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Ikiru (1952)

Not Rated | | Drama | 25 March 1956 (USA)
A bureaucrat tries to find a meaning in his life after he discovers he has terminal cancer.

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Top Rated Movies #128 | Nominated for 1 BAFTA Film Award. Another 5 wins. See more awards »
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Cast

Cast overview, first billed only:
...
Shin'ichi Himori ...
Haruo Tanaka ...
Sakai
...
Noguchi
Miki Odagiri ...
Toyo Odagiri, employee
Bokuzen Hidari ...
Ohara
Minosuke Yamada ...
Subordinate Clerk Saito
Kamatari Fujiwara ...
Sub-Section Chief Ono
Makoto Kobori ...
Kiichi Watanabe, Kanji's Brother
Nobuo Kaneko ...
Mitsuo Watanabe, Kanji's son
...
Deputy Mayor
Atsushi Watanabe ...
Patient
Isao Kimura ...
Intern
Masao Shimizu ...
Doctor
Yûnosuke Itô ...
Novelist
Edit

Storyline

Kanji Watanabe is a longtime bureaucrat in a city office who, along with the rest of the office, spends his entire working life doing nothing. He learns he is dying of cancer and wants to find some meaning in his life. He finds himself unable to talk with his family, and spends a night on the town with a novelist, but that leaves him unfulfilled. He next spends time with a young woman from his office, but finally decides he can make a difference through his job... After Watanabe's death, co-workers at his funeral discuss his behavior over the last several months and debate why he suddenly became assertive in his job to promote a city park, and resolve to be more like Watanabe. Written by Mike Rosenlof <mrosenlof@qualcomm.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

25 March 1956 (USA)  »

Also Known As:

Ikiru  »

Filming Locations:


Box Office

Opening Weekend:

$7,590 (USA) (3 January 2003)

Gross:

$55,240 (USA) (26 September 2003)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

| (cut)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The only Akira Kurosawa film between Drunken Angel (1948) (Drunken Angel) and Red Beard (1965) (Red Beard) not to feature Toshirô Mifune. See more »

Goofs

In the last scene with Toyo (in the restaurant with the birthday party going on), the position of the bell on the mechanical bunny changes, even though neither actor has touched the bunny. See more »

Quotes

Toyo: [telling joke] "You've never had a day off, have you?" "No." "Why? Are you indispensable?" "No. I don't want them to find out they can do without me."
See more »

Connections

Remade as Ikiru (2007) See more »

Soundtracks

Happy Birthday
(uncredited)
Written by Mildred J. Hill and Patty S. Hill
Heard at the restaurant
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Complex and thought-provoking masterpiece
16 December 2004 | by (Beverley Hills, England) – See all my reviews

Ikiru is a film about life. Constantly complex and thought-provoking, although simple at the same time; it tells a story about life's limits, how we perceive life and the fact that life is short and not to be wasted. Our hero is Kanji Watanabe, the most unlikely 'hero' of all time. He works in a dreary city office, where nothing happens and it's all very meaningless. Watanabe is particularly boring, which has lead to him being nicknamed 'The Mummy' by a fellow worker. He later learns that he is dying from stomach cancer and that he only has six months to live. But Watanabe has been dead for thirty years, and now that he's learned that his life has a limit; it's time for Watanabe to escape his dreary life and finally start living. What follows is probably the most thoughtful analysis of life ever filmed.

Ikiru marks a departure for Akira Kurosawa, a man better known for his samurai films, but it's a welcome departure in my opinion. Kurosawa constantly refers to Watanabe as 'our hero' throughout the film, and at first this struck me as rather odd because, as I've mentioned, he's probably the least likely hero that Kurosawa has ever directed; but that's just it! This man is not a superhero samurai, but rather an ordinary guy that decides he doesn't want to be useless anymore. That's why he's 'our hero'. Kurosawa makes us feel for the character every moment he's on screen - we're sorry that he's wasted his life, and we're sorry that his wasted life is about to be cruelly cut short. However, despite the bleak and miserable facade that this movie gives out, there is a distinct beauty about it that shines through. The beauty emits from the way that Watanabe tries to redeem his life; because we feel for him and are with him every step of the way, it's easy to see why Watanabe acts in the way he does. Ikiru is a psychologically beautiful film.

It could be said that the fantastic first hour and a half is let down by a more politically based final third - and this is true. The movie needs it's final third in order to finish telling the story, but it really doesn't work as well as the earlier parts did. However, Kurosawa still delights us with some brilliant imagery and the shot of Watanabe on a swing is the most poetically brilliant thing that Kurosawa ever filmed. Together with the music and the rest of the film that you've seen so far; that picture that Kurosawa gives us is as moving as it is brilliant.


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