Flamarion, expert marksman, is entertaining people in a show which features Connie, beautiful woman and her husband Al. Flamarion and Connie fall in love and decide to get rid of the ... See full summary »
Erich von Stroheim,
Mary Beth Hughes,
In World War II France, American soldier Michael Blake captures, then loses Nazi-collaborator art thief Paul Rona, who leaves behind a gem studded gauntlet (a stolen religious relic). Years later, financial reverses lead Mike to return in search of the object. In Paris, he must dodge mysterious followers and a corpse that's hard to explain; so he and attractive tour guide Christine decamp on a cross-country pursuit that becomes love on the run...then takes yet another turn. Written by
Rod Crawford <firstname.lastname@example.org>
I noticed that another reviewer compared this film to "The Maltese Falcon". Well, I would also add to that "The 39 Steps". Yet, although these both are classic films, "The Gauntlet" (also known as "The Green Glove") is far from classic status. While it is reasonably entertaining, it fails to ever rise above mediocrity.
The film begins during WWII. A downed pilot (Glenn Ford) captures a very strange Nazi collaborator (George Macready)--strange because Macready is a multinational and is out for himself and couldn't care less which side wins the war. During this brief meeting with Macready, he learns about some valuable holy relic--some green gauntlet encrusted with jewels. Well, as soon as you can say 'hey,...this reminds me of "Gilda"', Ford loses Macready and the war goes on its merry way.
Several years pass. Ford has been bumming about Europe with no real direction in life. However, he gets the idea someone is following him and he's right--Macready's men are looking for him because they think he has the gauntlet. He doesn't and the gang soon turns out to be very tough--and Ford ends up becoming a wanted man for a murder the gang committed. Along the way, he picks up a lady friend (much like Madeleine Carrol in "The 39 Steps") and they go on a cross country romp leading to where the gauntlet MIGHT be. There, they have some confrontation scene and the film ends.
About the only thing that stood out in this film for me was the structure of the film. It begins at the end and then begins again--showing all the action leading up to the eventual return of the holy relic to the church. Apart from that, it just seemed like a lot of other films all tossed together rather haphazardly. On top of that, Glenn Ford's grouchy guy persona got a bit old. I've seen it many times before and here he just seems like a guy with a toothache. Not a terrible film but one that never quite seemed to work.
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