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IMDb > Hindle Wakes (1952)

Hindle Wakes (1952) More at IMDbPro »


Overview

User Rating:
5.6/10   37 votes
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Director:
Writers:
John Baines (screenplay) and
Stanley Houghton (play)
Genre:
Plot:
While on seaside holiday with her girlfriend Mary, a pretty factory worker named Jenny is attracted to Alan... more | add synopsis
Plot Keywords:
User Reviews:
Interesting document of the time, but not much else more (3 total)

Cast

  (Cast overview, first billed only)
Leslie Dwyer ... Chris Hawthorn
Lisa Daniely ... Jenny Hawthorn
Brian Worth ... Alan Jeffcote
Sandra Dorne ... Mary Hollins
Ronald Adam ... Mr. Jeffcote
Joan Hickson ... Mrs. Hawthorn
Michael Medwin ... George Ackroyd
Mary Clare ... Mrs. Jeffcote
Bill Travers ... Bob
Beatrice Varley ... Mrs. Hollins
Tim Turner ... Tommy Dykes
Diana Hope ... Betty Farrer
Lloyd Pearson ... Tim Farrer
Judy Vann ... Jeffcote's Secretary
Cyril Smith ... Hotel Porter
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Additional Details

Also Known As:
Holiday Week (USA)
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Runtime:
82 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Recording)
Certification:
USA:Approved (PCA #16516) | UK:A (original rating)

Fun Stuff

Trivia:
First film of Rita Webb. more
Movie Connections:
Featured in Trailer Cinema (1992) (TV) more

FAQ

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12 out of 15 people found the following review useful.
Interesting document of the time, but not much else, 10 January 2000
3/10
Author: Stefan Kahrs from Canterbury, England

One would watch this film today more out of historical interest, i.e. as a document of its time, than as a piece of entertainment. It shows the moral standards of the time (and how they were changing) and the way people used to have fun. This was visibly pre-television. One of the depicted ways to have fun features so prominently that I suspect an early form of 'product placement' - the Wintergarden in Blackpool.

Most characters of the film are nauseatingly stereotypical (with a pre WW2 feeling - they seem dated even by 1952 standards), the only exception being the female lead. Sadly though, Lisa Daniely's accent is ridiculously posh for a supposed working class girl.

On the plus side, the film has a more realistic feel than most of its contemporaries. This is a consequence of the real world settings and because the director refused to glamourise anything; clothes, sets, behaviour all appear real - there are also no cop-outs at the end.

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