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Ikiru (1952)

Not Rated  |   |  Drama  |  25 March 1956 (USA)
8.3
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Ratings: 8.3/10 from 35,585 users  
Reviews: 147 user | 94 critic

A bureaucrat tries to find a meaning in his life after he discovers he has terminal cancer.

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Top 250 #129 | Nominated for 1 BAFTA Film Award. Another 5 wins. See more awards »
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Edit

Cast

Cast overview, first billed only:
...
Shin'ichi Himori ...
Haruo Tanaka ...
Sakai
Minoru Chiaki ...
Noguchi
Miki Odagiri ...
Toyo Odagiri, employee
Bokuzen Hidari ...
Ohara
Minosuke Yamada ...
Subordinate Clerk Saito
Kamatari Fujiwara ...
Sub-Section Chief Ono
Makoto Kobori ...
Kiichi Watanabe, Kanji's Brother
Nobuo Kaneko ...
Mitsuo Watanabe, Kanji's son
Nobuo Nakamura ...
Deputy Mayor
Atsushi Watanabe ...
Patient
Isao Kimura ...
Intern
Masao Shimizu ...
Doctor
Yûnosuke Itô ...
Novelist
Edit

Storyline

Kanji Watanabe is a longtime bureaucrat in a city office who, along with the rest of the office, spends his entire working life doing nothing. He learns he is dying of cancer and wants to find some meaning in his life. He finds himself unable to talk with his family, and spends a night on the town with a novelist, but that leaves him unfulfilled. He next spends time with a young woman from his office, but finally decides he can make a difference through his job... After Watanabe's death, co-workers at his funeral discuss his behavior over the last several months and debate why he suddenly became assertive in his job to promote a city park, and resolve to be more like Watanabe. Written by Mike Rosenlof <mrosenlof@qualcomm.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 March 1956 (USA)  »

Also Known As:

Doomed  »

Filming Locations:


Box Office

Opening Weekend:

$7,590 (USA) (3 January 2003)

Gross:

$55,240 (USA) (26 September 2003)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The song sung by Kanji Watanabe, in the bar, is called Gondola no Uta, "The Gondola Song". Written in 1915, it is a song about women and how they should find love before their time has run out. See more »

Goofs

In the last scene with Toyo (in the restaurant with the birthday party going on), the position of the bell on the mechanical bunny changes, even though neither actor has touched the bunny. See more »

Quotes

Novelist: How tragic that man can never realize how beautiful life is until he is face to face with death.
See more »

Connections

Featured in Life Itself (2014) See more »

Soundtracks

Come On-A My House
(1951) (uncredited)
Words and Music by William Saroyan and Ross Bagdasarian
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

"Only when he learned he would die did he start to live!"
11 January 2003 | by (Switzerland) – See all my reviews

Ikiru ("to live")is a Kurosawa film devoid of samurai or Toshiro Mifune. It is an oddity in his canon, neither an adaptation, nor an epic, or even a detective story. Instead, it is the simple and touching story of the last months of the life of a man, Watanabbe, public official, who decides to give a meaning to his life by transcending the obtuse and stiff mind of government bureaucracy to get a small public children's park built. As a parable for the soulless workings of modern bureaucracy, the goal is set pretty high, and Kurosawa goes even further, giving this story a lot of character, frequent humor, life and, most of all, heart. And going beyond the strengths of the direction and script, is the central performance by Takashi Shimura (later Kambei in Seven Samurai). Shimura gives his character such a transparently good heart and such great pain that every second of Watanabe's plight and struggle tugs at your heart, not in an overwhelmingly sentimental manner, but in one than feels honest and pure. If even many hardened souls will be drawn to tears, it is not for pity, but, admirably, because of envy for Watanabe's beautiful human dignity in the end, and for a film to have such power is beyond pure accomplishment, as the need to see this and, more importantly, feel it, goes beyond pure necessity...


99 of 105 people found this review helpful.  Was this review helpful to you?

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