Louisa May Alcott's autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth... See full summary »
Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls father is away serving as a minister to the troops... See full summary »
To ensure a full profitable season, circus manager Brad Braden engages The Great Sebastian, though this moves his girlfriend Holly from her hard-won center trapeze spot. Holly and Sebastian begin a dangerous one-upmanship duel in the ring, while he pursues her on the ground. Subplots involve the secret past of Buttons the Clown and the efforts of racketeers to move in on the game concessions. Let the show begin! Written by
Rod Crawford <firstname.lastname@example.org>
When Mickey Mouse and other Walt Disney characters walk around the ring, the band plays the song "It's A Hap-Hap-Happy Day" from Gulliver's Travels, which was released by Paramount, not Disney. See more »
You always have a smile for that high-flying peacock.
Well, what do you want me to do, cry over him?
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Every one was shocked when THE GREATEST SHOW ON EARTH won Oscars for Best Motion Picture and Best Screenplay; there was nothing about the film that could be considered "great art." At the same time, however, SHOW was a lot of fun, and certainly audiences of the day flocked to it, making it the single biggest grossing film of 1952.
The story is purple-prose soap opera. Circus manager Brad Braden (Charleton Heston) is doing a balancing act between rival arielist stars Sebastian (Cornel Wilde) and Holly (Betty Hutton)--the later of whom is torn in her affections between the two. Add in a lovely but common show girl (Dorothy Lamour), a jealous elephant trainer (Lyle Bettger), the object of his affections (Gloria Graham), a clown with a mysterious past (Jimmy Stewart), high wire accidents, and a train wreck--all mixed well by Cecil B. DeMille's eye for larger-than-life spectacle. The result is brassy, silly, corny, and thoroughly enjoyable.
Seen today, the big attraction here is the chance to see the circus when it was still traveling by rail and performing under "the big top." Filmed with the cooperation of Ringling Brothers-Barnum and Bailey, SHOW allows us to see what was involved in organizing the lavish show that was the circus in the 1950s, a world filled with roustabouts, elephants, barkers, peanut vendors, acrobats, and all the rest. One of the more interesting aspects of this is Emmett Kelly, one of America's greatest clowns, who appears throughout the film as himself.
THE GREATEST SHOW ON EARTH is lots of flash and dazzle, a little song and dance, Charleton Heston in his first major role, Betty Hutton in one of her final films (she did most of her own stunt work), and lots of corny charm. It might not really be the "greatest" show on earth, but it is very picturesque. The film isn't restored, but it isn't in bad condition; sadly, there are no bonuses at all.
GFT, Amazon Reviewer
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