Three men, reared together in New Orleans, but whose paths have drifted apart, each face a crisis during the last weekend of Mardi Gras: Dr. Jason Kent must decide between accepting a ... See full summary »
Based on the story, "See How They Run," which ran in the June, 1951 issue of "The Ladies' Home Journal" and subsequently won that year's Christopher Award. The story was written by Mary ... See full summary »
Big-city newspaper Editor Haven D. Allridge starts a crusade to smash corrupt small-town sheriff Burke. After Allridge is suddenly intimidated into silence, state's attorney Chick Johnson ... See full summary »
Katie McDermad, who comes from a working class household, is a dedicated surgical nurse, who loves her profession but not the low pay. Her emotions often get the better of her. Jeff ... See full summary »
Julia Ross secures employment, through a rather-noisy employment agency, with a wealthy widow, Mrs. Hughes, and goes to live at her house. Two days later, she awakens in a different house ... See full summary »
Joseph H. Lewis
Dame May Whitty,
Three men, reared together in New Orleans, but whose paths have drifted apart, each face a crisis during the last weekend of Mardi Gras: Dr. Jason Kent must decide between accepting a chance to become famous as a research scientist, which will mean leaving New Orleans and giving up the girl he loves, Susan Corvier, or staying in his father's practice among the poor; Father Victor Carducci is refused permission to open an independent clinic and is thinking of leaving the Church; Punch-drunk prizefighter Joe Piavi is mainly operating in a survival mode and is trying to collect $1500 owed to him by his former manager Mike Hennighan. When he finds out about the debt, brash reporter Danny Farber, not above a double-cross when it means gain for him, needles Hennighan about Joe, and then tells Joe that Henninghan is threatening to send him to an asylum. The paths of Jason, Father Carducci and J! Written by
Les Adams <email@example.com>
Played against the festivities surrounding Mardi Gras, this drama highlights the frustrations of a doctor and priest respectively: the former because his dedicated work cannot relieve the pain and suffering that fill the world he knows; the latter because his idealistic intentions are victimized by the church's bureaucracy. Most notable in this film is an outstanding performance by Keenan Wynn as a punchdrunk former fighter, a childhood pal of the doctor and priest. Surely his finest performance, in a role that challenges him as no other had done, Wynn is heart-rending in developing a character who is trying, without success, to retain a last shred of dignity and sense of self-worth. What could easily have been over-played is handled with sensitivity and restraint. Keenan Wynn.....of all people!
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