A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops. Written by
Opening credits: The events and characters depicted in this photoplay are fictitious. Any similarity to actual persons, places or firms is purely coincidental. See more »
Tim Foster sent telegrams dated May 22 containing the message "BORADOS, NINETEENTH", presumably meaning meet in Borados on the 19th, so it would have to mean June 19th which is the next 19th. When Joe Rolfe checks in at the Hotel Hacienda, the register sheet shows May. When Timothy Foster receives the telegraph from the Police Chief of Tijuana, it's dated "de Monday de fourth de 1952" and states "... MAN SHOT TO DEATH HERE NIGHT OF 14 OCTOBER ...". So Pete Harris would have had to be shot on October 14, 1951, but the license plate on the Western Florist van had a 1952 date and the closest Monday to the 4th after May 1952 is August 4th. See more »
What's waiting for you, Harris? The chair, the gas chamber, or just a rope?
See more »
This is a suspenseful, atmospheric film noir that is well worth checking out. I'd only seen Payne in musicals, but here he has a real understated intensity as a World War II vet out to clear his name. (In looks and affect he bears a resemblance to Kevin Spacey.) Preston Foster and a young Lee Van Cleef fill out the nest-of-vipers cast nicely. The wordless opening sequence is especially well done.
22 of 27 people found this review helpful.
Was this review helpful to you?