A historical television series that focuses on the impact of the Underground Railroad during the 19th century, "Underground" offers viewers a message of social progress that's just as relevant in 2017.
Although allergic to kissing girls, Seaman Melvin Jones, through a fluke TV appearance, gets the undeserved reputation of a great kisser dubbed "Mr. Temptation" and is pursued by amorous young females.
Herman owes a lot of gambling debts. To pay them off, he promises the mob he'll fix a horse, so that it does not run. He intends to trick his animal-loving cousin, Virgil, an apprentice ... See full summary »
Hap Smith, nightclub entertainer, has a new act since his former partner Chick Allen joined the army: with lovely new partner Betsy Carter, Hap plays a clownish parody of a soldier. Meanwhile, Chick is organizing a soldier show at Fort Benning and finds he needs his old partner's help. To get onto the base, Hap impersonates a hapless real soldier, Dogface Dolan; but circumstances force them to prolong the masquerade, creating an increasingly tangled Army-sized snafu. Written by
Some right-wing political figures criticized the film because writers Robert Lees, Frederic I. Rinaldo, Brian Marlow and Richard Weil, who is credited with additional dialogue, were accused of being Communists or Communist sympathizers during the "Red Scare" era of the House Committee on Un-American Activities hearings, which were convened to ferret out those in the film industry suspected of being Communists or sympathizers. See more »
During the "The Parachute Jump" number, Chick keeps missing his cue to sing the words and hold notes. See more »
There's nothing to it. You get on a plane, you go up 20,000 feet, jump out, and your chute opens automatically.
Yeah? What if it doesn't open?
Then you pull your reserve parachute.
What if that doesn't open?
Well, we haven't had a complaint yet... from a guy whose shoot didn't open.
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Wow...talk about your contrived plots! The film begins with Jerry and his female partner working on their stage act. Out of the blue, Jerry gets a cryptic letter--telling him her was needed for government business. When he goes to where the letter tells him, he finds out his old partner (Dean) needs him to help him put on some sort of show for the army. It seems that Dean is now a paratrooper and plans on having Jerry take on the identity of a guy in his unit so they can put on a show together. While this idea is ridiculous, it's even more so when Jerry is stuck in the paratroopers and cannot get out--even though he really wants to.
This film finds Jerry Lewis at his most spastic and even louder than usual--making you wonder how anyone could possibly mistake him for a soldier (or human)! In addition, because of the performing angle, there are a larger than usual number of musical numbers--along with dancing and other choreography. If you like this, you're in luck. As for me, this mix created a less satisfying sort of Martin & Lewis film. Fortunately, the film was saved (somewhat) by the notion of idiot Jerry accidentally succeeding and becoming a great soldier! But to me, this isn't enough to make this anything other than a loud time-passer.
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