The opening scene of the movie describes it best: "Once upon a time there lived in Denmark a great storyteller named Hans Christian Andersen. This is not the story of his life, but a fairy tale about the great spinner of fairy tales."
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A completely fabricated biography of the famous Danish fairytale writer Hans Christian Andersen featuring several of his stories and a ballet performance of "The Little Mermaid". Written by
Col Needham <firstname.lastname@example.org>
The 1966 US TV premiere of this film, telecast by ABC-TV, was hosted by yet another legendary Dane, Victor Borge. This was done because the film runs a full two hours and ABC did not wish to cut it to make room for commercials, so they stretched out the broadcast with hosting sequences. The telecast was sponsored by Eastern Air Lines, who offered, as a promotional tie-in, an album of Anderson stories, as told by Borge, on American Decca records, and sold through the mails. Coincidentally, the best-selling studio cast album of the songs from the'Danny Kaye' film, which featured Kaye along with Jane Wyman in a rare singing appearance, was also an American Decca release. See more »
When Hans Christien Andersen and Peter cross the Great Belt, Peter spots Copenhagen on the other side of the belt, but Copenhagen is located on the other side of Zealand and cannot be seen from a boat on the Great Belt. See more »
Opening credits: "Once upon a time there lived in Denmark a great storyteller named Hans Christian Andersen. This is not the story of his life, but a fairy tale about this great spinner of fairy tales." See more »
A lot of the comments previously made here are true and this certainly isn't any kind of real biographical film of Hans Christian Anderson. But one must remember that Samuel Goldwyn was primarily making this film as children's entertainment. And on that level he succeeded brilliantly.
In fact at the age of 5 in the cinema in Brooklyn this was the first movie on the big screen I ever remember seeing. My father was a big Danny Kaye fan so the whole family went to see it. And of course one of the first long-playing records we had in our house was the soundtrack to that film.
Another reviewer said that Frank Loesser's score was the highlight for him in the film. I don't think Danny Kaye ever had better material to sing with on the screen. Up to this point he got by with stuff especially written for him by his wife Sylvia Fine. He proved here in Hans Christian Anderson that he could definitely succeed without it.
Anyway when I view this film I'm five years old again. You will be too if you see it.
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