| Photos (See all 19 | slideshow) |
| Alec Guinness | ... | Holland | |
| Stanley Holloway | ... | Pendlebury | |
| Sid James | ... | Lackery (as Sidney James) | |
| Alfie Bass | ... | Shorty | |
| Marjorie Fielding | ... | Mrs. Chalk | |
| Edie Martin | ... | Miss Evesham | |
| John Salew | ... | Parkin | |
| Ronald Adam | ... | Turner | |
| Arthur Hambling | ... | Wallis | |
| Gibb McLaughlin | ... | Godwin | |
| John Gregson | ... | Farrow | |
| Clive Morton | ... | Station Sergeant | |
| Sydney Tafler | ... | Clayton | |
| Marie Burke | ... | Senora Gallardo | |
| Audrey Hepburn | ... | Chiquita | |
| William Fox | ... | Gregory | |
| Michael Trubshawe | ... | British Ambassador | |
| Ann Hefferman | ... | Kiosk Girl (as Ann Heffernan) | |
| Jacques B. Brunius | ... | Customs Official (as Jacques Brunius) | |
| Eugene Deckers | ... | Customs Official | |
| Paul Demel | ... | Customs Official | |
| Andreas Malandrinos | ... | Customs Official (as Andrea Malandrinos) | |
| Cyril Chamberlain | ... | Commander | |
| Tony Quinn | ... | Deputy Commander | |
| Moultrie Kelsall | ... | Detective Superintendant | |
| Christopher Hewett | ... | Inspector Talbot | |
| Meredith Edwards | ... | P. C. Williams | |
| Patrick Barr | ... | Divisional Detective Inspector | |
| David Davies | ... | City Policeman | |
| rest of cast listed alphabetically: | |||
| Alanna Boyce | ... | June Edwards (uncredited) | |
| Johnny Briggs | ... | Small Role (uncredited) | |
| Peter Bull | ... | Joe the Gab (uncredited) | |
| Jacques Cey | ... | Minor Role (uncredited) | |
| Joe Clarke | ... | Minor Role (uncredited) | |
| Jacqueline Curtis | ... | Schoolgirl (uncredited) | |
| Richard Davies | ... | Police Driver (uncredited) | |
| Patric Doonan | ... | Craggs (uncredited) | |
| Archie Duncan | ... | Chief Cashier (uncredited) | |
| Frank Forsyth | ... | Minor Role (uncredited) | |
| Fred Griffiths | ... | Taxi Driver (uncredited) | |
| Charles Lamb | ... | Mr. Richards (uncredited) | |
| Desmond Llewelyn | ... | Customs Officer (uncredited) | |
| Arthur Mullard | ... | 1st Man in Police Identity Parade (uncredited) | |
| Marie Ney | ... | School Headmistress (uncredited) | |
| Frederick Piper | ... | Cafe Owner (uncredited) | |
| Robert Shaw | ... | Chemist at Police Exhibition (uncredited) | |
| John Warwick | ... | Police Inspector at Squad Car Headquarters (uncredited) | |
| Richard Wattis | ... | Opposition MP (uncredited) | |
| Neil Wilson | ... | Squad Car Headquarters PC (uncredited) | |
Directed by | |||
| Charles Crichton | |||
Writing credits | ||
| T.E.B. Clarke | (original screenplay) (as T. E. B. Clarke) | |
Produced by | |||
| Michael Balcon | .... | producer | |
| Michael Truman | .... | associate producer | |
Original Music by | |||
| Georges Auric | (music by) | ||
Cinematography by | |||
| Douglas Slocombe | (director of photography) | ||
Film Editing by | |||
| Seth Holt | |||
Casting by | |||
| Margaret Harper Nelson | (uncredited) | ||
Art Direction by | |||
| William Kellner | |||
Costume Design by | |||
| Anthony Mendleson | |||
Makeup Department | |||
| Ernest Taylor | .... | make-up | |
| Harry Wilton | .... | make-up (as H. Wilton) | |
| Barbara Barnard | .... | hairdressing supervisor (uncredited) | |
| Daphne Martin | .... | assistant hair stylist (uncredited) | |
Production Management | |||
| Slim Hand | .... | unit production manager | |
| Hal Mason | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Norman Priggen | .... | assistant director | |
| John Meadows | .... | second assistant director (uncredited) | |
| Jim O'Connolly | .... | third assistant director (uncredited) | |
Art Department | |||
| G. Beavan | .... | floor props (uncredited) | |
| Bert Davey | .... | assistant art director (uncredited) | |
| Wally Hill | .... | floor props (uncredited) | |
| Fred Lacey | .... | production buyer (uncredited) | |
| Andrew Low | .... | set dresser (uncredited) | |
| George Speller | .... | construction manager (uncredited) | |
| Bob Tull | .... | property master (uncredited) | |
Sound Department | |||
| Stephen Dalby | .... | sound supervisor | |
| Leslie Hammond | .... | recordist | |
| R. Healy | .... | assistant boom operator (uncredited) | |
| Eric Stockl | .... | sound camera operator (uncredited) | |
| Cyril Swern | .... | boom operator (uncredited) | |
Special Effects by | |||
| Sydney Pearson | .... | special effects | |
Visual Effects by | |||
| Geoffrey Dickinson | .... | special processes | |
| Bryan Langley | .... | special processes | |
Camera and Electrical Department | |||
