Ma and Pa are trying to raise enough money at the county fair to send their daughter Rosie to college. Ma competes in baking and Pa enters a trotter in a horse race, while Rosie takes up with handsome young Marvin Johnson.
Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
In one scene when Donald O'Connor finishes talking with Francis in the barn and leaves, Chill Wills is clearly seen standing behind the paddock. He's wearing a cowboy hat and ducks down after he realizes he's on camera. Actually, if you freeze frame that part of the scene, the person ducking out of camera range is clearly not Chill Wills; it's actually Francis'(Who's real name is Molly) trainer Lester L. Hilton. See more »
Although I have always had a strong affection for the Francis pictures, probably because I grew up with them, I always found that the preponderance of military settings in the series was a little claustrophobic and cramped the potential for humour. (Consequently my favourites have always been Francis Goes to the Races and Francis Covers the Big Town). In Francis Goes to West Point I find this tendency to be at its most pronounced. Not only are we saddled with a military setting (and a confined one at that, so that there is not even the chance to open the story out a little), but as well as the usual mandatory romance between Peter Stirling and some Universal starlet, there is a another romantic subplot involving other cast members, and a hackneyed football sub-plot as well. For this reason I have always found this instalment the weakest in the series, an honour generally accorded to Francis in the Haunted House, but I'd take that over this any day. Pity that the opening scenes where Stirling saves a government plant from saboteurs didn't lead to some other kind of storyline.
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