The boys get drafted into the Marines. On their first day in basic training, their commanding officer discovers that Sach's dad is an old war buddy of his, so he makes Sach a sergeant and ... See full summary »
In a precursor to Trading Places (1983), the Bowery Boys are enrolled in a fancy college by a pair of rich snobs who think they can turn the Boys into classy guys. Sach becomes a football ... See full summary »
Saadia is a wild, strange Arab girl whose life has been dominated by a local sorceress, a vengeful outcast in the community, who has convinced her she has the "evil eye" and brings disaster... See full summary »
The Bowery Boys head west to clear Louie of an old murder charge that he had killed his gold-mine partner. Sach has the map to the gold mine painted on his back, and Blackjack McCoy has him... See full summary »
Two young office workers working at the same large firm secretly marry and defy their employer's policy against coworker fraternization. When the marriage is discovered, Margy (Turner) is ... See full summary »
A little B-picture that M-G-M tossed out, barely promoted and forgot about but one that is better than some of the A-dross from Leo in the same era. Shelley Winters, after an absence of 15 ... See full summary »
Whe 'Sach' Jones inherits a rundown farm in the South, he becomes the target of a group of feuding hillbillies who want to find out if he is a member of the Jones family they have killed or run away. "Sach" keeps his name a secret until a a gang of crooks, led by 'Big Jim', show up to use his place as a hideout from the pursuing law. The locals then decide that the gangsters belong to the Jones clan, along with "Sach." "Slip" Mahoney and the Bowery Boys outwit and hold-off the gangsters until the police arrive. Written by
Les Adams <email@example.com>
Sach (Huntz Hall) learns that his Southern uncle has left him the family farm so he packs up Slip (Leo Gorcey) and two others and head south. Once there they realize that Sach's family is feuding with another, which leads to many problems but things take a turn for the worse when the boys get mixed up with a bank robber (Lyle Talbot). The shocking thing is that it took the series twenty-seven films before they'd tackle the redneck genre, which had been popular since the silent days. Everyone from Buster Keaton to Abbott and Costello had played city folk traveling to the south and getting involved with rednecks but it took a while for our Bowery Boys. They really should have waited because the jokes here are just downright pathetic, boring and feature not an ounce of imagination. Whenever you watch one of these films you can expect a few jokes to fall on their face but this one here has pretty much everyone of them doing so. I was really surprised to see how poorly written this thing was and the perfect example happens early on when the boys arrive in town and we get a good fifteen-minute sequence of them hiding in the cabin while the rednecks are outside shooting. We get a wide range of jokes from them trying to wave a white flag only to be shot at to the redneck looking in the window and Sach thinking they're a picture. Neither of those scenes are funny and they're actually the best written gags, which is rather scary. Both Gorcey and Hall appear to be mailing in their performances as there's not a touch of energy from either of them and this is especially true of Gorcey. Talbot is clearly just cashing a paycheck and none of the rednecks stick out in a good way. FEUDIN' FOOLS is certainly one of the series low points and it's rather hard getting through the short 63-minutes.
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