IMDb > Invasion U.S.A. (1952)
Invasion U.S.A.
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Invasion U.S.A. (1952) More at IMDbPro »

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Invasion U.S.A. -- Open-ended Trailer from Good Times Entertainment

Overview

User Rating:
2.5/10   740 votes »
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Director:
Writers:
Robert Smith (screenplay)
Robert Smith (from a story by) ...
(more)
Contact:
View company contact information for Invasion U.S.A. on IMDbPro.
Release Date:
10 December 1952 (USA) See more »
Genre:
Tagline:
It will scare the pants off you!
Plot:
A group of people at a bar witness the unfolding events of a Soviet invasion of the USA. Full summary » | Full synopsis »
User Reviews:
"Terror Alert Orange! Be Afraid! Be VERY Afraid!" See more (32 total) »

Cast

  (in credits order) (verified as complete)

Gerald Mohr ... Vince Potter

Peggie Castle ... Carla Sanford

Dan O'Herlihy ... Mr. Ohman
Robert Bice ... George Sylvester
Tom Kennedy ... Tim, Bartender
Wade Crosby ... Illinois Congressman Arthur V. Harroway
Erik Blythe ... Ed Mulfory
Phyllis Coates ... Mrs. Mulfory
Aram Katcher ... Factory Window Washer
Knox Manning ... Newscaster
Edward G. Robinson Jr. ... Radio Dispatcher

Noel Neill ... Second Airline Ticket Agent
Clarence A. Shoop ... Army Major
rest of cast listed alphabetically:
Jack Carr ... Plant Worker (uncredited)
John Crawford ... Man in Bar (uncredited)
Richard Eyer ... Blythe's Son (uncredited)
Franklyn Farnum ... Man from Omaha (uncredited)
Ethan Laidlaw ... Russian Sea Captain (uncredited)
Jack Lomas ... Man in Bar (uncredited)
Frank Mills ... Plant Worker (uncredited)
Jack Reitzen ... Russian Invader (uncredited)

William Schallert ... Third Newscaster (uncredited)
Bert Stevens ... Plane Spotter (uncredited)

Directed by
Alfred E. Green 
 
Writing credits
Robert Smith (screenplay)

Robert Smith (from a story by) and
Franz Schulz (from a story by) (as Franz Spencer)

Produced by
Joseph Justman .... executive producer
Peter Miller .... associate producer
Robert Smith .... producer
Albert Zugsmith .... producer
 
Original Music by
Albert Glasser 
 
Cinematography by
John L. Russell (director of photography) (as John L. Russell Jr.)
 
Art Direction by
James W. Sullivan  (as James Sullivan)
 
Set Decoration by
John Sturtevant 
 
Makeup Department
Harry Thomas .... makeup artist
 
Production Management
Ralph E. Black .... production supervisor
 
Second Unit Director or Assistant Director
Ralph E. Black .... assistant director (uncredited)
 
Sound Department
Frank McWhorter .... sound
 
Special Effects by
Roscoe Cline .... mechanical effects (as Rocky Cline)
Jack Rabin .... special photographic effects
 
Costume and Wardrobe Department
Einar Bourman .... wardrobe: men (as Einar H. Bourman)
De De Johnson .... wardrobe: Miss Castle
 
Editorial Department
W. Donn Hayes .... supervising editor
 
Other crew
Robert Bice .... dialogue director
 

Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
73 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Noiseless Recording)
Certification:
Canada:PG (Ontario) | Canada:G (Quebec) | USA:Approved (PCA #15899)

Did You Know?

