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The Iron Mistress (1952)

6.3
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Ratings: 6.3/10 from 440 users  
Reviews: 17 user | 1 critic

Barely historical presentation of the life of Jim Bowie. Here he goes to New Orleans to sell lumber but falls in love with Judalon. To match his rivals he must become sophisticated and does... See full summary »

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Title: The Iron Mistress (1952)

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Cast

Cast overview, first billed only:
...
...
Judalon de Bornay
...
Juan Moreno
...
Ursula de Varamendi
Alf Kjellin ...
Phillipe de Cabanal
...
Narcisse de Bornay
...
Black Jack Sturdevant (as Tony Caruso)
Nedrick Young ...
Henri Contrecourt (as Ned Young)
...
...
Rezin Bowie
Robert Emhardt ...
Gen. Cuny
...
Dr. Cuny (as Donald Beddoe)
Harold Gordon ...
Andrew Marschalk
Jay Novello ...
Judge Crain
Nick Dennis ...
Nez Coupe
Edit

Storyline

Barely historical presentation of the life of Jim Bowie. Here he goes to New Orleans to sell lumber but falls in love with Judalon. To match his rivals he must become sophisticated and does so. By the time he sells the mill, starts a plantation and tries to wed Jedualon the woman has wed playboy Phillipe. Along the way to true wisdom he designs a special knife made from part of a meteorite. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

JIM BOWIE...a man with his name on a knife - and a woman with a weapon all her own!


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

12 March 1953 (Japan)  »

Also Known As:

Im Banne des Teufels  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on December 28, 1954 with Virginia Mayo reprising her film role. See more »

Goofs

The knife-maker claims the meteorite he found is made of steel. Steel is a man-made substance using iron and carbon. Metallic meteorites contain an iron-nickel alloy. See more »

Quotes

Jim Bowie: Ma...I killed a man.
Mrs. Bowie: Did he need killin'?
Jim Bowie: About as much as any man ever did.
See more »

Connections

Referenced in The Red Balloon (1956) See more »

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User Reviews

 
A forced fit of romance and knife fights, gun fights, sword fights, fight fights...
17 June 2010 | by (United States) – See all my reviews

The Iron Mistress (1952)

I don't get the whole call of honor that leads to duels at the slightest provocation (or less). In some movies it's a fabulous dramatic point, but here it's a nagging and recurring trick, a reason for some male chest-thumping and a little bloodshed. It also represents the way the movie depends on forced drama to make the events jump.

There are exceptions, like a really beautiful and unusual hand-to-hand knife/sword fight occurring in a darkened room, with an occasional bolt of lightning like a strobe going off. This is cinema trickery, a real pleasure, not part of the real story, but it's a moment of relief from the costume drama and dueling the rest of the time.

This is how this movie goes. Moments of unique drama are followed by long stretches of stiff plot development. I'm not sure how the movie reflects the real story of James Bowie, whose name was given to the famous Bowie knife (knives naturally have a big role in the movie, including the forging of the first true Bowie knife). But what works best is the sense of period sets and time-travel to pre-Civil War Louisiana. The romance isn't highly romantic, and the plot is generally stiff, but it is a kind of history story come to life. If you overlook the obvious liberties and gaffes, it's not an unwatchable movie, just a routine one. Alan Ladd, it must be said, is a little cool even for Alan Ladd (an understated actor).

The film does lay out the gradual shift in cultivation of the South to cotton farming, and brings out lots of old rules like the fact divorce was impossible in Louisiana without an act of the legislature. People interested in this certain kind of movie making, for its own sake, should check out "Drums Along the Mohawk" (a better movie by far, but with a similar feel somehow). Here, the camera-work by the talented John Seitz is strangely dull (though it is in true Technicolor), and the scored music by the incomparable Max Steiner is straight up functional. Most of all, the many ordinary parts are put together without great art or intensity.


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