	...	Hill
Joan Harben	...	Miss Johnson
Arthur Howard	...	Roberts
Roddy Hughes	...	Green

Storyline

Sidney Stratton, a humble inventor, develops a fabric which never gets dirty or wears out. This would seem to be a boon for mankind, but the established garment manufacturers don't see it that way; they try to suppress it.

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Plot Keywords:

invention | capitalism | clothing industry | textile industry | capital vs labor | 

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Taglines:

First...Explosions! Then Success! Then Chaos!

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Genres:

Comedy | Drama | Sci-Fi

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Certificate:

Approved

Details

Country:

UK

Language:

English

Release Date:

April 1952 (USA)

Also Known As:

L'homme au complet blanc

Filming Locations:

Piccadilly Road, Burnley, Lancashire, England, UK

Box Office

Opening Weekend:

$3,874 (USA) (16 November 2012)

Gross:

$8,265 (USA) (25 January 2013)

Company Credits

Production Co:

J. Arthur Rank Organisation, Ealing Studios

Technical Specs

Runtime:

85 min

Sound Mix:

Mono (RCA Sound System) (Gaumont-Kalee)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

The strange noises made by the laboratory apparatus were created by uncredited sound editor Mary Habberfield and produced for the sound track by a tuba and a bassoon.

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Goofs

When Mr. Harrison is called by a woman because he is wanted by Mr. Corland, he is blowing into a glass vial on a side counter which was not there in the previous shot.

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Quotes

[Daphne laughs at Sidney's suit]
Sidney Stratton: What's funny about it?
Daphne Birnley, Alan Birnley's daughter: It's just the suit. It looks as if it's wearing you.
Sidney Stratton: It's still a bit luminous but it'll wear off.
Daphne Birnley, Alan Birnley's daughter: Oh, no!
Sidney Stratton: No?
Sidney Stratton: No. Makes you look like a knight in shining armour.

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Connections

Featured in Forever Ealing (2002)

User Reviews

Satirical genius from the house of Ealing.

Often tagged as a comedy, The Man In The White Suit is laying out far more than a chuckle here and there.

Sidney Stratton is an eccentric inventor who isn't getting the chances to flourish his inventions on the world because nobody pays him notice, he merely is the odd ball odd job man about the place as it were. After bluffing his way into Birnley's textile mill, he uses their laboratory to achieve his goal of inventing a fabric that not only never wears out, but also never needs to be cleaned!. He is at first proclaimed a genius and those who ignored him at first suddenly want a big piece of him, but then the doom portents of an industry going bust rears its head and acclaim quickly turns to something far more scary.

Yes the film is very funny, in fact some scenes are damn hilarious, but it's the satirical edge to the film that lifts it way above the ordinary to me. The contradictions about the advent of technology is a crucial theme here, do we want inventions that save us fortunes whilst closing down industries? You only have to see what happened to the coal industry in Britain to know what I'm on about. The decade the film was made is a crucial point to note, the making of nuclear weapons became more than just hearsay, science was advancing to frighteningly new proportions. You watch this film and see the quick turnaround of events for the main protagonist Stanley, from hero to enemy in one foul swoop, a victim of his own pursuit to better mankind! It's so dark the film should of been called The Man In The Black Suit.

I honestly can't find anything wrong in this film, the script from Roger MacDougall, John Dighton and director Alex Mackendrick could be filmed today and it wouldn't be out of place such is the sharpness and thought of mind it has. The sound and setting is tremendous, the direction is seamless, with the tonal shift adroitly handled by Mackendrick. Some of the scenes are just wonderful, one in particular tugs on the heart strings and brings one to think of a certain scene in David Lynch's Elephant Man some 29 years later, and yet after such a downturn of events the film still manages to take a wink as the genius that is Alec Guinness gets to close out the film to keep the viewers pondering not only the future of Stanley, but also the rest of us in this rapidly advancing world.

A timeless masterpiece, thematically and as a piece of art. 10/10