In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each other...and him.
Kanji Watanabe is a longtime bureaucrat in a city office who, along with the rest of the office, spends his entire working life doing nothing. He learns he is dying of cancer and wants to find some meaning in his life. He finds himself unable to talk with his family, and spends a night on the town with a novelist, but that leaves him unfulfilled. He next spends time with a young woman from his office, but finally decides he can make a difference through his job... After Watanabe's death, co-workers at his funeral discuss his behavior over the last several months and debate why he suddenly became assertive in his job to promote a city park, and resolve to be more like Watanabe. Written by
Mike Rosenlof <firstname.lastname@example.org>
Being one of the Founding Fathers of Cinema, Kurosawa shines to all directions. In his diverse oeuvre it is hard, if not impossible, to find a weak work.
Ikiru is the most humane film of this grand Humanist. Kurosawa's story telling skills are sublime, and he has surpassed himself with this movie.
The slow pace and ditto camera movements (except in the night with 'Mephistofeles' where all is logically much more frantic) enhances the story superbly. What a pity some of the nowadays public can't find the tranquility and maybe serenity to watch a gorgeous film like that. That part of the movie lovers will miss a brilliant film, that would have lingered in the mind forever...
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