| Geoffrey Faithfull | .... | additional photography (as Geoffrey Faithful) | |
| Jeff Seaholme | .... | camera operator | |
| Jack Dooley | .... | still photographer (uncredited) | |
| Jack Ford | .... | chief electrician (uncredited) | |
| Bob Penn | .... | floor stills (uncredited) | |
| Michael Shepherd | .... | clapper loader (uncredited) | |
| Bert Spurgeon | .... | floor electrician (uncredited) | |
| Hugh Wilson | .... | focus puller (uncredited) | |
Casting Department | |||
| Muriel Cole | .... | crowd casting (uncredited) | |
Costume and Wardrobe Department | |||
| Ernie Farrer | .... | wardrobe master (uncredited) | |
| Ben Foster | .... | wardrobe assistant (uncredited) | |
| Lily Payne | .... | wardrobe mistress (uncredited) | |
Editorial Department | |||
| Harry Aldous | .... | assistant editor (uncredited) | |
| Barbara Bennett | .... | assembly editor (uncredited) | |
Music Department | |||
| Ernest Irving | .... | music conducted by | |
Other crew | |||
| Phyllis Crocker | .... | continuity | |
| Baynham Honri | .... | studio manager (uncredited) | |
| Recent Posts (updated daily) | User |
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| Cinema re-release | ClarkF1 |
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| Audrey Hepburn and other odd things I enjoyed | raert |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
Ealing Studios turned out a series of comic gems in the late 40s and early 50s and this is a good example. Only a curmudgeon would not laugh aloud during some of the scenes.
The plot, briefly, involves a clever bank clerk (Guiness) developing a plan with a die caster (Holloway) to steal several million pounds of gold bullion, recast it into tourist knicknacks in the shape of Eiffel Tower paperweights, and ship it to Paris to sell on the black market. They recruit two professional thieves to help them.
It may not be Ealing's best comedy (my vote would be for "The Lady Killers") but it's more than funny enough. I'll just give three scenes as examples.
(1) Holloway and Guiness, two honest men, need to recruit what they call a "mob" but have no idea how to go about it. What I mean is -- how would YOU go about recruiting criminal assistants? What they do is go to crowded places of low repute -- saloons, prize fights, the underground -- and shout at each other through the noise about the safe being broken at such-and-such an address and all that money having to be left in it. Then they hole up at the address and wait for the burglars to arrive.
(2) A scene at the Eiffel Tower in which they discover that half a dozen of the gold paperweights instead of the usual leaden ones have been sold to some English schoolgirls. They watch horrified as the door closes and the elevator carrying the girls begins its descent, and they decide to rush down the tightly spiraling staircase to ground level, trying to beat the elevator. By the time they reach the street they've been spun around so many times that they can't stop laughing and are unable to stop twirling around until they fall down.
(3) After the robbery, in an empty warehouse soon to be searched by the police, Guiness must be tied up, gagged, and blindfolded with tape. Then his clothes must be torn and dirtied so that it appears he put up a fight before the gold was taken. But the police arrive too soon, and the others beat it, leaving Guiness standing alone, tied up, and blindfolded, but not dirty. He stumbles about blindly, trying to blow the tape from his mouth, getting his feet caught in discarded bicycle wheels, until he falls into the Thames.
Probably the weakest part of the movie is near the end, when police cars wind up chasing one another because of confusing messages. The scene could have been lifted from Laurel and Hardy. It's a little silly. (Why didn't Guiness and Holloway park the stolen car, get out, and walk away?) But that's a minor consideration.
What surprises me about some of these comedies is that they're able to make us laugh despite the dreary atmosphere. The streets of London look awfully dismal in this grainy black and white film. Some of them were still charred wrecks left over from the Blitz. But it doesn't dampen the comedy at all. Following the successful robbery a drunken Guiness and Holloway return to their boarding house to be chided by their landlady for being "naughty". One pulls the other aside, chuckling conspiratorially, and the two agree to call each other "Al" and "Dutch" -- two REAL BIG gangsters for you.
If you need to use up some neuropeptides this is your movie.