When a chemical manufacturer is killed after asking detective James Wong to help him, Wong investigates this and two subsequent murders. He uncovers a international spy ring hoping to steal... See full summary »
Typical Monogram whodunit from the 30's, with dialogue and sound effects based on the well known mystery book with same title. A valuable gem from India is stolen in an old dark mansion and... See full summary »
Gustav von Seyffertitz
In a cheap hotel-room in New York City Jelke shoots gangster Joe Wells, takes a package from his pocket and flees.Wells staggers into an alley. On her way to her apartment above a wax ... See full summary »
In World War II France, American soldier Michael Blake captures, then loses Nazi-collaborator art thief Paul Rona, who leaves behind a gem studded gauntlet (a stolen religious relic). Years later, financial reverses lead Mike to return in search of the object. In Paris, he must dodge mysterious followers and a corpse that's hard to explain; so he and attractive tour guide Christine decamp on a cross-country pursuit that becomes love on the run...then takes yet another turn. Written by
Rod Crawford <email@example.com>
The famous Hitchcockian McGuffin that everyone is looking for is a medieval jewel encrusted knight's gauntlet said to have belonged to a warrior saint who defeated the Moors in battle back in the day. The fact that the Moors never got to the French Riviera in and around Monte Carlo is of minor importance. It's an object of veneration and worship to the villagers in that small town that saw battle in the southern invasion of France by Alexander Patch's American army in August of 1944.
Paratrooper Glenn Ford landing in that town finds George MacReady stealing the item during battle. MacReady is a creature of mysterious origins who survives on his wits, resources and whatever he can steal at the moment. To the French he's a spy to the Nazis he's a collaborator which is a nifty arrangement I must say. The Nazis as we know were real big on liberating art treasures from their various conquered countries.
But some allied bombs prevent MacReady from stealing The Green Glove and Ford has it and leaves it with a family in an sealed attache case that belonged MacReady.
After the war, flashing forward seven years, things haven't gone well for Ford in civilian life and he goes back to France with some hope to find that valuable Green Glove and hoping that's his meal ticket. But when he gets there, he finds MacReady as well who's hoping Ford can lead him to The Green Glove.
A few murders later, Ford picking up tour guide Geraldine Brooks to share his fugitive status because MacReady has framed Ford for those murders and it's time for Ford to confront MacReady, The Green Glove and what he really wants from life.
The Green Glove is an independent film released through United Artists that was shot entirely on location in France and Monaco. I'm sure it was a good excuse for a vacation for the English speaking thespians of the film, Ford, Brooks, MacReady, and Cedric Hardwicke who plays the village priest and custodian of The Green Glove who prays for its return.
It would have been nice to have some color, I'm sure part of the reason it was done in black and white was budgetary and part was so that World War II newsreel footage could be incorporated. Still you're talking about some beautiful area of the planet that two years later Alfred Hitchcock would show us in To Catch A Thief. Paramount gave Hitch a much bigger budget than Rudolph Mate had for The Green Glove.
It's not a bad film, in fact it has an exciting chase sequence involving Ford eluding MacReady and his men by taking a rugged mountain trail that is euphemistically called the goat path. Hitchcock couldn't have staged it better. But the cheapness of the production values and a somewhat confused story line prevent The Green Glove from gaining any lasting glory.
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