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11 out of 11 people found the following review useful:
Everything is relative ... even the impact of terrorism, 7 December 2005
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Author:
manuel-pestalozzi from Zurich, Switzerland
As fate would have it, I bought a low price DVD with this movie shortly
before the bomb attacks on the London underground on July 7th, 2005. I
suppose the story is based on real facts. Members of the IRA planted
bombs in London's underground system during WW II. This is what happens
in the first part of this movie anyway, and an amazing amount of
footage seems to have been shot on real locations. Dirk Bogarde plays
the young Irishman who deposits the suitcase with the time bomb on a
station platform full with families and children who are bedding down
for a night during the Blitz, John Mills is his older brother, also a
member of the terrorist gang but beset by moral qualms. He follows the
Bogarde character and manages to throw the bomb into the tunnel just
before it explodes.
Basically this is a story about the questioning of causes and of the
justification of terrorist acts, specially in relation to the situation
in Northern Ireland. In this aspect it is not unlike Carol Reed's Odd
Man Out, made a few years earlier. The main character takes a critical
view of the actions of the terrorists who in turn suspect him of being
a traitor (not without reason). The action soon moves to an isolated
road house on the Green Island, the base of the gang, and the point is
clearly made, that all the actions of the terrorist are senseless and
just cause harm to many innocent people without achieving anything but
generating more suffering and hate.
What is really interesting for a viewer of our days about this movie is
how the issue of terrorism is treated. The terrorists are basically
presented as misguided dimwits who will never be able to shake the
system. Compared with how terrorism is regarded today this treatment
struck me as being a very mild and strangely relaxed view of people
ready to commit atrocities. But then I came to understand that even
terrorism and its impact have to be relativised. Compared with the
surface bombings by German planes during the Blitz (a memory certainly
still very fresh in 1952), the damages caused by a group of terrorists
must have seemed very limited indeed.
2 out of 2 people found the following review useful:
rarely seen post-war English drama, 22 November 2010
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Author:
Michael Neumann from United States
This small gem of a thriller is set in the ambiguous battleground of Northern Ireland during World War Two, where a hotheaded young Irish patriot (i.e. terrorist) learns his older and wiser brother (a disenchanted ex-IRA soldier) has been suspected by his old comrades of duplicity. It may not be a classic, but the film offers plenty of action, some unobtrusive melodrama, and a script that never strays too far from the larger issues. The optimistic ending may ring false, but it at least provides a memorable punch line, when an Englishman and his Irish companion are shown celebrating their differences with a toast. Says the Britisher: "To England, where the situation is serious but never hopeless", to which the Irishman replies: "To Ireland, where the situation is hopeless but never serious."
Gilbert Harding!!, 20 April 2012
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Author:
Billy Pilgrim from United Kingdom
*** This review may contain spoilers ***
Two reasons for picking it up, Gilbert Harding in a film (my only
knowledge of him was Whats my line and the Face to Face), and an Ealing
film.
I had known the IRA had bombed London in the war, and it was an
interesting take on the story. The IRA cell get sprung (but are chased
by the police in an unresolved plot end) but for the time it is even
handed. I cant imagine Hollywood making a film that has sympathetic Al
Qaeda characters.
Yes it is wooden acting, but it passed an evening, I also picked up two
Will Hay Ealing films at the same time, which I have yet to watch. The
connection being that Oh Mr Porter! is a film about IRA gunrunning.
Grumpy Gilbert Harding Acting!!, 1 January 2012
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Author:
(howardmorley@aol.com) from United Kingdom
I could only rate this 5/10 mainly because of the atrocious casting.I
do not accept Ealing Films could not cast this film in 1952 with more
authentic Irish actors in the principal roles.Consider they casted
these leads:John Mills, Dirk Bogarde (English) wobbly accents, Robert
Beatty (Canadian) wobbly accent, Elizabeth Sellars (Scottish) wobbly
accent.Ironically Eddie Byrne whom I always thought as Irish was
actually born in Birmingham, England and Barbara Mullen was actually
born in Massachusets, USA.A real mixed bag of actors and accents which
completely destroyed the believability of this film for me.I suppose
their drama academies had not taught them authentic Irish accents and
had dredged every vernacular out of them in their quest for received
pronunciation.
The part of "The Gentle Gunman" I enjoyed most were the verbal duels of
Gilbert Harding ("What's My Line 1950s BBC TV version;Face to Face with
John Freeman) with the actor who played old doctor O'Loughlin (from "A
Night To Remember" 1958) and a Mrs Doyle (Father Ted) type woman
operating the telephone exchange at an Irish post office.Film producers
have an awful tendency to romanticise IRA type figures in films.
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