London 1969 - two 'resting' (unemployed and unemployable) actors, Withnail and Marwood, fed up with damp, cold, piles of washing-up, mad drug dealers and psychotic Irishmen, decide to leave... See full summary »
Richard E. Grant,
Kin-Dza-Dza is something like an "advanced cyberpunk film". It's a lot about people and social structures which on the planet of "Pluke" of course have many parallels to our society. It's a... See full summary »
Sidney Stratton, a humble inventor, develops a fabric which never gets dirty or wears out. This would seem to be a boon for mankind, but the established garment manufacturers don't see it that way; they try to suppress it. Written by
John Oswalt <firstname.lastname@example.org>
Alec Guinness performed the stunt of climbing down the side of the mansion. He was convinced by a technician that the piano wire holding him up would not break, since only piano wire with kinks in it would be prone to breaking. As he got to about four feet from the ground, the wire did in fact break. See more »
When Hill disturbs Michael Corland at the table, he holds a piece of paper. The paper swaps hands between shots. See more »
[Seeing the assistant's pen-lighter]
That's ingenious. May I?
[Flicking the lighter on]
I wonder, can you tell me what is the ratio of ink to petrol?
I don't know.
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This is one of my favorite movies of all time! It is a fantastic satire of industrial society. Sidney Stratton develops a revolutionary new fibre that will, in theory, never wear out and never get dirty. The owners of the textile mills wants to suppress this new invention because it will mean the end of their businesses. The workers want to suppress this new invention becuase it will mean the end of their jobs. However, the two groups do not trust each other. It is this distrust which drives the hysterical second half of the film.
One of the mill owners makes a funny speech about capital and labor working together.....working together to suppress advancement.
Perhaps given the state of British industry prior the mid 1980's, the author of the play on which the movie was based, was trying to warn British unions and management about the errors of their ways.....
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