A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret ... See full summary »
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops. Written by
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
Tim Foster sent telegrams dated May 22 containing the message "BORADOS, NINETEENTH", presumably meaning meet in Borados on the 19th, so it would have to mean June 19th which is the next 19th. When Joe Rolfe checks in at the Hotel Hacienda the register sheet shows May. When Timothy Foster receives the telegraph from the Police Chief of Tijuana it's dated "de Monday de fourth de 1952" and states "... MAN SHOT TO DEATH HERE NIGHT OF 14 OCTOBER ...". So Peter Harris would have had to be shot October 14, 1951 but the license plate on the Western Florist van had a 1952 date. And the closest Monday the 4th after May 1952 is August 4th. See more »
I thought I'd take a walk through the village before I turn in.
Don't walk too fast - you'll be out of town without really seein' it!
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"All right, so I'm flying blind, but I've got you as a bird dog."
Kansas City Confidential is one of my favorite noir films and films of John Payne. It's one you can watch over and over again and still be entertained.
John Payne is a ex-con who drives a florist truck and one of his usual stops is a delivery next door to a bank. Three masked robbers use the same kind of truck to pull off an armored car heist and Payne is suspected of complicity. It don't help he's an ex-con.
This robbery has been organized a fourth man and the beauty of his scheme is that the robbers all wear masks with him and with each other so that no one can rat anyone out. They're supposed to meet in a small Mexican fishing village for the split.
Payne is freed, but the Kansas City cops are still suspicious. He gets a lead on a possible participant and tracks him down to Mexico. And that's where the fun really starts.
The suspense in Kansas City Confidential is not about who did it. The three robbers are Neville Brand, Jack Elam, and Lee Van Cleef, three of the nastiest dudes in film history. The suspense lies whether Payne can put it all together. As he says to one of them, he's flying blind in this one. After all the men don't even know each other or Mr. Big. The viewer knows all, but I won't say more.
John Payne gives a riveting performance of a desperate man and one you don't leave holding the bag without consequences. This is one of the best noir films ever done, not to be missed.
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