While on seaside holiday with her girlfriend Mary, a pretty factory worker named Jenny is attracted to Alan, son of the owner of the mill where she works. When she agrees to spend a week ...
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A celebration of working class leisure activities at Hindle, Lancashire, during "Wakes Week", an annual week still observed in parts of Lancashire and Yorkshire when all factories and ... See full summary »
When the night watchman of a garage is found murdered, 4 young men are arrested and put on trial. Under cross-examination, suspects and witnesses give differing accounts of the same ... See full summary »
Hemel Pike is a canal barge casanova, aided and abetted by his illiterate cousin, Ronnie. Hemel has a girl in every town along his route, and each one is intent on marriage. He is finally ... See full summary »
Harry H. Corbett,
While on seaside holiday with her girlfriend Mary, a pretty factory worker named Jenny is attracted to Alan, son of the owner of the mill where she works. When she agrees to spend a week with the young man, Jenny enlists her roommate's help to keep this liaison a secret. The conspiracy backfires when Mary is killed in a freak boating accident, revealing that Jenny was elsewhere. Both sets of parents learn of the liaison, and insist that Alan "do the right thing" by marrying her. The independent Jenny has a surprise for them. Successful and more realistic remake of one of the earliest British talkies, made in 1931 after two previous silent versions. Written by
Mike Rogers <MICHAELPEM@aol.com>
If I weren't a girl of such strong principles, I'd marry you like a shot.
Well, couldn't you forget them?
But darling, if I didn't have such strong principles, I probably wouldn't have forgiven you in the first place.
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Interesting document of the time, but not much else
One would watch this film today more out of historical interest, i.e. as a document of its time, than as a piece of entertainment. It shows the moral standards of the time (and how they were changing) and the way people used to have fun. This was visibly pre-television. One of the depicted ways to have fun features so prominently that I suspect an early form of 'product placement' - the Wintergarden in Blackpool.
Most characters of the film are nauseatingly stereotypical (with a pre WW2 feeling - they seem dated even by 1952 standards), the only exception being the female lead. Sadly though, Lisa Daniely's accent is ridiculously posh for a supposed working class girl.
On the plus side, the film has a more realistic feel than most of its contemporaries. This is a consequence of the real world settings and because the director refused to glamourise anything; clothes, sets, behaviour all appear real - there are also no cop-outs at the end.
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