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Face to Face (1952)

 |  Western, Drama  |  November 1952 (USA)
6.2
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Ratings: 6.2/10 from 39 users  
Reviews: 2 user | 1 critic

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Title: Face to Face (1952)

Face to Face (1952) on IMDb 6.2/10

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Cast

Cast overview:
...
...
...
Albert Sharpe ...
First Mate Brown ('The Secret Sharer')
Sean McClory ...
Second Mate Robinson ('The Secret Sharer')
Alec Harford ...
Smithers ("The Secret Sharer")
...
Sheriff Jack Potter ('The Bride Comes to Yellow Sky')
Marjorie Steele ...
Bride ('The Bride Comes to Yellow Sky')
Minor Watson ...
Scratchy' Wilson ("The Bride Comes to Yellow Sky")
Dan Seymour ...
Drummer ('The Bride Comes to Yellow Sky')
Olive Carey ...
Laura Lee ('The Bride Comes to Yellow Sky')
James Agee ...
Frank ("The Bride Comes to Yellow Sky")
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Storyline

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Plot Keywords:

based on book | See All (1) »

Genres:

Western | Drama

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Details

Country:

Language:

Release Date:

November 1952 (USA)  »

Also Known As:

The Bride Comes to Yellow Sky  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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User Reviews

 
Two great writers, and a screenplay by James Agee
24 April 2013 | by (S. Paulo, Brazil) – See all my reviews

Those are two totally different stories, one might ask what brings them together, and most will find no answer, but I will. Stephen Crane and Joseph Conrad are the the two most meaningful writers I have ever read. "The Outcast of the Islands", "Lord Jim" and "The Red Badge of Courage" have reached into me the way no other book did. The first half of the film, based on Conrad's "The Secret Sharer" is about a captain (James Mason) unsure of himself, becoming through a crisis more of a man. The second half, from a story of Stephen Crane "The Bride Comes to Yellow Sky" is about a Marshall, (Robert Preston), who just got married (Marjorie Steele excellent as the bride) traveling for the first time in a Pullman to his home town where he will meet a man who wants to kill him. There is no better example of how a good screenplay (James Agee) can make a film that otherwise would seem like a TV movie, become such a delight to see.


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