The dancing teacher Anastasia falls in love with the smart theatre agent Jud. He likes her, too, but does not want to give up his solo life at all. Thus she plans a trap for him...
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The dancing teacher Anastasia falls in love with the smart theatre agent Jud. He likes her, too, but does not want to give up his solo life at all. Thus she plans a trap for him... Written by
Volker Boehm
In 1951 star Larry Parks was among the first Hollywood personalities to admit that he had been a member of the Communist Party, in testimony before the House Un-American Activities Committee. He was subsequently among those blacklisted in Hollywood, and the release of this film was delayed as a result. See more »
A romantic comedy about how the fear of marriage was nearly enough to scare a guy (Larry Parks), a New York talent agent, away from the young and very good-looking Elizabeth Taylor. It portrays a wholesome family background set in suburban Connecticut, with Taylor living with her parents and the owner and number one dance instructor of a school which trains dozens of local children. Stanley Donen used the kids to good effect in several dance scenes, the best of which is the finale production the school puts on for the town, with Taylor standing in the middle of a long line of four to six year-olds. Her attraction to Parks' character forms the crux of the plot, bringing him to Connecticut and seeing his character as a savvy New York pro mingling with the small towners, a bit reminiscent of the story in The Music Man, where, after being subjected enough to the simple life, a cynical guy and committed bachelor finally gives in.
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A romantic comedy about how the fear of marriage was nearly enough to scare a guy (Larry Parks), a New York talent agent, away from the young and very good-looking Elizabeth Taylor. It portrays a wholesome family background set in suburban Connecticut, with Taylor living with her parents and the owner and number one dance instructor of a school which trains dozens of local children. Stanley Donen used the kids to good effect in several dance scenes, the best of which is the finale production the school puts on for the town, with Taylor standing in the middle of a long line of four to six year-olds. Her attraction to Parks' character forms the crux of the plot, bringing him to Connecticut and seeing his character as a savvy New York pro mingling with the small towners, a bit reminiscent of the story in The Music Man, where, after being subjected enough to the simple life, a cynical guy and committed bachelor finally gives in.