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The Importance of Being Earnest (1952)

Not Rated  |   |  Comedy, Drama  |  15 October 1952 (Denmark)
7.7
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Jack Worthing and Algernon Moncrieff are two men that are both pretending to be someone they are not.

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Title: The Importance of Being Earnest (1952)

The Importance of Being Earnest (1952) on IMDb 7.7/10

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Nominated for 1 BAFTA Film Award. Another 1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
Richard Wattis ...
Michael Denison ...
Walter Hudd ...
...
...
Dorothy Tutin ...
Margaret Rutherford ...
Miles Malleson ...
Aubrey Mather ...
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Storyline

Jack Worthing and Algernon Moncrieff are two men that are both pretending to be someone they are not. Written by Simone Denvile

Plot Summary | Add Synopsis

Taglines:

They don't come any wilder than Oscar Wilde's classic comedy of manners, morals and morality!

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

15 October 1952 (Denmark)  »

Also Known As:

Ernst sein ist alles  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(colour) (Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Insecure in her first film, Dorothy Tutin kept requesting retakes until producer Teddy Baird told her how much each new take cost. See more »

Quotes

Lady Bracknell: To speak frankly, I am not in favour of long engagements. They give people an opportunity of finding out each other's characters before marriage. Which I think is never advisable
See more »

Connections

Version of The Importance of Being Earnest (1992) See more »

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User Reviews

A delicious box of bon mots!
11 April 2003 | by (Portland, Oregon) – See all my reviews

I haven't yet seen the 2002 theatrical film version of Wilde's classic, perhaps because I can't see how anyone, not even Judi Dench, could improve upon Dame Edith Evans's immortal portrayal of that deathless battle-axe, Lady Bracknell. And then there's Margaret Rutherford and Miles Malleson wittily playing characters that fitted them to a "T." Not to mention the unctuously delicious Joan Greenwood, whose line readings caress one's ears like the aural equivalent of a framboise liqueur. Dorothy Tutin was a perfect wise-for-her-young-years ingenue. But the men, in my view, were merely serviceable, with Michael Denison, especially, somewhat of an annoyance. The Technicolor mounting, deliberately stagey, was eye candy of the best sort, like an extravagantly decorated old-fashioned box containing the sort of confections one would savor to the very last morsel. Great fun!


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