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Goofy on holidays

Author: Thomas ( from Berlin, Germany
30 July 2015

*** This review may contain spoilers ***

"Hello Aloha" is a 7-minute cartoon from over 60 years ago by the Kinney brothers and it is basically another "how-to video" featuring Goofy. Unlike the Mickey and Donald short films, these Goofy films always had a narrator who explained pretty much what Goofy was doing exactly or what was going on in the scenes we did not see. The natives trying throw Goofy into the volcano was kinda expected, but still a funny ending. Well.. this could not have happened at the office right Goofy? Then again, you can't walk barefoot over clay and enjoy a nice swim in the office. Tough choice. Office or Hawaii? Anyway, my favorite scene was maybe the mailbox reference on the island. That one was pretty fun. The rest of the film was okay too, but it's nowhere near my favorite Goofy cartoons like for example the one where he plays tennis.

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The work a day world vs. the tropical paradise world

Author: TheLittleSongbird from United Kingdom
29 July 2013

Goofy is one of Disney's best characters, naturally funny, likable and out of him, Mickey and Donald he is the one who have developed/evolved the most. Hello Aloha is not among the best of the Goofy shorts, but it still entertains and is relateable. The transition from daily life to paradise does come across as awkward at first. The animation is very good though, the characters are well drawn though not exceptionally(once again there's this Goofy look-alikes idea here that could have done with a little more variety), while the colours are vibrant and the backgrounds fluid with something always interesting to see. The music is energetic and characterful with lush orchestration and as ever merges with the humour and the action brilliantly. The narration is informative, witty and deliciously sardonic in places, with Goofy doing things different to what it's saying and messing things up is very funny stuff. It's very like the format of the How to...shorts, which was a nice touch. The gags are imaginative and well-timed, the scene with the hammock came across as the highlight. The story is slightly routine in places, but that doesn't matter when it's colourful and funny, and also that it has a situation that anybody in the workplace can identify with greatly, with an ending that is decidedly subversive and comes off very well. Overall, not one Goofy's better shorts but still has the things that make his shorts fun to watch and he is on top form also. 8/10 Bethany Cox

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A Goofy Tale

Author: Ron Oliver ( from Forest Ranch, CA
27 September 2002

A Walt Disney GOOFY Cartoon.

Mr. Geef bids farewell to his old office job and HELLO ALOHA to the soothing peace of a Polynesian isle.

Routine animation illustrates this typical Goofy tale. The portrayal of the Hawaiians is rather negative, albeit amusing. Harry Owens and his Orchestra supply the silky music.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.

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