In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Employees of the Sleeptite Pajama Factory are looking for a whopping seven-and-a-half cent an hour increase and they won't take no for an answer. Babe Williams is their feisty employee ... See full summary »
An ambitious U.S. Senator reflects back on his life after the death of a woman whom he loved and kept in contact with only through correspondence. The movie is told in flashbacks as the two... See full summary »
The Faust legend retold (loosely) and applied to a mentally disturbed patient in a hospital run by a doctor of dubious sanity himself. The patient (Burton) offers the innocent orderly (... See full summary »
The dancing teacher Anastasia falls in love with the smart theatre agent Jud. He likes her, too, but does not want to give up his solo life at all. Thus she plans a trap for him... Written by
In 1951 star Larry Parks was among the first Hollywood personalities to admit that he had been a member of the Communist Party, in testimony before the House Un-American Activities Committee. He was subsequently among those blacklisted in Hollywood, and the release of this film was delayed as a result. See more »
A romantic comedy about how the fear of marriage was nearly enough to scare a guy (Larry Parks), a New York talent agent, away from the young and very good-looking Elizabeth Taylor. It portrays a wholesome family background set in suburban Connecticut, with Taylor living with her parents and the owner and number one dance instructor of a school which trains dozens of local children. Stanley Donen used the kids to good effect in several dance scenes, the best of which is the finale production the school puts on for the town, with Taylor standing in the middle of a long line of four to six year-olds. Her attraction to Parks' character forms the crux of the plot, bringing him to Connecticut and seeing his character as a savvy New York pro mingling with the small towners, a bit reminiscent of the story in The Music Man, where, after being subjected enough to the simple life, a cynical guy and committed bachelor finally gives in.
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