In a cheap hotel-room in New York City Jelke shoots gangster Joe Wells, takes a package from his pocket and flees.Wells staggers into an alley. On her way to her apartment above a wax ... See full summary »
In World War II France, American soldier Michael Blake captures, then loses Nazi-collaborator art thief Paul Rona, who leaves behind a gem studded gauntlet (a stolen religious relic). Years later, financial reverses lead Mike to return in search of the object. In Paris, he must dodge mysterious followers and a corpse that's hard to explain; so he and attractive tour guide Christine decamp on a cross-country pursuit that becomes love on the run...then takes yet another turn. Written by
Rod Crawford <firstname.lastname@example.org>
A Little Uneven, But Worth Seeing For a Number of Reasons
Though rather uneven some of the time, "The Green Glove" is still worth seeing for a number of reasons. It has a solid cast headed by Glenn Ford, the story has some interesting moments, and most of all the location filming provides some very nice views besides helping considerably with the atmosphere.
The opening sequence works pretty well in tossing out some mysterious details, and the movie then goes back to tell the story from the beginning. Ford's character is not very likable, but it's hard not to identify with him as he faces a series of threats while he tracks down the valuable artifact upon returning to France after the war. It's interesting to see him meet up with an antagonist played by George Macready, with whom Ford was paired in the earlier, much more memorable "Gilda". Macready's distinctive voice and mannerisms make him an interesting adversary.
Geraldine Brooks is likable as the tour guide who helps Ford in his quest, although her character remains largely one-dimensional. Cedric Hardwicke appears as a village priest, but he is unfortunately never given anything significant to do. Jany Holt makes good use of her scenes as the Countess.
The pace is sometimes inconsistent, with a number of slow stretches and a couple of rather jumpy spots. But the story has enough of interest to make you want to see how it all comes out.
The settings and scenery are probably the main strength of the movie, and without them, it would probably have been pretty plain. The scenery of the mountains and villages of southern France creates a very good atmosphere, and the bell-tower setting is also used well. More than anything else, these aspects lift "The Green Glove" from a fair picture to a decent one that is worth seeing despite a few flaws.
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