A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops. Written by
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
Tim Foster sent telegrams dated May 22 containing the message "BORADOS, NINETEENTH", presumably meaning meet in Borados on the 19th, so it would have to mean June 19th which is the next 19th. When Joe Rolfe checks in at the Hotel Hacienda the register sheet shows May. When Timothy Foster receives the telegraph from the Police Chief of Tijuana it's dated "de Monday de fourth de 1952" and states "... MAN SHOT TO DEATH HERE NIGHT OF 14 OCTOBER ...". So Peter Harris would have had to be shot October 14, 1951 but the license plate on the Western Florist van had a 1952 date. And the closest Monday the 4th after May 1952 is August 4th. See more »
It don't take no big thinking to figure a couple of guys like us ain't in this bananaville on a vacation!
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This is a suspenseful, atmospheric film noir that is well worth checking out. I'd only seen Payne in musicals, but here he has a real understated intensity as a World War II vet out to clear his name. (In looks and affect he bears a resemblance to Kevin Spacey.) Preston Foster and a young Lee Van Cleef fill out the nest-of-vipers cast nicely. The wordless opening sequence is especially well done.
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