(1952) Laurence Harvey, Trader Faulkner, Susan Shaw, Sheila Shand Gibbs. Psychological thriller about an odd family with Harvey playing the older domineering son, who resents both his ...
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Three good men - a broken boxer, an American veteran trying to win back his mother-dominated wife, and an air force sergeant married to a faithless actress - are corrupted by Miles ... See full summary »
Hard up and with a grudge against insurance companies, Rex Black feigns his death and meets up with his wife and the money in Malaga when things seemed to have quietened down. But when the ... See full summary »
At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town ... See full summary »
In Shakespeare's classic play, the Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.
Joe Lampton thought he had really made it by marrying the boss's daughter in his northern mill town. But he finds he is being sidelined at work and his private life manipulated by his ... See full summary »
(1952) Laurence Harvey, Trader Faulkner, Susan Shaw, Sheila Shand Gibbs. Psychological thriller about an odd family with Harvey playing the older domineering son, who resents both his overbearing grandmother and his younger brother. This video has been manufactured from the best quality video master currently available; audio or image quality may vary. Written by
What... what do you use that knife for? Put it away, Ned.
Don't worry, Frankie. I'll see you do no harm.
H... H... Harm?
Yes, Frankie. And you don't have to worry about Gran. She'll be alright. Death means nothing to old people. They've had everything they've wanted out of this world and they''re glad to get into the next. Did you hear me, Frankie? Can you hear me, Frankie?
You know when I've finished here, there's something better waiting for them. They'll be no more pain; no more ...
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