Trivia:
Both Noel Neill and Phyllis Coates portrayed "Lois Lane" in the TV series "Adventures of Superman" (1952).See more »
Goofs:
Errors in geography: This film shows Boulder City Nevada as a flatland farm community downriver from Hoover Dam being flooded by water after the dam is bombed. Boulder City is on a hilltop seven miles from the dam and some 1300 additional feet in elevation.See more »
Quotes:
General:Do you remember what Senator Baker said when the military appropriations Bill came up for vote?
Secretary of Defense:He said we could safely reduce our armed forces by half.
General:He wasn't only wrong, he's dead.
See more »
Movie Connections:
Referenced in Fear in the Dark (1991) (TV)See more »

FAQ

This FAQ is empty. Add the first question.
21 out of 36 people found the following review useful.
"Terror Alert Orange! Be Afraid! Be VERY Afraid!", 18 October 2006
Author: Gavno (quixote2@ix.netcom.com) from Mad City, Wisconsin

It was the early 1950s. J. Parnell Thomas of The House Unamerican Activities Committee was accusing everyone in sight who had any measure of public visibility with Communist allegiance. He went after Hollywood in a series of highly publicized hearings, resulting in the arrests and convictions of the Hollywood Ten for invoking their Fifth Amendment rights against self incrimination... just before Thomas himself was hauled before a Grand Jury to answer fraud charges. In a moment of high irony Thomas himself invoked the Fifth Amendment before he was convicted and imprisoned.

It was the time of "Tail Gunner Joe" McCarthy, who charged that Communist influence in the State Department and Army had caused us to "give away" China. He recklessly charged that Communists had infiltrated nearly every aspect of American life... strictly in the name of enhancing his own political power base. In the Army hearings McCarthy was finally unmasked as an unprincipled charlatan by Army counsel Joseph Welch, and he was subsequently censured by the Senate for unethical conduct. Joe McCarthy subsequently died of alcoholism.

Besides these men... Richard Nixon, J. Edgar Hoover, Roy Cohn, and many others in positions of power shrieked the gospel of anticommunism, demanding that Americans surrender Constitutional rights in the name of defeating this new enemy.

It was a time of fear where American opinion could be easily manipulated. Partly for financial gain, and partly to spare itself from further attacks by the Thomases and McCarthys, Hollywood became a willing tool for the use of politicians, a propaganda machine that produced a number of sensational films that capitalized on the anti Red hysteria.

Some of the more notable Hollywood efforts were the major studio film BIG JIM MACLAIN, starring John Wayne and James Arness, and a B-movie effort, THE RED MENACE, whose opening credits graphic showed an octopus wearing a hammer and sickle logo using it's tentacles to embrace the entire world.

Pretty heavy handed stuff, but it was effective for the political manipulation of a frightened American populace. It kept McCarthy off of the studio's backs... as well as made a few B-movie bucks.

Along with these heavy, ideological films came INVASION USA, a mythical war and adventure movie. Of the whole lot, THIS is the most interesting of the Red Scare films, and it's the ONLY one that's ANY fun at all! Ed Wood must have LOVED this film; it clearly taught him the cinematic techniques he was to later make famous. As a cost cutting measure the film makes GENEROUS use of stock footage, mostly Public Domain stuff from military sources.

To make American planes into enemy ones, they just printed the stock footage BACKWARDS, so that UNITED STATES AIR FORCE on the planes came out REVERSED, and it looked sort of like Russian Cyrillic lettering.

In newly shot scenes where stock footage couldn't be used, set decoration relied heavily on the local Army-Navy store! There are literally TONS of military surplus equipment on the sets.

The fact that enemy troops were dressed in American military surplus uniforms was explained neatly by saying that they were infiltrating in disguise! As another cost cutting measure, the cast is ENTIRELY made up of B list "talent" who would work for Actor's Equity scale. The amount of over the top, hammy acting has to be seen to be believed! To throw in a touch of sex, a drunken enemy soldier tries to ravage a blonde American beauty, who chooses instead to kill herself by diving out of a window!

The script is absurd, but for frightened audiences of the time it was plausible... it bore out all of the dire threats that politicians had been making. Hedda Hopper's review of the film said "It will scare the pants off you!", and so it did. Bombing raids on San Francisco, the Hoover Dam destroyed by a missile attack, and New York City hit with an atomic bomb were enough to scare the pants off of ANYBODY.

For sheer kitsch value I give it a ten.

As a warning of what propaganda feeding the political hysteria stirred up by unethical politicians can accomplish, it ALSO gets a ten.

As movie-making, it gets a four.

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