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Holiday Week (1952)
"Hindle Wakes" (original title)

 -  Drama | Romance
6.0
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Ratings: 6.0/10 from 67 users  
Reviews: 3 user | 2 critic

While on seaside holiday with her girlfriend Mary, a pretty factory worker named Jenny is attracted to Alan, son of the owner of the mill where she works. When she agrees to spend a week ... See full summary »

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(screenplay), (adapted from the play "Hindle Wakes")
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Title: Holiday Week (1952)

Holiday Week (1952) on IMDb 6/10

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Cast

Cast overview, first billed only:
Leslie Dwyer ...
Lisa Daniely ...
Brian Worth ...
Sandra Dorne ...
Ronald Adam ...
Mr. Jeffcote
Joan Hickson ...
Michael Medwin ...
George Ackroyd
Mary Clare ...
...
Bob
Beatrice Varley ...
Tim Turner ...
Tommy Dykes
Diana Hope ...
Lloyd Pearson ...
Judy Vann ...
Jeffcote's Secretary
Cyril Smith ...
Hotel Porter
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Storyline

While on seaside holiday with her girlfriend Mary, a pretty factory worker named Jenny is attracted to Alan, son of the owner of the mill where she works. When she agrees to spend a week with the young man, Jenny enlists her roommate's help to keep this liaison a secret. The conspiracy backfires when Mary is killed in a freak boating accident, revealing that Jenny was elsewhere. Both sets of parents learn of the liaison, and insist that Alan "do the right thing" by marrying her. The independent Jenny has a surprise for them. Successful and more realistic remake of one of the earliest British talkies, made in 1931 after two previous silent versions. Written by Mike Rogers <MICHAELPEM@aol.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Also Known As:

Holiday Week  »

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Trivia

First film of Rita Webb. See more »

Connections

Version of Fanny Hawthorne (1927) See more »

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User Reviews

 
Interesting document of the time, but not much else
10 January 2000 | by (Canterbury, England) – See all my reviews

One would watch this film today more out of historical interest, i.e. as a document of its time, than as a piece of entertainment. It shows the moral standards of the time (and how they were changing) and the way people used to have fun. This was visibly pre-television. One of the depicted ways to have fun features so prominently that I suspect an early form of 'product placement' - the Wintergarden in Blackpool.

Most characters of the film are nauseatingly stereotypical (with a pre WW2 feeling - they seem dated even by 1952 standards), the only exception being the female lead. Sadly though, Lisa Daniely's accent is ridiculously posh for a supposed working class girl.

On the plus side, the film has a more realistic feel than most of its contemporaries. This is a consequence of the real world settings and because the director refused to glamourise anything; clothes, sets, behaviour all appear real - there are also no cop-outs at the end.


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