A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
Joe Sullivan is itching to get out of prison. He's taken the rap for Rick, who owes him $50 Grand. Rick sets up an escape for Joe, knowing that Joe will be caught escaping and be shot or ... See full summary »
John Forbes is a family man who's tired of the 9 to 5 humdrum of his job an insurance company executive. Life gets a little more exciting for him when he calls upon femme fatale Mona ... See full summary »
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops. Written by
At the beginning of the heist, just after the fake florist delivery van appears, a reflection on this van show a few crew members and a folding chair set up in the middle of the road. See more »
If I can spot you back of those trick cheaters, so can the cops!
[Removes dark glasses]
The job you're talkin' about - I said I'd listen.
You're a cop-killer! You killed one on that last deal!
I don't like heroes!
You can tell that to the warden when they burn ya!
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This is a suspenseful, atmospheric film noir that is well worth checking out. I'd only seen Payne in musicals, but here he has a real understated intensity as a World War II vet out to clear his name. (In looks and affect he bears a resemblance to Kevin Spacey.) Preston Foster and a young Lee Van Cleef fill out the nest-of-vipers cast nicely. The wordless opening sequence is especially well done.
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