To ensure a full profitable season, circus manager Brad Braden engages The Great Sebastian, though this moves his girlfriend Holly from her hard-won center trapeze spot. Holly and Sebastian begin a dangerous one-upmanship duel in the ring, while he pursues her on the ground. Subplots involve the secret past of Buttons the Clown and the efforts of racketeers to move in on the game concessions. Let the show begin! Written by
Rod Crawford <firstname.lastname@example.org>
The movie is often cited as the least deserved Best Picture winner ever. It is widely believed the film only won because many members of the Academy were reluctant to vote for the anti-Joseph McCarthy western High Noon (1952), whose screenwriter Carl Foreman had just been blacklisted from Hollywood. See more »
When the circus train is leaving to start the season, as it passes the priest performing the blessing, we see the car carrying Holly (clearly visible in the open door) pass twice - two nearly identical shots, one right after the other. See more »
Did he say you were like cognac? All fire in zee glass?
No, he said I was like champagne. I made his head spin.
Yeah, only you'll be the one who winds up with a hangover.
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Betty Hutton and Cornel Wilde are superb in their 'flyer' roles!
I saw this film in a theatre when it first came out and, had forgotten a great deal of it, until I saw it again last evening.
Much of the film is actual footage of the REAL Barnum and Bailey Circus, setting up, tearing down and loading up for the trip to the next venue.
I had also forgotten how superb both Betty Hutton and Cornel Wilde are doing a great deal of their own 'flying'! While you realize that they have a net just under the view of the camera, they both perform physically demanding stunts with the camers right in their faces! I can't stand on my head on the floor much less on a swinging trapeze!!
Wilde's front summersault from one swinging bar to another swinging bar is breathtaking!!
Some of the action is quite dated and the trainwreck is...well, DeMille's rendition of a massive trainwreck. The plot creaks a bit here and there, but the many performers do their bits with conviction.
Hutton and Wilde steal the show from Heston and Stewart. I recommend this film to Circus lovers everywhere and to people who appreaciate actors placing themselves in Harms Way to create illusions (be they VERY dangerous illusions) of the REAL thing! I give it an 8.
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