On their wedding night Bob informs his new bride Betty that he has bought a chicken farm. An abandoned chicken farm, to be exact, which is obvious when the two move in. Betty endures Bob's ... See full summary »
"Dakota," a young soldier on a pass in New York City, visits the famed Stage Door Canteen, where famous stars of the theatre and films appear and host a recreational center for servicemen ... See full summary »
Melvin Hoover, a budding photographer for Look magazine, accidentally bumps into a young actress named Judy LeRoy in the park. They start to talk and Melvin soon offers to do a photo spread... See full summary »
Sam Burton's second wife Neddy is Indian, their son Pacer a half-breed. As struggle starts between the whites and the Kiowas, the Burton family is split between loyalties. Neddy and Sam are... See full summary »
Jim Trask, former sheriff of Abilene, returns to the town after fighting for the Confederacy to find everyone thought he was dead. His old friend Dave Mosely is now engaged to Trask's ... See full summary »
In one scene when Donald O'Connor finishes talking with Francis in the barn and leaves, Chill Wills is clearly seen standing behind the paddock. He's wearing a cowboy hat and ducks down after he realizes he's on camera. Actually, if you freeze frame that part of the scene, the person ducking out of camera range is clearly not Chill Wills; it's actually Francis'(Who's real name is Molly) trainer Lester L. Hilton. See more »
Although I have always had a strong affection for the Francis pictures, probably because I grew up with them, I always found that the preponderance of military settings in the series was a little claustrophobic and cramped the potential for humour. (Consequently my favourites have always been Francis Goes to the Races and Francis Covers the Big Town). In Francis Goes to West Point I find this tendency to be at its most pronounced. Not only are we saddled with a military setting (and a confined one at that, so that there is not even the chance to open the story out a little), but as well as the usual mandatory romance between Peter Stirling and some Universal starlet, there is a another romantic subplot involving other cast members, and a hackneyed football sub-plot as well. For this reason I have always found this instalment the weakest in the series, an honour generally accorded to Francis in the Haunted House, but I'd take that over this any day. Pity that the opening scenes where Stirling saves a government plant from saboteurs didn't lead to some other kind of storyline.
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