Three Broadway producers struggling to get backing for their show hope one's sudden inheritance of a half interest in a Parisian fashion house is the answer. They travel to Paris only to learn the salon is in debt and requires their help.
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Al Marsh, Tony Naylor and Jerry Ralby, Broadway producers, are desperately looking for backers. Al is one of the heirs of a dress salon in Paris, but this is almost bankrupt. The two other heiresses, Stephanie and Clarisse and the three producers are able to convince the creditors to back a fashion show there. Things become complicated, when Al and Tony fall in love with Stephanie and Al's New York girl friend Bubbles arrives. Written by
Stephan Eichenberg <firstname.lastname@example.org>
During a party scene, Al Marsh (Red Skelton) does an "Irish tenor" skit, intermingling comedy and song. As the audience laughs, he comments "Well, you knew I wasn't Howard Keel when I came out here." Howard Keel, of course, co-starred in the movie as "Tony Naylor." See more »
In the restaurant, when Jerry and Clarisse start dancing, his right arm at her waist pins one end of her scarf to her body. In the very next shot, although his arm hasn't moved, the scarf end is flapping loosely. See more »
Once again, I have to start out that if you have never seen these old musical films on the big screen in the movie theaters, you've missed out experiencing the power and glory of these old films. You can't really experience this energy on a television screen and without the audience participation, that even adds to a let down in seeing these wonderful films. For instance, to watch "Who Was That Lady?" with Janet Leigh, Tony Curtis, and Dean Martin in the movie theater with the audience reaction to the comedy makes it a delight, but to see it on the television by yourself without being in the audience makes the film not a very enjoyable experience! You must have the audience! So, what about "Lovely To Look At"? First of all, these movies were never really meant to be cinematic masterpieces. This movie, just like others, was a boy meets girl, girl hates boy, boy chases after the girl anyway, and then - girl gets boy! Typical plot following Irving Berlin's song "A Man Chases A Girl Until She Catches Him". Everyone says see the Fred Astair/Ginger Rogers version originally called "Roberta". Well, even they had a formula: When Ginger meets Fred for the first time, she doesn't like him, but then in everyone of their movies, except for Barkley's of Broadway in which they played husband and wife, Ginger falls in love with Fred after they have their first dance together. This was the key plot in most of their movies, but - it worked, and the people went to droves to see them on the silver screen! But, there's another reason why these movies like "Lovely To Look At" are not considered any good today. First: You had o grow up in that era to enjoy this film and others like it! Second: There was much love in the world which the world is lacking! Third: Look at what's in the movies today. Either remakes of past classics like King Kong or violence, murder, crime, adultery, etc. etc. etc., but - where are the musicals? There aren't any! That's why no one can enjoy at film like "Lovely To Look At". Fourth: Where are our musical comedy performers in films? Where are the Kathryn Graysons, Howard Keels, Ann Millers, Gene Kellys, Fred Astairs, Cyd Charisses'? I saw Chicago and I really don't see anything musical about Richard Gere doing a tap dance in his undershorts! Forget the usual boy meets girl plot of "Lovely To Look At". The plot is only there to keep the glorious Jerome Kern music in the film, and what music? Lovely To Look At, Yesterday, You're Devastating, I Won't Dance, and the rest of the glorious score. You couldn't get a better cast including Red Skelton, Ann Miller, and Marge and Gower Champion, with a cameo by Zza Zsa Gabor who didn't really make that many movies but remained a Star! Irene Dunn? Please! You can't get any better than Kathryn Grayson who could sing rings around Dunn, and I and others consider Grayson to be the best singer that Hollywood ever turned out. We will never see the likes of her singing talent ever again in the movies.
Sadly, most of these old musical performers have passed, and Ann Miller was right in an interview when she said: "We will never see the days of those glorious M.G.M. musicals again!" And she also said, "These performers were incredible! We'll never have another Judy Garland, Fred Astaire, or Gene Kelly!" And you know what? She's right! And for a little trivia, look at Marge Champions face, then watch Walt Disney's Snow White and the Seven Dwarfs. At the age of 19, Marge Champion was known as Margorie Belcher and she was hired by Disney to be the model for Snow White. They rotoscoped key frames of her modeling for Snow White directly on to celluloid frames and if you watch closely, you'll see the resemblance!
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