In flashback from a 'Rebecca'-style beginning: Ellen Foster, visiting her aunt on the California coast, meets neighbor Jeff Cohalan and his ultramodern clifftop house. Ellen is strongly ... See full summary »
In World War II France, American soldier Michael Blake captures, then loses Nazi-collaborator art thief Paul Rona, who leaves behind a gem studded gauntlet (a stolen religious relic). Years later, financial reverses lead Mike to return in search of the object. In Paris, he must dodge mysterious followers and a corpse that's hard to explain; so he and attractive tour guide Christine decamp on a cross-country pursuit that becomes love on the run...then takes yet another turn. Written by
Rod Crawford <firstname.lastname@example.org>
This is one of those films that could have been a lot better. Make the gauntlet more interesting. Have it centered in the culture. For heaven's sake. The thing has only been missing for a few years. Create a kind of religious fervor. Then put Glenn Ford and his adversaries on a collision course of some kind. Instead, it's never really clear why all the fuss. Is the bad guy just psychotic or are his intentions purely economical (I suppose they are). Ford finds himself in the middle of an investigation just by showing up. Why has he been targeted so specifically be the police? There is an element of North by Northwest in here, but it just doesn't work. Ford is a pretty boy, but he's not very charismatic. Then there are those endless scenes, running up and down the mountain to get to the church where the gauntlet resides. I also don't know why those bells kept ringing for so long. The love interested is sort of contrived and lacking in real sparks because the dialogue lacks wit and mystery. It's reasonably interesting, but quite an investment of time.
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